Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team.

This site is not for profit but for an expression of love for cinema & adjacent artforms. 

Powered by Squarespace
DON'T MISS THIS

Follow TFE on Substackd 

COMMENTS

Oscar Takeaways
12 thoughts from the big night

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe
« Team Experience: Mourning the Snubbed, Pondering the Head-Scratching Nominees | Main | The 89th Oscar Nominations Are Here »
Tuesday
Jan242017

8 Big Takeaways from the Oscar Nominations

Each Oscar nomination morning brings waves of hot takes. Here are seven things that stood out to me on first pass. What stood out for you?

Barry Jenkins directing his young cast in MOONLIGHT which received 8 nominations

Oscars No Longer So White (For Now)
As far as we are aware this is only the second year (other than 2004) where all four acting categories feature at least one actor of color. There are seven actors of color nominated this year, or 35% of the nominees. While I personally felt the anger last year was both justified and misdirected (there simply weren't that many options to feasibly nominate - and the Oscar nominees have been more diverse than Hollywood itself in years past which is where the problem truly lies), it's a great relief to see so much diversity this year. Not  every year has so many acclaimed hits starring people of color like Hidden Figures, Fences, Moonlight, Loving and Lion so let's hope the Academy has plenty of options next year, too. It's a good development. We also have the first black female nominated in editing (Joi McMillion for Moonlight) and the second black man ever nominated in cinematography (Bradford Young for Arrival -- the first was British Remi Adefarasin for Elizabeth) and, most famously, Viola Davis becomes the most Oscar nominated black woman of all time with her third nomination

Releasing After Christmas Just Doesn't Work
A24 had been there before with A Most Violent Year but the magical miraculous 20th Century Women met nearly the same fate of a shut-out...

Opening after Christmas is just much too late to build momentum. There are other examples but Hollywood never seems to learn that the best time for Oscar releases is October and November with early December working well, too... and barring that opening in the summer is a way to set yourself apart and still compete (see Florence Foster Jenkins and Captain Fantastic)...

Don't Trust Buzz on Non-Conventional Contenders
There was quite a bit of "O.J. Made in America in big categories" and "Deadpool coming on strong for multiple nominations" in the final days of the Phase One but in the end they were a documentary and a superhero flick. Documentaries almost never leave the Doc category outside of recently the Best Original Song race. Exceptions like Woodstock (1970, sound & editing), Hoop Dreams (1994, editing) and Waltz With Bashir (2008, foreign film) and The Missing Picture (2013, foreign film). Superhero films, unless Batman is in them, aren't taken seriously by Oscar voters. Final tally: O.J. Made in America nominated for Best Documentary Feature. Deadpool shut out completely.

The Unfortunate Comeback of Angry Older White Men
2016's most annoying theme continues at the Oscars with Mel Gibson getting a real Oscar comeback with a Best Director nomination at the same time that we're dealing with a new rise in anti-Semitism and sexism in the USA via the White House. (sigh) 

La La Land Sweep?
The hit musical will almost certainly be the biggest Oscar winner in a decade or so on February 26th. Only Titanic and All About Eve, which both won Best Picture, received as many nominations (14). Titanic won 11 Oscars. Can La La Land do that? It remains to be seen but a clean sweep is surely out of the question (How could Ryan Gosling win in Best Actor?). But we're surely looking at the biggest winning haul since Slumdog Millionaire (2008) which took 8 Oscars. Of Note: The most Oscars ever won by a musical was 10 for West Side Story (1961) which only lost one of its nominations, for Screenplay. The second most was Gigi (1958) which won 9 in a weak Oscar year.

Golden Globes Go Their Own Way
Some people take it a sign of a downfall that the Globes aren't as predictive as they once were. We think it's a strength as awards groups shouldn't even exist if they don't have their own identity apart from Oscar.  We only need one Academy of Motion Picture Arts & Sciences. But nevertheless it's worth noting that their intense love for Nocturnal Animals, followed by BAFTA's love of the same was not echoed at Oscar where only Michael Shannon was nominated (with zero precursor support, mind you). Aaron Taylor Johnson is the first Supporting Actor winner to not go on to an Oscar nomination since Richard Benjamin in The Sunshine Boys (1975)

The precursors favored Aaron Taylor Johnson but Oscar wanted Michael Shannon in Nocturnal Animals (2016)

Michael Shannon Don't Need No Stinkin' Precursors
Nocturnal Animals is the second time in his career where Michael Shannon has showed up in the Oscar race with zero major precursor support. The first time was Revolutionary Road (2008).  Curiously the year in which he had precursor support (99 Homes in 2015) he was not nominated! 

Never bet against Meryl Streep
The most-nominated actor of all time does it again with her 20th nomination... and she barely even campaigned this year compared to year's past. If you need a refresher her nearest rivals are Jack Nicholson (retired) and Katharine Hepburn (deceased) who each only made it to 12 nominations. So about four films from now, since she's nominated for breathing, Meryl will double the count of her nearest rivals.  In a feat of 'Only Meryl! adorability she sent this gif as her press statement about her new record. 

 

 

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments (61)

@Nathaniel:

"the new white house has encouraged the neo nazis who are still anti-semitic"

Sure. That's one thing. But personally I remember eight years ago when Obama took office and we learned that he had ties to Jeremiah Wright who had a history of very anti-semitism sermons. Personally I find that just as offensive.

But hey, let's not argue. This is about something else ;-)

January 24, 2017 | Unregistered CommenterMichael

(Sorry if someone already mentioned this!)

While the default "Documentary's can be nominated for other things too (but don't)" reference usually goes to the very great and snubbed HOOP DREAMS, it really should be 1970's WOODSTOCK: the film won the doc category and was nominated for TWO other awards, Sound and Film Editing (Thelma Schoomaker, too).

I think that makes it the most nominated documentary feature, no?

January 24, 2017 | Unregistered CommenterBill C

Paul Outlaw: Your analysis of the "white" "not white" controversy is spot on. I am Argentinian, but a 100% of Italian descent. We would agree that I am white. However, inspite of having skin that is as white as they come (too much, actually!), when I lived in the US for 6 years I had problems when having to fill in forms.

Moving on to the topic at hand: Ruth Negga was mentioned in many lists before the film was released. Then, after the release, the objection was that her performance was very muted, very subtle, lacking the histrionics that seem to please Oscar voters.

Contrary to this, Amy Adams was not mentioned in the early nominations, but then the film was released and, even though her performance is also very subtle, she appeared everywhere.

Well, in the end voters went back to the beginning...

January 24, 2017 | Unregistered CommenterMarcos

@GP - that was a great write-op, you really need to post more.

January 24, 2017 | Unregistered CommenterMDA

La Streep got the nomination for her anti Trump speech

January 24, 2017 | Unregistered CommenterJaragon

@ Marcos

I am Argentinian, but a 100% of Italian descent.

Similar to my friend Ciro, who I was thinking about when I wrote the comment. ;-)

January 24, 2017 | Unregistered CommenterPaul Outlaw

#OscarsStilSoWhite
#ButNotSooooooWhite

January 24, 2017 | Unregistered CommenterOther Ian

#BestOriginalScreenplaySoWhite

January 24, 2017 | Unregistered CommenterOther Ian

Nitpicking, but don't forget The Missing Picture - also an animated documentary - being nominated in Foreign Language Film in 2014!

January 25, 2017 | Registered CommenterLaurence Barber

The presence of Gibson in Directors spoils the pleasure all that diversity gives me.
His movie was barely good (the second half i mean... the first was just a mash-up of war movie clichés)
For those who claim that we should separate the man (as ugly as Gibson is) from the artist, i respond that Gibson stopped being an artist when he thought torture and violence were the ultimate art form.

January 25, 2017 | Unregistered CommenterClement_Paris

OMG - Nathaniel!!! You think 1958 was a weak film year??? I admit, that Gigi does not hold up today and quite frankly is not a great best picture winner (and I LOVES me some musicals!), but to say a year that saw Cat on a Hot Tin Roof, Auntie Mame, Separate Tables, South Pacific, I Want to Live!, VERTIGO!! To call it a weak year is frankly a huge overstatement!!!

January 26, 2017 | Unregistered Commenterfilmboymichael
Member Account Required
You must have a member account to comment. It's free so register here.. IF YOU ARE ALREADY REGISTERED, JUST LOGIN.