How had I never seen... "Rear Window"?

by Chris Feil

Rear Window has to be one of the more embarrassing blind spots to have among the entirety of Alfred Hitchcock’s repertoire or as a Jimmy Stewart lover, but alas I had it. I know, I know.

Maybe the best thing I can chalk it up to is something that’s been in the ether of my lifelong Hitchcock consumption that’s kept me from the Happy Ending Hitchcocks. Things like To Catch A Thief stayed out of my orbit until adulthood without the veneer of morbidity to entice them to a young horrorhound. And rest assured that Rear Window ends as quaintly, if subversively sly, as any of his films. But like me telling myself I’ll eventually catch up to the film, Rear Window is itself about things we put off and avoid. It’s a movie about a man trying so hard to avoid commitment that he gets himself invested in a murder.

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Beauty Break: The Celebrity Portraiture of Phil Stern

by Nathaniel R

Happy Phil Stern Centennial! "who?" you say? Phil Stern, you philistines! He's one of the great Hollywood photographers. He lived a very long life, dying just 5 years ago at 95 years young but his work was largely before our time. We grew up with Herb Ritts and Annie Liebovitz as the biggest names in celebrity photoshoots but as long as Movie Stars have existed there have been artists behind the camera helping to mythologize them. Stern was one of those idolmakers taking several amazing photos of James Dean, Charlton Heston, Liz Taylor and many other important celebrities from the 20th century. Though celebrity portraits and candids weren't his only claim to fame having also been a war photographer. 

After the jump 14 other images from Stern's vast portfolio that we adore...

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Top Ten: Alfred Hitchcock Movies

What are your favourite Hitchcock films? For the Master of Suspense's 120th birthday today, we ought to share them. He's been dead for 39 years but we don't think he'd mind the grave-digging each birthday because his films are immortal.

Mine would go like so:

1. Psycho (1960)
2. Notorious (1946)
3. Rear Window (1954)
4. Vertigo (1958)
   Those are the four that are unthinkably indecently perfect...

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Great Moments in Screen Kissing: Notorious (1946)

For the next few days Team Experience will be sharing favourite screen kisses. Here's Seán...

Seán here in Berlin, saying hallo! to you with the adequate amount of Prussian warmth. I'll be filling you in with all my hot takes on only a handful of the myriad of films premiering at the Festspiele. But first a quick wink to one of my favourite on-screen kisses (the whole lot of them).

Alfred Hitchcock was a master of genre and form, leaving behind a body of work admired by scholars and movie lovers alike. Aside from being a good, old, problematic trickster on set, he also knew how to do it within the confines of the screen. The Production Code which outlined what was decent and indecent on film had a long list of cuttable offenses. Even toilets were verboten. But what if the inclusion of one was essential to the story, as it was when Marion Crane disposes of a letter in Psycho? Hitchcock knew how to skirt the rules and Notorious (1946) is one of the best examples of this...

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Say it Aint So! Rebecca (1940) is Getting a Remake

by Nathaniel R

Nooooo. Rebecca (1940) doesn't need to be remade. Essentially no Hitchcock picture needs to be, you know. But word is out that Lily James and Armie Hammer are risking the ghosts of Joan Fontaine and Sir Laurence Olivier to star in a new film version of the Daphne Du Maurier story about "the second Mrs de Winter," her cold bossy husband, a sinister lesbian housekeeper, and an old creepy gothic mansion. The foolish or ballsy director that's going to try to live up to collective memories of Alfred Hitchcock? That'd be Ben Wheatley of High-Rise and Free Fire fame. 

Hey, let's do a "Cast This!" in the comments for the story's best role: Mrs Danvers, that creepy housekeeper with an obsession for her late mistresses undergarments. (You may recall that The Film Experience spent a lot of time with Rebecca a few years ago for a pass-the-baton retrospective.)