Drag Race RuCap: “Reunited - LipSync LaLaPaRuZa Smackdown”

Nick Taylor and Cláudio Alves are watching and recapping RuPaul’s Drag Race season sixteen. This week, it’s time for episode fifteen…

This week, Megami pulls a Silky and a star is born.

CLÁUDIO: After weeks of complaining about the season’s declining quality, the Drag Race producers shut me right up. This spin on a reunion episode is the best of the year, a super-charged queer Super Bowl of lipsyncing that serves as a respite before next week’s finale. Most of the girls brought their A-game, fighting for their Ru-demption with everything they got, and even the losers seemed to have a good time. Well, most of them. More important, still, was how the hour felt formed around the arc of one particular queen, subverting folks’ expectations both among the audience and the contenders themselves. To paraphrase Mother Jinkx, anyone saying Megami isn’t a star after this episode is so full of shit the toilet’s jealous.

NICK: As far as sports analogies go, I feel more partial to Sapphira calling this the gay Kentucky Derby, though perhaps I was swept up by the fantasy her gigantic hat inspired. But this was a total joy from the first second to the last. Megami’s superstar ascendancy is a Rudemption for the history books, bolstered in every way by how tough the competition was. I loved this episode, and I hope we get this format again in future seasons. . . .

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Stanley Donen @100: The Most Charming Speech of All Time

by Baby Clyde

With their increasingly bizarre choices and lamentable decision to move recipients from the main telecast, long gone are the days when the Academy’s Honorary Awards made any cultural impact. We’re all the losers, because not only did truly deserving legends of the industry being belated rewarded give deep satisfaction to the Oscar nerds at home, from an ailing Myrna Loy and triumphant Charlie Chaplin to a sprightly Lillian Gish and a regal Deborah Kerr, they created some of the most memorable and moving moments in Academy history.

None more so than the man who celebrates his centenary yesterday, Stanley Donen. The master of the movie musical was unaccountably never nominated for a competitive Oscar during his illustrious career but took his opportunity at the 70th Annual Academy awards to give the most charming speech of all time...

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Over & Overs: "Singin' in the Rain" (1952)

by Cláudio Alves

It's been a while since the Over & Overs series has shown up on The Film Experience's timeline, and it's as good a time as any to rectify that. Indeed, revisiting a beloved picture one has seen more times than one can count is the perfect idea for today's celebration. You see, a century ago, Stanley Donen was born in Columbia, South Carolina, the son of a dress shop manager and future movie lover. He'd also be a movie magician, capable of turning the screen into materialized joy, like an alchemist who used the camera to transform and transport his audiences. Though one finds several titles are worth appraising in his filmography, a single picture stands above all others, the musical to end all musicals. It's Singin' in the Rain, of course…

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Beauty Break: When Almodóvar met Alcaine

by Cláudio Alves

Starting yesterday, Strange Way of Life is streaming on Netflix. To commemorate the occasion, I thought about diving into the collaboration between Pedro Almodóvar and cinematographer José Luis Alcaine, a recurring creative partner since they filmed Women on the Verge of a Nervous Breakdown back in the late 80s. Even though I had issues with the short film, its lensing wasn't one of them. Indeed, playing with Western iconography and Saint Laurent fashions, Strange Way of Life is as visually enchanting as one would expect from something bearing the Spanish auteur's signature. When everything else fails, Alcaine creates hyper-artificial frames, popping with bright colors and luster…

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Beyond Sight & Sound: An Alternative Canon

by Cláudio Alves

Appearing on 77 ballots, Spike Jonze's HER was the most voted film.

Two years ago, Sight & Sound released the results of their polls, voted by critics and filmmakers, on the best pictures ever made. Chantal Akerman's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles topped the former, causing various reactions that ranged from ecstatic to outraged. In total, the 2100 participants voted for 4366 unique titles. And yet, much great cinema was left without a single vote. In response, Ángel González devised another project for They Shoot Pictures, Don't They?, focusing on all those films the Sight & Sound voters ignored. A new list was devised based on the ballots of 839 critics and cinephiles. This time around, 4336 films received at least one vote - think of it as an alternative canon.

Nathaniel and I were among the lucky voters, with a few of our picks making the A-List of 1030 titles. Sometimes, our tastes even overlapped…

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