Review: "A Rainy Day in New York"

By Abe Friedtanzer

It’s easy to forget just how formidable Woody Allen’s Oscar history is. Not only is he the most-nominated screenwriter, with sixteen bids, he’s also tied for fourth place in the directing category with seven. He won three prizes for Best Original Screenplay, for the three films that earned Best Picture nominations: Annie Hall, Hannah and Her Sisters, and Midnight in Paris. Annie Hall of course won the top prize for 1977.

Allen has made nearly fifty films, and by my count, I’ve seen a third of those. A good portion of them are from the last two decades, which is hardly considered his golden period. Of his contemporary pictures, I was most wowed by Match Point, which was a dramatic departure from his typical tone as well as a geographical departure from his beloved New York City. But his most recent, Wonder Wheel, was a dud as the closing night selection for the New York Film Festival back in 2017. Interestingly, Allen has two films premiering this month...

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Monty @ 100: A Hitchcock detour with "I, Confess"

We're watching every Montgomery Clift film for his Centennial. Here's Jason Adams

And so we come to Montgomery Clift's sixth film, and that accursed number of the devil seems appropriate given I speak of Alfred Hitchcock's I, Confess. The Master of Suspense's 1953 drama had the actor slipping into the world's most form-fitting cassock to play a Quebecois priest suspected of murder most foul. The twist in this whodunit is he didn't dun it, but knows who did dun because the guilty party confessed the crime in confessional. A fact Monty's character of Father Logan can't share with the prosecution, given ye damned sacramental seal of confession. It's a trap! Call it The Father Who Knew Too Much and then call it a day.

The marriage of Monty and Hitch was a well-documented rocky ride...

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"To Die For" on its 25th Anniversary

To Die For was released nationwide in theaters on this day in 1995. Here's Christopher James...

Is Nicole Kidman funny? Critics of the Oscar winning actress have often called her “cold,” rendering her incapable of cracking a smile, much less a laugh. Given that perception it’s funny that Nicole Kidman was first taken seriously for her comedic chops. Best known in 1995 as Mrs. Tom Cruise and Dr. Chase Meridian in Batman Forever, Kidman was in search of a vehicle that would showcase more of her considerable talents. Along came To Die For, based on the Joyce Maynard book of the same name which borrowed details from the Pamela Smart case that took the media by storm. Originally offered to Meg Ryan, Kidman eventually won the part and received a fair share of accolades, including a Golden Globe win and a BAFTA nomination.

Talking about the virtues of Nicole Kidman on The Film Experience is the very definition of “preaching to the choir.” Yet, preach away I will...

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NYFF: Steve McQueen's "Red White and Blue"

by Jason Adams

And so we come to the third piece that the New York Film Festival is screening out of Steve McQueen's "Small Axe" series of five total films -- if you missed my thoughts on Lovers Rock you can read them here and if you missed my thoughts on Mangrove you can read those right here. NYFF flip-flopped the screening order on the previous chapters and Red White and Blue, today's focus, jumps us to all the way to the final chapter of the series, and you can sense that about it. It has the feel of a breath, a pause -- a looking back upon itself and taking tenative, pained stock.

As with Mangrove we're focusing again on a true story. This time it's the 1980s and John Boyega plays Leroy Logan, a young man who was on track to become a forensic scientist until his father was assaulted by a couple of racist cops...

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Spain's Three Oscar Submission Finalists

by Nathaniel R

Spain has been chasing Oscars in the Best International Feature category since the very first year of the category's existence. They've been quite successful at it, too, with the third highest nomination count of any country (after France and Italy). The Academia de las Artes y las Ciencias Cinematográficas de España reportedly considered 58 Spanish films this year and though we'd heard they weren't choosing their three finalists until October 10th, word is going around that they've made the decision a bit early and it's these three films as the finalist for the submission honor. In early November they'll choose which will be their submission to the Oscars...

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