Great Moments in Gay - Bring it On

In Great Moments in Gay, Team TFE looks at our favorite queer scenes in the movies for Pride Month. Here's Kieran Scarlett on Bring it On (2000)

Peyton Reed's Bring it On is one of the best high school movies of all time. It's best to get that out of the way first in any writing about the 2000 flick about the politics of high school cheerleading. It's often dismissed, forgotten or written off as a trifle, which couldn't be further from the truth. It so stylishly inhabits its own cinematic universe and does such an excellent job of world building--something that's often missing in a lot of high school movies where the environment can sometimes feel generic or a retread of superior movies. Its first scene brilliantly employs a Greek chorus-style device set to a cheer routine to introduce the world and its characters. And it manages to do so much more gracefully than a similar device in Woody Allen's Mighty Aphrodite, arguably a more high-minded film. Bring it On is not a guilty pleasure. It's simply a pleasure.

The way Jessica Bendinger's script handles so many issues feels revolutionary. This was 2000 mind you. Right in the middle of that murky period when it was being sussed out whether campy punchlines or true humanization would become de rigeur for queer representation in film and television. [More...]

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Review: Me Before You

If you were hoping for a weepy respite to the superhero stockpile, don't expect Me Before You to be your antidote. Consider this British would-be tearjerker the date movie equivalent of Batman v Superman: both ghastly and flat, and inert when it should be its most heart-stopping moments.

Based on the popular novel by Jojo Moyes (who adapted her own work), Me Before You stars Game of Thrones ingenue Emilia Clarke as Lou, a floundering and chatty young woman who takes a job caring for a local moneybags (and recently quadriplegic) Will Trainor (Sam Clafin of The Hunger Games saga). Will's mother (a shockingly underused Janet McTeer) has more on her mind than caregiving in hiring the girl, and Lou's effervescent warmth begins to thaw the man's dejected anger. The ensuing romance is rife for hot button discussion points and earnest emoting, but its clunky beigeness fails to stir much audience response...

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20 Years of TV History

what TVs looked like in the 90s (history of sets here)Here's a must read for the day. Over at HitFix, Alan Sepinwall has reached his 20th anniversary as a TV journalist/critic . It's a fascinating piece on 20 years of writing about TV and how much has changed in that medium since 1996. It's a fun history and nostalgia ride, particularly if you're interested in serialized TV (the best assett of TV but it took decades for TV to get there). I love most of the article and I'll save the highlights for your reading there.

But I do want to vehemently disagree with this statement I've bolded below even though the general idea now that "everything is better with TV" is totally true.

I can appreciate nostalgia for those days, if for no other reason than that the beat was easier to cover when there weren't 400+ original scripted series airing every year. But nearly everything about watching and writing about TV is so much better now than it was 20 years ago. The technology is better, giving us stunning imagery (imagine Lost or Breaking Bad shot for standard-def in the old aspect ratio) and easy access not only to the best of what's on now, but most of recorded TV history.

As someone who likes to curate my own viewing experiences, rather than leave the programming to the fancies of contracts/conflicts  between studios with both Netflix and Amazon, I am growing increasingly frustrated with acccess to both movies and television. It's getting worse not better (especially with movies) as everything splinters with "exclusivity" and things either stream or are  just not available since physical media is going the way of the dinosaur. Many TV shows I've tried to watch for research purposes or silly side pieces over the past few years have been unavailable to stream anywhere with prohibitively expensive DVD prices (if they're on DVD at all) like, oh, say Emmy favorite "Family" (1976-1980) or even something as recent as the failed CW show "Tarzan (2003)" which I had hoped to include in the Swing, Tarzan, Swing! series we've been doing on weekends. That's just two examples that have come up recently. But lots of times when we're considering a Centennial series on a famous star, their TV work is unavailable, period. Not one bit of it. That's especially true of telefilms which seem to evaporate as soon as they air, unless they were made in the last 15 years when everyone starting taking TV more seriously. When we were celebrating Mercedes McCambridge recently it felt like the exception and not the rule that I was able to rent her appearances on both "Bewitched" and "Charlie's Angels". Hell, even if you just want to watch something from last season (like "American Crime" S2) often streaming services will only let you watch the last few episodes aired and not the whole season, so if you're late to a show you probably have to wait a year or two until one of the streaming services picks it up.

But enough complaining. What are you most grateful in the evolution of this medium?

"There is trouble until the robins come..."

After catching a restored, 30th anniversary rerelease of David Lynch’s psycho-suburban nightmare on the big screen last night, Blue Velvet has once again invaded my waking life with huffing menace, casting sinister shadows and nasty neon onto the innocuous surfaces of everyday existence. And it starts from the opening credits. Every time I see this curtain shimmer, I can feel my vision start to go soft as it flickers me into a dream state. The image hypnotically blurs the line between its politely decorative titles and the mysteriously unnerving surface breathing behind them. The strings of the score shimmy with sharp elegance and ironic doom. I’m already huddling inside the closet, unsettled and voyeuristic. Seeing candles dance in the dark. Coiling myself against the danger hiding in plain sight. Soaked in curdling Pabst Blue Ribbon.

Which of your favorite opening credits sequences instantly place you inside the mind and mood of the movie?

Barbra Streisand Returning to The Tonys after 46 Years

Streisand 1970 Tony was for “star of the decade”

46 years is a long time. Richard Nixon was president in 1970 when Barbra Streisand last appeared at The Tonys. She’s coming back this year as a presenter. Who knows why? Maybe she has Hamilton fever like the rest of the world. Maybe she has a tour to promote (she does). Whatever it is we will get to see Streisand on The Tonys stage.

And we can’t wait. No details have been provided about her appearance. So let the speculation begin about which category she will present. The obvious choice is the night’s biggest category - best musical. But just saying "Hamilton" might rob us of her great Oscar ad libs. “I’m so happy to give this to you again, Clint”. “Well the time has come”. 

And as monumental as this news is, Barbra can't do it all alone. So there will be other presenters on the big night. Here are our category suggestions for a few of them:

Cate Blanchett - 'Lead Actress in a Play' because of her Oscar connection to the two frontrunners. She won her second on the same night as Lupita Nyongó (nominated for "Eclipsed") and, like Jessica Lange, Blanchett won Oscars on her 2nd and 6th nominations. Their second wins even share the same first word in the title, “Blue”. This would be a gift for Oscar nerds.

Oprah Winfrey - Any category that Lin-Manuel Miranda might win. Imagine Oprah saying his name the same way she says "JOHN  TRA-VOL-TA”.

Audra McDonald - 'Lead Actress in A Musical'. It might be mean to ask her to present the category for which she was snubbed, but she IS musical theater’s most honored leading lady. It fits.

Saoirse Ronan - 'Featured Actress in a Play' just because we need to hear her say “Pascale Armand, Saycon Sengbloh and Jayne Houdyshell” in her lilting Irish accent.

Carole King - 'Original Score'. Duh.

Other presenters announced include Steve Martin, Nathan Lane and Patina Miller. The Tonys will be broadcast on Sunday June 12th and we'll undoubtedly celebrate here.

Which category would you like to see Barbra present?