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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 


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Entries in Vertigo (14)


In the Link Room

A very quick roundup to begin a Netflixy day (Daredevil anyone). Speaking of... Hi, Sissy!

Sissy Spacek photographed by Christian McDonald

Interview Todd Field (In the Bedroom) interviews Sissy Spacek on Bloodline etc...
NPR talks to Brad Bird on Tomorrowland. And yes, he is finally working on Incredibles 2 (very early writing stages) for which we will eschew our normal eye rolls at animated sequel news and instead cheer wildly.
Tracking Board Logans Run remake still a slight possibility. This time with female lead?
i09 posits that Practical Magic w/ Bullock & Kidman as witch sisters is a perfect movie 
Antagony & Ecstasy film criticism for a good cause: Tim takes on the daunting task of reviewing Vertigo aka "the greatest movie ever made" as part of his cancer charity drive -- he's raised over $2000 already!
Vanity Fair on Ryan Gosling as a director
Pajiba says "eff it... reboot everything" including Cybill. Hee!
Pajiba should you grow a Mad Men moustache? A handy guide 

Today's Watch ICYMI
It gives a whole new meaning to "instant watch"



Q&A Part 1: No Actresses! Whatever Will We Talk About?

To try something a little different I asked y'all to ask me questions that were not actress related this week. Hold me, I'm scared.

But sometimes you gotta push out of the comfort zone. Some people disobeyed -- sorry, not answering those! Some people gave me ideas for much longer posts. Others took it quite literally just reversing the genders of a question they'd normally ask. But a lot of interesting questions were on offer this week so we'll split this baby into two this week, feeling generous. Part two tomorrow.

Here's the 8 questions we're answering today including but not limited to favorite (male) stars, awesome film sets, horror flicks, and costume dramas...

DAN: What film set, taking in mind color schemes, evocative moods, and lighting, would you most like to inhabit. Ignore modern conveniences like air conditioning and pleasant smells. 

NATHANIEL: This question is so open-ended so we'll start with the movie that popped into mind IMMEDIATELY whilst reading it and surprised me becasue it wouldn't leave: Vertigo.

There are so many great rooms you could imagine spending hours in. Midge's apartment is like bohemian artist / spinster heaven. And what a view. And who wouldn't make a multi-course dinner reservation at that red red  red restaurant that Scottie spots Madeleine in?


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Curio: Kim Novak, Painter

Alexa here.  Recently I was doing some searching for the perfect alternative poster for my second-favorite Hitchcock film Vertigo (wanted a companion piece for the print I have celebrating my favorite) and I stumbled upon a link to the painting below.  Turns out it was painted by the actress herself, Kim Novak.  

I then found myself in a Google deep-dive regarding 'Kim Novak, artist'. Here are some samples of her more intriguing pieces...

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100 Days 'Til Oscar. A Short Clean Sweep

We're all used to the Oscar ceremony drawing monotonous "it's too long!" complaints. Yours truly doesn't share that view. Hell, if they wanted to do 9-hour broadcasts and include all the honoraries again and give more attention to the craft categories, and never skimp on any of the four category clip reels for the actors, I'd gladly watch each additional minute. But the super long Oscar ceremony is actually not a historic consistency. The earliest Oscars were short banquets and once they started televising them in the 50s the lengths varied.

Gigi made a clean sweep with 9 Oscars but with no acting nominations. Burl Ives (The Big Country), Susan Hayward (I Want To Live!), and David Niven and Wendy Hiller (not pictured) from Separate Tables won the acting Oscars.

The shortest of all televised ceremonies was the 1958 Oscars, broadcast live on April 6th, '59. It was only 100 minutes long. Can you imagine it? 

Of course if you're just going to hand all the statues to something as dull as Gigi, which made a clean sweep with 9 wins from 9 nominations PLUS an Honorary Oscar for Maurice Chevalier, you'd best do it quickly you know? Fun fact: If you started watching Gigi as its Oscar ceremony began you'd still have 15 minutes of the movie left when the Oscars wrapped.

Gigi gets a bad wrap but it wasn't a terribly competitive film year and at least it wasn't quite the worst of the nominees. The other nominees were Auntie Mame, The Defiant Ones, Cat on a Hot Tin Roof, and (ugh) Separate Tables. I suspect the dread sixth 'just-missed' slot belonged to Robert Wise's I Want to Live! which received 6 nominations and a long awaited win for Susan Hayward. Which would you have voted for?

And no write in votes for the actual best movie of 1958, Alfred Hitchcock's Vertigo which got a measly two nominations and no gold. I suspect it was nowhere near a Best Pic nomination given the initial chilly response from audiences, critics, and the Academy. 


Beauty vs Beast: Fish Witch

JA from MNPP here with this week's mite-late edition of this week's "Beauty Vs Beast" - sorry for the unexpected day-long delay, what can we say, a sea-witch stole our voice from us. Coincidentally The Film Experience is celebrating the year 1989 in the lead up to this month's Supporting Actress Showdown and whaddya know 1989 was the year that another gorgeous princess, not myself, had the exact same thing happen to her! I handled it with a much finer degree of decorum, natch, but she got Prince Eric so she wins. (Mmmm Prince Eric.) Yes I speak of Disney's The Little Mermaid, which is bringing us this week's animated face-off.


Life's full of tough choices... innit??? I feel like this one could go either way really, so making you cases in the comments could prove important. Sway the little fishies this way or that, people.

PREVIOUSLY If you felt a little falling sensation - kinda simultaneously plummeting forward and back - as you picked between Jimmy Stewart and Kim Novak in last week's Vertigo round you ultimately made like Hitch and came out blonde - well blonde eventually (inevitably) anyway - in the end. Judy, poor poor Judy, won your sympathies along with 71% of the vote. Said Leslie19:

"Judy is the perfect Hitchcockian heroine: A blonde puzzle, with a past. A great wardrobe and the perfect palette for techicolor, in this case his use of green. Is there anything more to say?"


Beauty vs Beast: All About the Blonde

JA from MNPP here. At this point it feels more than a little cliche to call Alfred Hitchcock your favorite film-maker. Tomorrow is his 115th birthday and it feels like we've spent at least double that amount of time writing about and reacting to how great, twisted, funny, pervy and technically masterful he was. Hitch is often the gateway drug, the little puff of movie marijuana that leads true cineastes on to the hard stuff.

I'll always come back to my first taste. It was the sweetest, the purest, and it still sends that shiver down my spine. I remember the first time I realized that movies, Movies, these are the thing I love, laying on my cousin's floor watching a camera sweep across across a boxy Manhattan backyard filled with windows into another world, stories in shorthand of life on top of life, all at once. It was everything. It still is everything.

So let's pay our respects by devoting this week's "Beauty vs Beast" to the man who made me interested in the ambiguities of the "good" guys and the "bad" guys in the first place, and let's do it with the movie that finally tossed Citizen Kane down the staircase.


You only have six days to vote this week since we're running a day behind (sorry about the delay) so get to it - bleach yourself, slide into a gray dress, wander through a redwood forest or some neon green light, do whatever it takes - just pick and make your case in the comments!

PREVIOUSLY Last week we were talking about the blonde presuasion as well - Charlize Theron and Patrick Wilson faced off again in a Young Adult redux. Wilson's Buddy might be the nice guy, willing to clean up baby burps and all that, but he never stood a chance against mean girl-woman Mavis. CMG put is succinctly:

"Mavis. Buddy is blind and seems dumb. The end."


Team Top Ten: Most Memorable Performances in a Hitchcock Film

Amir here, with this month's edition of Team Top Ten. To celebrate Alfred Hitchcock's birthday next week (Aug 13th), we've decided to celebrate his career by looking at something that isn't discussed quite as often as it should be: the performances he directed.

Hitchcock has more auteur cred than any other director so its understandable that his presence behind the camera attracts the most attention in all discourse about his oeuvre. Yet, his films are undeniably filled with amazing performances, from archetypal blondes and influential villains to smaller, eccentric supporting turns from characters actors. The list we've compiled today is the Top Ten Most Memorable Performances from Alfred Hitchcock's Films.

Make of "memorable" what you will! Our voters each certainly had their own thinking process. Some of us - myself included - took the word literally and voted for what had stuck with us the most, irrespective of size and quality of the performance. Some went for the best performances, some for the best marriage of actor and role and some for a mix of all of those things. Naturally, the final list veers towards the consensus, but as always, I've included bits and pieces of our individual ballots that stood out after the list.

Without further ado...

10. Grace Kelly as Lisa Fremont (Rear Window)
There's memorable, and there's iconic. And then there's Grace Kelly in Edith Head. A performance all at once decadent and demure, Hitchcock's crown jewel struts and strolls glowingly in Rear Window, lithely giving off the allure to which she's come to recognize is her signature (and she worries, her sole) appeal. It's only as the mystery of the picture begins to unravel that the shades are lifted (literally) and the flinty little girl we thought we knew positions herself to be the real knight in shining armor. The famed icy Hitchcock blonde archetype manages that most remarkable and memorable of transformations in this, his best film; thanks to and because of Ms. Kelly, the sculpture discovers itself and its purpose. It's a beautiful thing when an actor can make a director forget himself and his tendencies. Something New Happens.
- Beau McCoy

9 more iconic turns after the jump

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