Horror Actressing: Judith Anderson in "Rebecca"

by Jason Adams

How could I help myself, right? Tomorrow Netflix is unveiling director Ben Wheatley's re-do of Daphne Du Maurier's "celebrated novel" (I love that is how the book is credited on IMDb) starring Armie Hammer, Lily James, and most enticingly of all Kristin Scott Thomas as the housekeeper-with-secrets. And yet somehow, despite it being one of my favorite performances in a horror film, I haven't gotten around to given Judith Anderson, in that same role in Alfred Hitchcock's Oscar-winning 1940 film, her due with this series. No more! The time for dangerously caressing silky underthings is nigh I say, nigh!

Not that we've exactly been clammed up when it comes tot he subject of Judith Anderson's turn in Rebecca around these parts in the past...

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Monty @ 100: A Hitchcock detour with "I, Confess"

We're watching every Montgomery Clift film for his Centennial. Here's Jason Adams

And so we come to Montgomery Clift's sixth film, and that accursed number of the devil seems appropriate given I speak of Alfred Hitchcock's I, Confess. The Master of Suspense's 1953 drama had the actor slipping into the world's most form-fitting cassock to play a Quebecois priest suspected of murder most foul. The twist in this whodunit is he didn't dun it, but knows who did dun because the guilty party confessed the crime in confessional. A fact Monty's character of Father Logan can't share with the prosecution, given ye damned sacramental seal of confession. It's a trap! Call it The Father Who Knew Too Much and then call it a day.

The marriage of Monty and Hitch was a well-documented rocky ride...

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Horror Actressing: Anna Massey in "Peeping Tom" (1960)

by Jason Adams

The adage goes that curiosity kills the cat, but in Michael Powell's 1960 shocker Peeping Tom it's only half true -- curiosity kills one while saving the other. Mark, the deranged killer camera-man at the film's heart (played with shy finesse by Karlheinz Böhm), finds Helen (Anna Massey) by perching on her windowsill and peering in at her birthday party -- she's his downstairs neighbor and full of life as irrepressible as her vast array of bright monochromatic dresses. They seem an odd match from the start but Helen can't seem to get Mark off her mind -- there's something curious about that upstairs man, and she's going to find out if it... well you know.

Is Helen film's very first Final Girl? 

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Horror Actressing: Janet Leigh in "Psycho"

by Jason Adams

Sixty years ago today Alfred Hitchcock's Psycho premiered at the DeMille Theater, located at 701 7th Avenue in New York City. That theater, just north of Times Square, no longer exists; funny enough, given the substance they used as a substitute for blood in the film's infamous shower scene, there's a Hershey's Chocolate store located there today. I wonder what they'd think if I went in there and started spraying chocolate syrup all over myself screaming, "Oh god! Mother! Blood! Blood!" I digress. (Do I ever.) Point being it's the right moment to finally devote some "Great Moments in Horror Actressing" to the shower's favorite Scream Queen, Janet Leigh.

But I want to take Marion Crane out of the shower. She deserves it, sixty years on...

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How had I never seen... "Rear Window"?

by Chris Feil

Rear Window has to be one of the more embarrassing blind spots to have among the entirety of Alfred Hitchcock’s repertoire or as a Jimmy Stewart lover, but alas I had it. I know, I know.

Maybe the best thing I can chalk it up to is something that’s been in the ether of my lifelong Hitchcock consumption that’s kept me from the Happy Ending Hitchcocks. Things like To Catch A Thief stayed out of my orbit until adulthood without the veneer of morbidity to entice them to a young horrorhound. And rest assured that Rear Window ends as quaintly, if subversively sly, as any of his films. But like me telling myself I’ll eventually catch up to the film, Rear Window is itself about things we put off and avoid. It’s a movie about a man trying so hard to avoid commitment that he gets himself invested in a murder.

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