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Entries in Oh Canada (2)

Tuesday
Sep242024

TIFF '24: For the Dead and the Dying and Those Left Behind

by Cláudio Alves

Vincent Cassel and Guy pearce in David Cronenberg's THE SHROUDS.

All of us are on a long journey into death, set on a collision course with the great end that nothing can entirely prevent and no one can avoid forever. Artists are no different, mere mortals like the rest of us. However, the nature of their work means those persons' relationship with our collective finality may take unexpected forms, many of them public. Whether a creator wants it or not, when the finish line comes into conscious sight, their creation shall reflect it. Mortality subsumes the art, even when buried deep within layers of escapism, deflection, and delusion. The brave ones disregard such distractions and stare at the monster head-on. For them, late style is a cinema of death.

Consider the most recent works from two of our greatest masters – David Cronenberg and Paul Schrader. The Shrouds and Oh, Canada are meditations on mortality, made for the dead and dying and, most importantly, those left behind, waiting for their own end…

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Monday
May202024

Cannes Diary: "Bird" from Andrea Arnold, "Oh Canada" from Paul Schrader, and more... 

by Elisa Giudici

BIRD

A couple of renowned names in competition have presented less-than-perfect movies, while newcomers have showcased some convincing entries today at Cannes Film Festival.

BIRD by Andrea Arnold
Since Fish Tank, I've never quite rekindled my enthusiasm for Andrea Arnold's films. However, Bird came very close. Some may argue that it feels more like a feature-length attempt to mimic Arnold's style than an actual Arnold film, but I personally found it compelling...

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