Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Recommend The Furniture: The '70s Sitcom Style of Everybody Wants Some!! (Email)

This action will generate an email recommending this article to the recipient of your choice. Note that your email address and your recipient's email address are not logged by this system.

EmailEmail Article Link

The email sent will contain a link to this article, the article title, and an article excerpt (if available). For security reasons, your IP address will also be included in the sent email.

Article Excerpt:

Daniel Walber's series looks at Production Design in contemporary and classic movies

A very loud lamp from Everybody Wants Some!!College freshmen are usually a bit confused. Sometimes they even have trouble figuring out what kind of movie they’re in. But not Jake (Blake Jenner), the well-adjusted protagonist of Everybody Wants Some!! He’s got it all figured out by the film’s second half, when which he lets out the following pearl of wisdom: “Like most things with these guys, it’s total bullshit. It’s more about seeing how witty they can be.”

And he’s dead right. This movie is about a bunch of dudes who live from joke to joke, bouncing around town with an unceasing attitude of breezy, sex-charged humor. This isn’t one of those Linklater movies with big, yet simultaneously narrow ideas about what it means to be human (or married, or young, or male). Instead, like most of his best work, it’s content to soak in the sun and have a good time.

Now, if Jake had been paying attention to the production design, he probably would have picked up on this vibe even faster. Every set could be from a 1970s sitcom. Production designer Bruce Curtis and art director Rodney Becker, both of them Linklater regulars, and set decorator Gabriella Villarreal (American Crime) have crafted a perfectly playful atmosphere out of a silly, occasionally garish interpretation of the period.

It kicks off in the kitchen of the “baseball houses,” the team’s unconventional dorm...


Article Link:
Your Name:
Your Email:
Recipient Email:
Message: