The Animated Feature contenders: Cheatin'
Tim here, with another look at one of the lower-profile submissions to the Academy in the Best Animated Feature category. This time around, we’ve got Cheatin’, the sixth feature-length animated movie from Bill Plympton (seven if we count an anthology made of his earlier shorts), one of most iconic names in independent American animation. I will not say that to see his work is to love his work – there’s too much aggressive grotesquerie in his character designs and morbid humor for that to be true – but I do think that it’s pretty hard to imagine anyone watching his beloved Oscar-nominated 2004 short Guard Dog and not walking out a committed fan.
In the meanwhile, we’re here to talk about Cheatin’, and what an absolutely wonderful film it is, too. It would be hard to defend it as Plympton’s best work: his sense of humor works so perfectly in the context of a short, where he can run in, land a few quick sucker punches, and run back out again. But “best” or not, it’s still a stunning work of unexpected emotional complexity and images scratched out in Plympton’s customary aesthetic, looking like delicately-shaded color pencil sketches of distorted, unyielding human forms.