Cannes Winners 2019

With the 72nd Cannes Film Festival wrapped up in the beautiful south of France, it's time to see what the jury selected. Their winners were as such...

PALME D'OR

Bong Joon-ho receiving his Palme from Catherine Deneuve

PARASITE (Bong Joon-Ho, South Korea)
Bong Joon-Ho already has major fans all over the world given the success of his Korean pictures like Memories of a Murder, The Host, and his internationally minded films Okja and Snowpiercer. Our favourite by him is definitely the mesmerizing Mother (2009). Can't wait to see this one! More on Parasite...

GRAND PRIX

ATLANTIQUE (Mati Diop, France/Senegal)
Diop, is as we've noted, the first black female director ever selected for the Cannes competition and her film walks away with the Grand Prix. That's quite a debut film experience...

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Celebrating Anne Heche at 50

by Mark Brinkerhoff

Today we celebrate the 50th birthday of one of the best, most criminally-underrated actresses in Hollywood/by Hollywood: Anne Celestia Heche. 

Born not far from Cleveland, Ohio on this date, Heche had an unfortunately troubled family life and a hardscrabble upbringing that have been well-chronicled, including in her own 2001 memoir. And while her much-publicized relationship with Ellen Degeneres is surely the first (if not only) thing many think of when thinking of her, this is a tribute to Heche as an actress—not a re-litigation of an awfully quaint, pre-social media public spectacle surrounding a 20-plus-year-old relationship. Call her crazy if you will, call her untalented you may not.

When did you (if you did) first take notice of her? For me, a noted stan, it must’ve been around 1989...

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Cannes: 'Un Certain Regard' and 'Cinéfondation' Winners

At Cannes the "Competition" titles get most of the press but there's another competition that runs parallel each year which often hides films that are just as strong --some years critics argue that they're stronger. Nadine Labaki (Capernaum) presided this year over the jury judging the 19 films in "Un Certain Regard." That's the program Cannes officials often throw distinctive or high quality films from newer filmmakers in since they reserve the main competition for (mostly) legendary auteurs or Cannes mainstays. 

UN CERTAIN REGARD PRIZE

THE INVISIBLE LIFE OF EURIDICE GUSMAO (Karim Aïnouz, Brazil)
We first started tracking this picture because it's from the queer Brazilian director Karim Aïnouz who made Futuro Beach, a movie that we liked at the time but obviously undervalued as it really lingers in the memory (I still find myself thinking about it regularly 5 years later). His new film, which won the hearts of Labaki and her jury, also features the legendary Fernanda Montenegro but hers is, alas, a supporting role...

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Cannes winds down. What's winning the Palme?

by Nathaniel R

Margot Robbie at Cannes for "Once Upon a Time in..."There are 21 titles competing for the Palme d'Or at Cannes this year. We've already talked about seven titles. Pedro Almodovar's Pain & Glory (Spain) is a potential prize winner (and a legit Oscar hopeful) and Mati Diop's Atlantique (France/Senegal), and Celine Sciamma's Portrait of a Lady on Fire (France) could be the key films in ensuring prizes to female directors (something Cannes has historically been bad at) since they were both extremely well-received.

In addition to those three potential Palme d'Or or Best Director winners (Cannes most important prizes), Ladj Ly's contemporary French drama Les Misérables and Kleber Mendonça Filho's Brazilian oddity Bacurau are also threats for jury love.  Diao Yinan's The Wild Goose Lake and Jim Jarmusch's The Dead Don't Die got decent notices but we don't expect prizes there.  

With Cannes ending this weekend we've run out of time so here are quick notes on responses to the other 14 Competition titles and our predictions after the jump...

COMPETITION TITLES

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Fleabag: Season 2

By Spencer Coile

Rather than beat around the bush, let me just come right out and say: Fleabag is a miraculous piece of television. Its first season, an adaptation of the stage production by Phoebe Waller-Bridge, debuted on Amazon Prime back in 2016. It followed the titular Fleabag (played by Waller-Bridge), a foul-mouthed, lying, sexually insatiable cafe owner in London coming to terms with her best friend’s death. With few friends, she’s prone to stealing, sleeping with assorted men, and antagonizing her family, including her godmother-turned-stepmother (Olivia Colman) - all the while breaking the fourth wall and speaking to us, her audience. It was an uncomfortable yet poignant six episode run, but Fleabag’s story wasn’t quite over.

Waller-Bridge, notable for her recent involvement with Killing Eve, is back for one final season with her plucky anti-hero. And rather than just be a continuation of the first season, Fleabag returns to Prime with a second season so stunning and so deeply personal, you may have no choice but to see it to believe it. So, rather than a review, let’s consider this a celebration of Fleabag...

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