Interview: We the Animals' Jeremiah Zagar

by Murtada Elfadl

We the Animals has been compared to Moonlight (2016), The Tree of Life (2011) and Beasts of the Southern Wild (2012). While the comparison is reductive it provides a shorthand for describing this film. It’s a story of three young brothers - one of whom is queer - and their relationships with each other and with their unpredictable parents. There are elements of magical realism in a story grounded in the economic desperation of a working class family in upstate New York.

Raul Castillo (HBO’s Looking) and Sheila Vand (A Girl Walks Home Alone At Night) give perceptive performances as the adults. However it is newcomer Evan Rosado, playing the central character of Jonah, who’ll take your breath away. More sensitive and conscious than his older siblings, Jonah increasingly embraces an imagined world in the secret journals in which writes and sketches. It is an assured narrative debut from documentary filmmaker Jeremiah Zagar. We loved the film when it played Tribeca last spring. We had the chance to speak to Zagar recently in New York.

The interview has been edited and condensed for clarity.

Murtada Elfadl: You've said that you read the book in one sitting while still at a bookshop, before even buying it. What popped in the book for you and made you want to make it into a film?  

Jeremiah Zagar: Literally the first page of the book is so visceral, rhythmic and immersive that I couldn’t stop reading it. Beyond that it felt like something I knew how to visualize. I read a lot of books but very few where I feel that I know how to make them into a movie. Somehow I felt this connection to the material that wasn’t only emotional, it was technical almost. I didn't want to change it at all, I just wanted to figure out how to put it on screen. I could see it, I could hear it, I could feel it in my head before it happened...

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Interview: Desiree Akhavan on Queer Desire, Americana and One Scary Mustache

by Murtada Elfadl

The Miseducation of Cameron Post takes place in the 90s and is about a young queer woman who is sent to a gay conversion center after getting caught having sex with the prom queen at her high school. Once there she bonds with her fellow “inmates” (played by American Honey’s Sasha Lane and The Revenant’s Forrest Goodluck among others). She is forced to contend with the strict brother and sister team (Jennifer Ehle and John Gallagher Jr) who run the center and pretend they can "cure" her. The film is based on a novel by Emily M. Danforth and was adapted for the screen and directed by Desiree Akhavan (Appropriate Behavior). It won the Grand Jury Prize at this year’s Sundance and has been making the festival rounds since January. We recently spoke with Akhavan in New York as she geared up for the film's release. The interview has been edited and condensed for clarity.

Murtada Elfadl: The book is longer and has much more detail, how did you arrive at the story for your film?

Desiree Akhavan: I always knew that I only wanted to focus on the last 200 pages; Cameron's time at God’s Promise. I think that when adapting a book it’s about whittling down for yourself what the kernel of inspiration is. What you loved about it and wanted to translate to the screen. And what you think you tangibly can translate into a different medium. To me that was the tone. My co-writer and I were always working in service to maintaining that tone... 

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Interview: Director Haifaa al-Mansour & Actor Douglas Booth on "Mary Shelley"

by Murtada Elfadl

Douglas Booth and Elle Fanning as the Shelleys in "Mary Shelley"

The new biopic Mary Shelley is about the famous writer, played by Elle Faning, while she’s in the throes of writing the Gothic magnum opus Frankenstein, at only 18 years of age. The film tells the story of the events that led her there. Those include her tempestuous relationships with renowned romantic poet Percy Shelley (Douglas Booth) who would become her husband, and with her half-sister Claire (Bel Powley). The film takes us to the trio’s fateful stay at Lord Byron's (Tom Sturridge) house at Lake Geneva, where the idea of Frankenstein was conceived.

This is Haifaa al-Mansour’s second directorial project after the 2013 festival hit Wadjda. Wadjda was the first feature shot entirely inside Saudi Arabia, and the first ever directed by a Saudi woman, making al-Mansour a true trailblazer. It''s not surprising then to find her drawn to the story of Mary Shelley, another pioneer. I found a through line, despite the period setting and different locations, between the two films. Both stories of young women determined to chart their own destiny. So that was where I started my conversation with al-Mansour and Booth when they were in New York last month for the Tribeca Film Festival. THE INTERVIEW IS AFTER THE JUMP...

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Interview: François Ozon talks "Double Lover" and the greatest French actresses...

by Murtada

It might be surprising to know that François Ozon likes to learn what children think of his films. He says their responses are clever and innocent, especially if they believe the world on the screen. Though he realizes that he can’t always get their feedback since his movies often deal with adult themes, like the psychosexual thrillers Swimimg Pool (2003), Young and Beautiful (2013) and his latest Double Lover.

Ozon’s films cannot be easily categorized, he has also directed the campy musical 8 Women (2002) and the haunting WW1 romance Frantz (2016). He says...

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Maysaloun Hamoud on tackling taboos, cinematic influences, and her homage to "Thelma and Louise"

by Murtada

In Between, Arab-Israeli director Maysaloun Hamoud’s debut feature, is about three young, independent-minded Palestinian women who share an apartment in Tel Aviv. Laila (Mouna Hawa) is a criminal lawyer who loves to burn off stress in the underground club scene. Her roommate Salma (Sana Jammelieh,) is an aspiring DJ and bartender who falls in love with a female medical intern. Their new roommate Nur (Shaden Kanboura, Sand Storm) is a reserved, religious university student with a conservative fiancé.

Away from the constraints of their families and tradition, they find themselves “in between” the unfettered lives they are trying to lead and the restrictions imposed on them by their conservative culture. The film has already won several awards including honors at the San Sebastian Film Festival and the 2017 Women in Motion's Young Talents Award at the Cannes Film festival, presented to her by none other than Isabelle Huppert!

The film is a funny and sensitive portrait of female friendship. Its depiction of the three women at the center, is explosive in its head-on tackling of taboo topics in Arab society, and warm in its care to present multi-faceted characters. We recently spoke with the director Maysaloun Hamoud in New York. [The conversation has been edited and condensed...]

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