"The Favourite" Leads the Critics Choice Nominations

by Nathaniel R

me giving my fellow BFCA members the side-eye for some of their choices

Yorgos Lanthimos' pitch black comedy The Favourite led the Critic's Choice Nominations with a staggering 14 nods. Black Panther wasn't far behind with 12. The morning's biggest (and best) surprise is surely the resurgence of First Man, which had been struggling with precursors but has a very healthy 10 nominations with the BFCA. One wonders if it can rocket to a Best Picture nomination despite its box office troubles? In other very good news Toni Collette is nominated (though we aren't surprised in this case) and the foreign film list is aces. Well done.

Not that it's all good news but we're starting with the positives.

In the television categories (which are worth a read because they're quite different than the Globe nominations) Escape at Dannemora, The Americans, and The Assassination of Gianna Versace led all shows with 5 nominations a piece.  The complete list of nominees is after the jump along with a few comments...

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Blueprints: "The Assassination of Gianni Versace"

We’re less than one week away from the Emmys. For the last time, Jorge takes a look into the scripts for episodes of major contenders before the ceremony.

The Assassination of Gianni Versace was a big departure from the first season of American Crime Story in many ways. First of all, it is told in reverse. It opens with the titular murder of the fashion designer, and goes backwards into the other three murders that Andrew Cunanan committed, and traces back his childhood and upbringing. The show is less a legal procedural like O.J. and more a psychological dive into the mind of a broken man, and the emotional ramifications of his actions. The two seasons have completely different visual and narrative styles. They are written by different people. They are linked only by the series title after the colon.

Writer Tim Robb Smith uses Andrew’s story to make a larger comment about, among many other things, fame, self-hatred and the trauma of the closet...

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Blueprints: Emmy Nominees for Outstanding Writing in a Limited Series, Movie or Dramatic Special

Jorge has been taking a look at the Emmy history for this year’s writing nominees.  

Let’s take a look at the various shows that made up the six nominees for Writing in a Limited Series, TV Movie, or Dramatic Special. Even with the longest title in the writing categories, which aim to include made-for-TV films or broadcast theater performances, all of the nominees are from a limited series with multiple episodes (even Black Mirror, where every episode is self-contained, is part of a larger anthology). Some series submitted the entirety of their episodes, while others only a single standout episode (I ignore the specific rules, but I assume it has something to do with overall series length).

Since we’re huge fans of statistics here, let's take a look the elevator pitches and Emmy history stats after the jump…

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Television Critics Association Nominees 2018

by Nathaniel R

The Television Critics Association has only been around in some form or another since the 1980s but they have recently been getting more press. That's partially, we suspect, because the Emmys are so relentlessly unsatisfying with their constant repetitions. The TCA Awards aren't against a repeat here and there but more than two wins is rare in any of their categories and they've proven fairly discerning in the past.

We aren't fans of their tradition of fusing performance into only two acting categories (genderless and without any way to recognize supporting players or differentiate between movies and series so this means far far far fewer times the nominees in an era where we're constantly told that there is an abundance of great work!) but otherwise we like them just fine.

They were absolutely besotted with the debut season of "Killing Eve" this year. Nominations for the 2017/2018 television season are after the jump... 

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"ACS: The Assassination of Gianni Versace", Finale

by Jorge Molina

Episode 8: “Creator/ Destroyer”
Though the penultimate episode is a deeper origin story for Andrew, we open again a Versace vignette: their only appearance in the episode. But this one does not feature Edgar Ramirez, or Penelope Cruz. We see Gianni as a young boy in Italy, developing a passion for dressmaking. His mother is supportive enough to not only understand this passion, but fosters it. “You can do whatever you want in life, but you have to work for it.” Despite his classmates’ teasing and the repression of other adults, Gianni takes on the craft from his mother.

The show continues to make thematic connections between Andrew Cunanan and Gianni Versace, implying that their life paths and goals were remarkably similar. They are both immigrant stories chasing the American Dream against a system and a society that constantly looks down upon and underestimates them. They are two different sides of the same coin. I think the show is oversimplifying a much more complex issue and boiling it down to thematic parallels, but it is effective in the context of a somewhat fictional miniseries... 

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