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Entries in Chloe Moretz (19)

Monday
Aug252014

Box Office: An Expensive Lesson in Sequel Production

Amir here, with the weekend’s box office report. Much like last week, the biggest story at the multiplex is the massive failure of a has-been brand. Then, it was the shrinking shoulders of 80s action heroes that could not bear the weight of a changing, modern world. Now, it is Frank Miller’s overly familiar aesthetic and the fading stars of Jessica Alba and crew. This catastrophe is of epic proportions. Budgeted around $70m, Sin City: A Dame To Kill For failed to make even 1/10th of its production costs back and fell behind the aforementioned Expendables 3. Reviews haven’t been kind and any affection for the original film has vanished in the intervening decade. You either have to suffocate the audiences with non-stop sequels and reboots before they know who’s hitting them, or they’ll forget you. That’s the lesson for Robert Rodriguez and Frank Miller and one they have had to pay at least $50m dollars to learn.

The best selling wide release was also the weekend’s Film Amir Is Too Old To Watch, a romance starring Chloe Grace Moretz called If I Stay that didn’t have the muscle to take the throne from Guardians or Turtles, making this one of the year’s quieter weekends. 

WEEKEND BOX OFFICE
01 GUARDIANS OF THE GALAXY $17.6 (cum. $251.8)  Review
02 ...NINJA TURTLES $16.8 (cum. $145.6) remember the animated one?
03 IF I STAY $16.2 *new*
04 LET'S BE COPS $11 (cum. $45.2)
05 WHEN THE GAME STANDS TALL $9 *new*
06 THE GIVER $6.7 (cum. $24.1) Review
07 THE EXPENDABLES 3 $6.6 (cum. $27.5)  recommended read
08 SIN CITY: A DAME TO KILL FOR $6.4 *new*
09 THE HUNDRED FOOT JOURNEY $5.5 (cum. $32.7) 
10 INTO THE STORM $3.8 (cum. $38.3)  
11 LUCY $3.5 (cum. $113.7) Podcast
12 BOYHOOD  $1.8 (cum. $16.5)  Review & Podcast
13 MAGIC IN THE MOONLIGHT $1.3 (cum. $6.8)  
14 DAWN OF THE PLANET OF THE APES $1.1 (cum. $203.9) Podcast & Reviewish
15 GET ON UP  $.9 (cum. $28.7) Review & Viola Davis

On the limited side, brighter news: Ira Sach's Love Is Strange a film The Film Experience adores, did strong business on only 5 screens. Here’s hoping it expands across North America as quickly as possible. The only new release I watched in the past couple of days is Ari Folman’s The Congress, which isn’t actually out until next weekend. Stay tuned for my review! What have you watched this weekend?

Monday
Aug182014

Coming Soon? More from the Author of "Gone Girl"

On a trip to Los Angeles last year I met longtime reader Margaret de Larios who, as it turns out, turned our own Anne Marie of "A Year With Kate" fame on to the blog originally. Margaret wanted to sound off on a topic I was very intrigued by so here she is to talk about the mysteriously silent upcoming movie "Dark Places". Say hello! - Editor


In just under two months, Gone Girl will likely be taking cineplexes by storm. The movie's marketing team is not of a mind to let us forget it, slowly rolling out new posters and trailers as well as sending David Fincher out to stoke internet buzz by playing coy about a possible new ending.

But what about the other Gillian Flynn movie, Dark Places?

Because there is another Gillian Flynn movie. And a TV series in development. And a project with HBO. And an original screenplay. And two new impending novels. Gillian Flynn is about to be everywhere and I, for one, plan to welcome our new thriller overlord.  Her work is creepy and uncomfortable and gripping in the best way. It also, significantly, happens to feature a wealth of meaty, nasty female roles. This could portend some long-needed mitigation of the True Detective Problem (or the Hannibal problem or the Breaking Bad problem or the-- well, you get the gist) and be a boon to lovers of actressing everywhere... as long as we finally get to see them produced.

Gone Girl is in the bag and Flynn's every development deal makes news, so whither Dark Places with Charlize Theron? [More...]

Click to read more ...

Saturday
May242014

Cannes Diary: "Foxcatcher" and Best Actor, "Clouds of Sils Maria" and Actresses

Diana Drumm reporting from Cannes for The Film Experience

With the Palme d’Or announcement looming over the Croisette, critics and casual filmgoers are scattering to catch the festival favorites screening throughout the Palais and/or selecting their bets for the Awards ceremony. Yours truly is in a bizarre, hazy limbo between the two, writing up what’s left of my coverage and running to more screenings. Without further rambling, here are two more competition films (an Oscar favorite and an indie to look out for) along with my personal pick for Best Actor. Will Jane Campion and jury agree? 

Foxcatcher
Bennett Miller’s true story drama looks at the relationship between Olympic wrestlers Mark Schultz (Channing Tatum) and Dave Schultz (Mark Ruffalo) and American old money heir John E. du Pont (Steve Carell), that would lead to a point-blank murder. Opening with black-and-white footage of a foxhunt (horses, hounds, riding gear) on the du Pont Foxcatcher estate, the film then cuts to Mark Schultz in not quite as posh straits, getting paid $20 to give a speech to an elementary school and chowing down on lukewarm ramen. So when he gets the call that John E. du Pont (apparently an avid wrestling enthusiast despite his status and it being a sweaty arm sport) wants to fly him out to meet, Mark leaps at the chance before getting any specifics on du Pont...  

Click to read more ...

Sunday
Sep222013

Box Office: The Family Prisoners of Oz

Jake Gyllenhaal sure needed it. Hugh Jackman's still got it. Prisoners, their tense new child abduction thriller had a strong opening weekend. It shouldn't come as a surprise, really. Hugh hasn't had anything like a true "flop" since Deception (2008) and The Fountain (2006). Even Australia, which people remember as a flop, would have been a hit all told with its solid global gross had it not had such a steroid-humongous budget. We'll discuss Prisoners in depth tomorrow (it's the type of movie that people will unfortunately "spoil" while discussing it enthusiastically so let's give it another night before we dive in) once we're past Emmy weekend.

marketed largely on Hugh Jackman, Prisoners turns out to be a true ensemble piece

WIDE RELEASE
01 Prisoners $21.4 
02 Insidious Chapter 2 $14.5 
03 The Family $7
04 Instructions Not Included $5.7
05 Battle of the Year $5
06 We're The Millers $4.6 
07 Lee Daniels' The Butler $4.3 REVIEWED 
08 Riddick $3.6 
09 Planes  $2.8
10 Percy Jackson 2 $1.8 

I ran into Joe Reid at the movies on Thursday and we talked about the tiny short shelf life of some movies. We were joking that people won't even remember that The Family ever came out by Friday. But here it is for the second week in a row in the top three grossers. So perhaps we were wrong. I haven't had the time (or, more pointedly, the heart) to write up the movie. I will say that Pfeiffer, DeNiro and Jones are good enough with the material but none inspired by it. What prompted them to make it beyond the paycheck? The fault lies with Luc Besson and the writing since it's such an unwieldy and even ugly mix of tones, swerving from heartfelt drama to black comedy to slapstick to god-only-knows what in nearly every scene with none of the dramatic empathy or comic inspiration that it would need to survive its indecisiveness and total mediocrity.

Mother & Robot. After school.

P.S. The only moments of joy I felt watching the movie was a couple shots of an endearing beautiful dog (named "Malavita" - ha!) and every shot of La Pfeiffer as it came with tiny flashes of nostalgia from the 80s classic Married to the Mob wherein the goddess was also comically cavorting with gangsters.

P.P.S. Dianna Agron is awful but I actually think she has the film's most impossible role and I can't believe I'm saying this but it needed someone of Chloe Moretz's total "f*** you" adolescent confidence and technical skill - she can fake human-like responses when she has to. Agron can (sort of) "act" confidence but she's like a robot when it comes to emotions; they do not compute.

LIMITED or STILL PLATFORMING
01 Wizard of Oz IMAX 3-D $3
02 Thanks For Sharing $.6
03 Enough Said $.2
04 Rush $.2 REVIEWED
05 Short Term 12 $.1 REVIEWED (cum $.7)

Having recently rewatched The Wizard of Oz for the millionth time for Hit Me With Your Best Shot I didn't feel the need to see it on the big screen again (I've done that several times, too). But did you? In other news, I fear that Short Term 12 is not long for this world, encountering its first dip during its gutsy and beautiful weekly expansion... so get out there and see it, people. Support movies that are crafted with everything BUT box office on their minds, and we'll get better movies!

What did you see this weekend? And was it money well spent?

Wednesday
Aug212013

"Give Carrie a call?"

Sometimes I receive an e-mail from a reader that is so spot on I don't even know what to add. So thanks to Dave for pointing out this absurdity on Facebook. 

He writes:

Are they honestly trying to make "Carrie" sexy? Do they think that evoking old 1-900 hotlines is... relevant to kids today? 

Good questions both and lol on the 1-900. On the other hand, if Margaret White rings (or sings), I'm totally picking up. 

Sexy 'Scary Carrie' hits theaters one month from now. With remakes of lesser known titles you sometimes have to worry that studios will bury the original to clear the way for new profits. Thankfully the original Carrie is too well known and too widely disseminated for that. The new Carrie will surely self-immolate (literally and figuratively) but the original will haunt forever.