Beauty vs Beast: Float With Me

Jason from MNPP here - as Nathaniel mentioned in yesterday's box office rundown the latest version of Stephen King's It has officially become the highest grossing horror film of all time now. And what with tomorrow being Halloween this week seemed a great chance to face down the story's Good Guys (And Girl) versus its Bad Guy with our "Beauty vs Beast" contest. It has a great legendary Bad Guy, one of the best ever. But can you actually root for him against a bunch of damaged nerds? I mean if we were talking about the 1990 miniseries I would give this question an emphatic "Heck Yes" but it's a little bit tougher with the remake...

PREVIOUSLY Y'all were feeling more Sense than Sensibility last week, giving Emma Thompson a solid 67% of your vote in last week's tribute to Ang Lee's classic film. Said lylee:

"Yay for Emma leading! It helps that I've always found Elinor vastly more compelling than Marianne as a character. They're both wonderful, but this I think is my favorite Emma performance. And yes, bonus for penning the screenplay. I still go back to her screenplay diaries (which *everyone* should read) when I want a pick-me-up."

The Furniture: Framing the Unseen in Personal Shopper

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Personal Shopper is a film about ghosts, and where to find them. Maureen (Kristen Stewart) is a bereaved twin, waiting in Paris for a sign from her recently deceased brother, Lewis. But it doesn’t come easy, not in the least bit due to some unpleasant cross-currents in her professional life. She acquires clothes and accessories for Kyra (Nora von Waldstatten), a celebrity who has an irritating penchant for holding onto things she was meant to return. Maureen jets across the city and rockets under the English Channel on her behalf, toting jewelry boxes and garment bags.

All of which is to say that the material of this film is transient and fleeting, the inevitable intangibility of the personal shopper’s trade. And, of course, it is also about the translucent transience of ghosts, especially ghosts that struggle to make contact. Olivier Assayas has created a layered projection of Maureen’s psychology that refuses her the simple clarity of the mirror. Instead, she seeks her brother and herself in all of the wrong places, only slowly understanding the nature of presence.

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TIFF & NYFF & Middleburg Wrap-Ups

Another autumn whizzes by and with it a look back on the festivals we've covered. Here's everything we reviewed from TIFF and NYFF and Middleburg this year in case you missed it. Reviews from Jason Adams, Manuel Betancourt, Nick Davis, Sean Donovan, Murtada Elfaldl, John Guerin, Chris Feil, and Nathaniel R

TIFF 2017

the films 
The Breadwinner •  Darkest Hour • 
Death of Stalin • Disaster • Downsizing • 
Euphoria • Film Stars Dont Die in Liverpool • 
First They Killed My Father • 
The Florida Project • Happy End • I, Tonya • 
The Killing of a Sacred Deer • Kings • 

Lady Bird • Lodgers • Mademoiselle Paradis • 
Mary Shelley • mother! • 
Never Steady Never Still • On Body and Soul • 
The Racer and the Jailbird • Revenge • 

The Seen and Unseen • The Shape of Water • 
Sheikh Jackson • Thelma • 
Three Billboards Outside Ebbing Missouri • 
Tigre • Western • The Wife • Zama

parties, events, randomness
greatest party photo ever • "I'm Armie" • 
Helena Bonham-Carter • mother! moods • 
portraits from the fest • PODCAST FINALE

NYFF 2017

the films 
Arthur Miller: Writer • BPM (Beats Per Minute) • Before We Vanish • 
Boom for Real: The Late Teenage Years of Jean-Michel Basquiat • 
Faces Places • Félicité • First Reformed • The Florida Project • 

Joan Didion: The Center Will Not Hold • Lady Bird • Let the Sunshine In • 
The Meyerowitz Stories • Mrs Hyde • Mudbound • The Rider • Spielberg •
Thelma

 parties, events, randomness 
red carpet prayer • PODCAST FINALE

MIDDLEBURG 2017

the films
Darkest Hour • A Fantastic Woman • Last Flag Flying • Mudbound •
Novitiate • Wonderstruck

parties, events, randomness
James Ivory talk • Nicholas Britell in concert

Middleburg Farewell: Nicholas Brittel, Greta Gerwig, and "American Crime Story"

Day 1 (Darkest Hour), Day 2 (James Ivory, Mudbound, A Fantastic Woman) in case you missed them, Day 3 (Last Flag Flying)

Ann Hornaday and Greta Gerwig talk after a screening of Lady Bird. photo src

The last moments of Middleburg were a blissful blur that it's taken me a week to recover from. Before I left the splendor of the country at this under-the-radar festival in Virginia, I managed to attend three more events.

Lady Bird
I caught some of Lady Bird again (one viewing is definitely not enough). Just enough to give me that rush of pre-college feels again before meeting one-on-one with Greta Gerwig. We'll share that interview next week as Lady Bird begins its theatrical release. Gerwig is such a singular actress that we don't want her to give that up (please never leave our screens!) but it's a joy to know that she writes and directs just as beautifully. 

The Assassination of Gianni Versace: American Crime Story
Since Middleburg largely takes place at a single resort, there are several panels and discussions in their coziest event space. The last on the menu was a discussion about the forthcoming miniseries The Assassination of Gianni Versace: American Crime Story which is the second season of that anthology series which began with the Emmy-winning The People Vs Oj Simpson...

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1944: The Three Caballeros

by Tim Brayton

We're celebrating the cinema 1944 right now at the Film Experience, and as the resident animation lover, how could I pass up the chance to take a look at that year's most wonderfully bizarre cartoon? I'm referring to Disney's The Three Caballeros, the studio's second feature-length contribution to the United States government's Good Neighbor policy during World War II. That program involved goodwill tours and films tailor-made for Latin American audiences, and in Disney's case, a combination of both: a research trip to South America with Walt Disney and several of his most important artists result in the creation of 1942's Saludos Amigos, in which international icons Donald Duck and Goofy had fun visiting Brazil and Argentina, respectively, and learning all about the locals.

Saludos Amigos is a charming, slight movie (at 42 minutes, it severely tests the definition of the term "feature film"), and exactly what you'd anticipate from the description "the U.S. government paid Disney to make a film about how great people in South America are, in the fumbling, patronizing manner of 1940s Hollywood".

Its quasi-sequel is not that at all... 

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