Who will / should win the Ophirs?

A special guest report from Israel about the upcoming Israeli film awards - Editor

Top contenders for the Israeli Oscar

by Johnathan Tsuria

The 2022 Ophir awards will take place at September the 18th, and the film which wins the top prize will represent Israel at the Oscars. For most Israelis, that is the only point of interest about these awards, as they are plagued by countless decisions that prevent moviegoers here from caring. The major problem is that there is zero connection between the films released so far in cinemas and the films which end up competing for the awards. For example, from the 5 nominees for Best Picture, only one (Where is Anne Frank) was released before the nominations were announced. Another (Cinema Sabaya), was released after they were announced, and the presumed frontrunner (Karaoke) will be released only after the ceremony. The other two (Valeria Is Getting Married, 35 Downhill) have no release date scheduled for Israeli cinemas apart from presumably their qualifying showings. Last year's winner, Let it Be Morning, wasn't reelased for regular moviegoers until the spring of 2022. 

Generally, I have to say that the nominations were something of a disappointment. Great films like June Zero and All I Can Do were mostly shut out while something like Where Is Anne Frank snagged a best picture nomination surely because the voters think it may do well at the Oscars – It got one other nomination, for sound, and that’s it.  However, there are good films nominated so let’s try to predict who will win... 

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TIFF: Israel’s ‘Valeria Is Getting Married’

By Abe Friedtanzer

As one of the most-nominated countries yet to actually take home the Best International Feature Oscar, Israel tends to offer up some very interesting choices. Its top contenders for the Oscar submission are always initially up for the Ophir, Israel’s Academy Awards which will be held on September 18th this year. The winner becomes the country’s official submission. Among the Ophir nominees we’ve already seen Karaoke, which played at Tribeca, and the animated film Where Is Anne Frank, which bowed at Cannes last year. Now another Ophir nominee, Valeria is Getting Married, makes its North American premiere in Toronto. 

For all the political content that Israeli films often contain, this one has less to do with Israelis and more to do with a disadvantaged immigrant population...

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Tribeca 2022: Considering Missed Opportunities in 'Karaoke'

By Abe Friedtanzer

 

We've all had an acquaintance whose influence wasn't necessarily welcome but may have ultimately been for the best. Karaoke follows an older couple whose newfound friendship with an eccentric man living nearby causes them to rethink their situation. Have they accompished what they wanted to over the course of their lives? Though Meir (Sasson Gabay) and Tova (Rita Shukrun) are a theoretically happy couple who have had a healthy marriage for years, they've reached a point of complacency and boredom, with neither of them giving the other what they need. Enter Itzik (Lior Ashkenazi)...

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Interview: Director Eran Kolirin on Israel’s Oscar Submission "Let It Be Morning"

By Abe Friedtanzer

The winner of Israel’s Oscars, the Ophir Awards, automatically goes on to become the country’s Oscar submission for Best International Feature. This year, that film is Let It Be Morning, which made headlines at Cannes because its Palestinian cast refused to attend, objecting to it being labeled an Israeli film. Those who have seen the film will surely appreciate that this attitude is expected and and very much in the spirit of the film’s content. I had the chance to speak with the film's Israeli director, Eran Kolirin (pictured left) who is best known for writing and directing The Band’s Visit. His new film premieres this week in New York City at the Other Israel Film Festival… 

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Seven new Oscar submissions, French finalists, and a potential Israel/Palestine conflict

by Nathaniel R

LET IT BE MORNING

The announcements of Oscar submissions from various countries are rolling in fast now. If you've missed previous posts we've already covered the submissions from Cambodia, Ecuador, Morocco, Poland, Serbia, Switzerland,  Albania, Ireland, Kyrgzstan, Slovenia, Ukraine, Armenia, Canada, Colombia, Peru, Germany, and Spain and have reviewed three of the films. In today's huge update we have finalists lists from Chile, France, and Sweden as well as official submissions from Greece, Hungary, The Netherlands, Somalia, South Korea, and Taiwan. But let's start with Israel as we foresee complications.

ISRAEL
Each year Israel's own Oscar style prize "The Ophir" is held around this time and whichever film wins becomes the automatic submission. They've only run into trouble with this system twice in the past (once for a film that had too much English and the other time with a tie so they had to vote again for Oscar purposes). But this year might be another. Let It Be Morning, with a largely Palestinian cast from source material by a Palestinian author, was the big winner at the Ophirs so it became the Israeli submission. While the director Erin Kolirin (of The Band's Visit fame) is Israeli, the film is about Palestinians and earlier this summer, the cast refused to attend the Cannes premiere because the festival labelled the film as an Israeli film. One imagines they'll object to this film representing Israel at the Oscars, for the same reason. Potentially complicating matters further is that Palestine also submits to the Oscars...

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