TIFF: "Atlantics" haunts and hypnotizes
Friday, September 6, 2019 at 12:11AM by Nathaniel R

Atlantics made history earlier this summer when it became the first film directed by a black woman ever to compete for the Palme d'Or at Cannes. Though it lost the top prize Atlantics was a winner generating a lot of "must-see" buzz and eventually taking the Grand Jury Prize. Given that reception Netflix swept in to snatch it up for future streaming. Now that it has a home we wonder if it can continue to make waves, if you'll pardon the oceanic pun.
On the one hand it'd surely be tough to convince people to see a Senagalese movie without any easy summary or hook from a debut director. In that regard we're thankful Atlantics has a future firmly in place. On the other that futures is a double edged sword. As with Roma before it, which was also light on dialogue and rested on great cinematography and a brand new actress playing a quiet passive protagonist, its considerable strengths are entirely cinematic. Memorable images abound with clever lighting choices and a robust but never gaudy color palette. Atlantics bold and unsubtle sound will transfer with greater ease to in-home viewing with the constant roar of the ocean competing with an intrusive but sometimes inspired 80s influenced electronic score...
African Cinema,
Atlantique,
Cannes,
Cinematography,
Horror,
Mati Diop,
Oscars (19),
TIFF 




