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Friday
Sep142018

Who will win the Emmy for Leading Actress in a Drama? 

By Spencer Coile 

The Leading Actress in a Drama Series category has been an embarrassment of riches this past decade. With previous winners including Glenn Close for Damages, Julianna Margulies for The Good Wife, Claire Danes for Homeland, and Viola Davis for How to Get Away with Murder, the Emmy’s are giving the gays everything they want. 

This year is particularly competitive, an eclectic diverse group of actresses at the top of their game. We have two previous winners, two who only have one last chance to win, one on an HBO blockbuster, and one making history as the first Asian American actress in the category. In a perfect world, they would all be victorious. Yet only one can win...

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Friday
Sep142018

TIFF Quickies with Gael García Bernal, Paprika Steen and more...

Nathaniel R reporting from the Toronto International Film Festival

Herewith very quick notes on five new films from world cinema, some with stars you'll recognize, that deserve lengthier word counts. That said, we're a week behind with TIFF reviews so we have to crank them out somehow -- better short-takes than no takes at all! 

Museo
The ever prolific Gael García Bernal continues to be a gift to world cinema. He has a small role in The Kindergarten Teacher (which... more on later) but fully carries Museo, a restless gem from Mexico. The movie begins with a formative father and son memory and memorable newsreel footage of an ancient statue being hauled across Mexico as a prized museum acquisition. Years later in 1985, the son Juan Nunez (García Bernal), or "Shorty," as his often derisive family calls him, remains obsessed with the story and robs the National Museum of Anthropology in Mexico City of 140 more mobile pre-Hispanic pieces...

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Friday
Sep142018

Blueprints: "The Assassination of Gianni Versace"

We’re less than one week away from the Emmys. For the last time, Jorge takes a look into the scripts for episodes of major contenders before the ceremony.

The Assassination of Gianni Versace was a big departure from the first season of American Crime Story in many ways. First of all, it is told in reverse. It opens with the titular murder of the fashion designer, and goes backwards into the other three murders that Andrew Cunanan committed, and traces back his childhood and upbringing. The show is less a legal procedural like O.J. and more a psychological dive into the mind of a broken man, and the emotional ramifications of his actions. The two seasons have completely different visual and narrative styles. They are written by different people. They are linked only by the series title after the colon.

Writer Tim Robb Smith uses Andrew’s story to make a larger comment about, among many other things, fame, self-hatred and the trauma of the closet...

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Thursday
Sep132018

Queer TIFF: "Climax"

by Chris Feil

The first third of Climax achieves the most gobsmacking of feats: it convinces you, and wholeheartedly, that provocateur Gaspar Noé might actually have gotten his shit together. After languorous attempts to shock like Love, overly lethargic flashes of innovation like Enter the Void, and burdensome levels of grimness like Irreversible, his new film emerges as something both audacious and (most importantly) succinct. But jokes on us because this is, after all, a Gaspar Noé experience. It also happens to be the best one yet.

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Thursday
Sep132018

TIFF: Christian Petzold returns with "Transit"

Nathaniel R reporting from the Toronto International Film Festival

Fans of the haunting post-war German drama Phoenix (well loved right here), will want to check out the latest from one of Germany's greatest directors Christian Petzold. Like PhoenixTransit is a story of lives tragically ruined by war and new identities emerging from the rubble. Transit isn't as much of an eery mystery as Phoenix, but it plays with similar themes. Our protagonist Georg played by the arresting, highly watchable Franz Rogowski (Happy End) initially appears to be an opportunist, doing two dangerous jobs for cash involving personal letters or actual transport for desperate people trying to escape attention in Germany on their way out of the country, and stealing another man's identity as his own ticket out. But our first impression is quickly complicated...

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