We Wish You A Merry Everything

Team Experience is at the Tribeca Film Festival. Here's Jason on Holidays.

In the immortal words of Bela Lugosi what music the children of the night make, turning the Midnight section of the Tribeca Film Festival into my favorite playground at the fest. Happy times with horror friends! So it was with some consternation when I saw this year the fest has given us a smaller swing-set upon which to swing - there are only six films showing under the "Midnight" banner (and it's a stretchto label at least two of them as Horror).

But wait! This year's opening film of the Midnight program is Holidays, an anthology consisting of eight short films (each one about a different celebratory day of the calendar) by eight different directing and writing teams, so I suppose that doubles their numbers, in a way. We'll take what we can get.

And with Holidays what we get, as is the usual case with anthology films, is a mixed bag - some treats, some tricks, a couple of candied apples with razor wire wrapped around them, a detached finger or ten. Beginning with "Valentine's Day" (directed by the duo that brought us last year's terrific Starry Eyes) and spanning all the way to "New Year's Eve" (which was written by the Starry Eyes team as well, making them the only repeat offenders of the bunch) the film makes microcosmic the fetishization of rituals and rites so annually played out in scary storytelling; think Halloween, Friday the 13th, Silent Night Deadly Night, or Eli Roth's short film "Thanksgiving"  -- for every day a bloodbath!

Truth be told there's only one true stinker in the bunch...

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Curio: Screenwriter Love

Alexa here. Josh Abraham is a man of many hats: writer, producer, cartoonist. At his etsy shop he sells some of his artwork that has a film spin; I particularly like his Manic Pixie Dream Girl print, which is updated to include Samantha from Her. In a series of prints he's titled "Screenplay Heroes," Josh has turned his had to sketching some famous writers like Woody Allen and the Coen brothers (in the running for Oscar noms again this year) onto pages of their screenplays. His vaguely Hirschfeld-esque portraits really lend themselves to the black and white pages.

I love the idea of displaying your favorites as a collection. Here are seven fine examples of his work from Nora Ephron to John August...

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Dante's Last

JA from MNPP here. Did you hear the news that the director Kevin Smith says he's retiring from movie-making after he makes a third Clerks film? I haven't seen the first Clerks in many a moon but it's the only film of Smith's I've ever actually liked (I simply cannot abide by Joey Lauren Adams, so there'll be no convincing me of the pleasures of Chasing Amy). And yet, even though his movies were often like nails on a chalkboard, he came off as such an amiable film-buff that he stayed on my good side all the same. There've been some nicks in that image over the past couple of years - a public fued with Bruce Willis and a rant againast critics was all a bit of a debacle. People seemed to either really love or really hate Red State, and that movie seemed to take a lot out of him. I'm curious where y'all stand on him, and whether he'll be missed at this point.