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Monday
Oct052020

Monty @ 100: The influential peak of "A Place in the Sun"

We're watching all 17 of Montgomery Clift's films for his centennial. Here's Juan Carlos...

After starring in The Search, Red River, The Heiress, and The Big Lift, all but one of them either a critical or commercial success, Montgomery Clift reached an even great peak in 1951 with George Stevens’ A Place in the Sun. It was the adaptation of a novel and play, both called An American Tragedy, that were in turn inspired by the real-life murder of Grace Brown by Chester Gillette in 1906. The story, already made into a 1931 pre-Code drama as An American Tragedy, took on a life of its own in its 1951 form. A Place in the Sun's now classic tale of doomed romance and class divide proved a crucial success in the careers of all of its key players, winning six Oscars in a tight battle for Best Picture with An American in Paris

Shelley Winters stripped herself of the bombshell packaging that the studio system had placed on her and in turn earned her first Academy Award nomination. For Elizabeth Taylor, the film was a key act in her transition from juvenile star to legendary adult star. Meanwhile, the film gave director George Stevens his first Oscar on his second nomination. For Clift, this film, coupled with Marlon Brando’s smolderingly threatening work in Elia Kazan’s A Streetcar Named Desire released the same year, put The Method into the mainstream leading to an inevitable shift in acting styles in American cinema...

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Monday
Oct052020

Oscar Predictions: Cinematography, Production Design, Editing

by Nathaniel R

we're in mourning that we won't get to see DUNE this year...

You've probably heard that Dune is no longer a 2020 picture and will now arrive in the final quarter of 2021. This necessitated yet another revision just as we'd finished nearly all of the Oscar charts -- our work is never done! The biggest impact is in the visual categories. These should be interesting to follow this year in the absence of the kind of big budget spectacle films that often dominated visual categories. Does this mean voters will get more creative and search out further afield Production Design possibilities like, say, Shirley, or First Cow or I'm Thinking of Ending Things or more lax and just nominate their favourite Best Picture candidates in every visual category even if those pictures are mostly contained in one location (hi One Night in Miami, Ma Rainey's Black Bottom) or out on the open road in a beaten down van (hi Nomadland)... 

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Monday
Oct052020

Almost There: Oskar Werner in "The Spy Who Came In from the Cold"

by Cláudio Alves

To be nominated in both Leading and Supporting categories at the same Oscar ceremony is a rare feat some actors have been lucky enough to achieve. Most often, though, AMPAS will pick a role to celebrate and only bless the performer with one nomination. Actors that came close to the elusive double nomination include people like Meryl Streep in 2002, Al Pacino in 1990, Jane Fonda in 1978, and today's Almost There case study, Oskar Werner in 1965.

This Austrian performer, famous for films like Truffaut's Jules and Jim, was nominated in the Best Actor category for his work in Ship of Fools. That same year, he was probably close to a Supporting Actor nod for The Spy Who Came in from the Cold

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Monday
Oct052020

Showbiz history: Glynis Johns, Dr. No, Taylour Paige, Pitch Perfect

10 random things that happened on this day (October 5th) in showbiz history...

1923 The great Oscar nominated and Tony-winning actress Glynis Johns (Miranda, Mary Poppins, The Court Jester, The Sundowners, The Ref) born in South Africa. The picture to the left is at the Tony Awards in 1974.  She turns 97 years old today. Happy birthday, Sister Suffragette! Glynis is currently the fifth oldest living Oscar nominee

1945 A strike by set decorators turns into a riot "Blood Friday" at Warner Brothers studios. Aren't you glad Daniel's series "The Furniture" on the work of production designers and set decorators is back? I missed it so much when it went on hiatus.

1946 The very first Cannes film festival wraps up...

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Sunday
Oct042020

The genius of "The Umbrellas of Cherbourg" ending

by Cláudio Alves

Back in the 1960s, unlike now, a film could be recognized in the Best Foreign Language Film category one year and still compete for the other Oscars the next. Such a strange fate befell Jacques Demy's The Umbrellas of Cherbourg, an intoxicating love letter to the classic Hollywood musical by one of the most inventive auteurs of the Nouvelle Vague. In 1964, the picture was a nominee for Best Foreign Language Film and would go on to conquer four other nods in 1965, the year of our next Supporting Actress Smackdown.

While it's easy to resent the Academy for not fully embracing the flick (it won nothing), the citations it received, for Demy's script and Michel Legrand's music, were fully deserved...

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