TIFF '24: For the Dead and the Dying and Those Left Behind

by Cláudio Alves

Vincent Cassel and Guy pearce in David Cronenberg's THE SHROUDS.

All of us are on a long journey into death, set on a collision course with the great end that nothing can entirely prevent and no one can avoid forever. Artists are no different, mere mortals like the rest of us. However, the nature of their work means those persons' relationship with our collective finality may take unexpected forms, many of them public. Whether a creator wants it or not, when the finish line comes into conscious sight, their creation shall reflect it. Mortality subsumes the art, even when buried deep within layers of escapism, deflection, and delusion. The brave ones disregard such distractions and stare at the monster head-on. For them, late style is a cinema of death.

Consider the most recent works from two of our greatest masters – David Cronenberg and Paul Schrader. The Shrouds and Oh, Canada are meditations on mortality, made for the dead and dying and, most importantly, those left behind, waiting for their own end…

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Cannes Diary: "Bird" from Andrea Arnold, "Oh Canada" from Paul Schrader, and more...

by Elisa Giudici

BIRD

A couple of renowned names in competition have presented less-than-perfect movies, while newcomers have showcased some convincing entries today at Cannes Film Festival.

BIRD by Andrea Arnold
Since Fish Tank, I've never quite rekindled my enthusiasm for Andrea Arnold's films. However, Bird came very close. Some may argue that it feels more like a feature-length attempt to mimic Arnold's style than an actual Arnold film, but I personally found it compelling...

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Streaming Roulette, Nov: Paranorman, Thunderball, Time and "Psychiatry On-Screen"

After the jump you'll find a listing of everything that's new to streaming this month (November 2020). But first we pick two handfuls of titles and randomly freeze them with the scroll bar. Whatever comes up is what we share. Do these images make you want to see (or rewatch) the movie? 

[on the radio]  It's christmas time in the city. Ring a ling. Hear them ring ♫ ♬

Carol (2015) on Netflix
Always forget this is a Christmas movie! But, really, 'tis always the season for the best movie of the decade. 

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Soundtracking: Chicago

by Chris Feil

With Renée Zellweger likely taking home another Oscar for her performance of Judy Garland this Sunday, it feels like a full circle moment for the actress’s career and Oscar’s relationship with musicals in the modern era. Rob Marshall’s take on the Kander and Ebb masterpiece Chicago was a platonic ideal between Academy voters (and the public) who sneered at the genre and its fans that were reinvigorated by the audacity of Moulin Rouge! just a year prior. Chicago injected new life into a previously dead genre, reigniting Oscar’s love as well, from all-out musicals to especially musical biopics like Zellweger’s Judy.

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Prime in August: The Elephant Man, How to Talk to Girls at Parties

Time to play Streaming Roulette. Each month, to survey new streaming titles we freeze frame the films at random places with the scroll bar and whatever comes up first, that's what we share!

Eat me alive. Mommy, mommy 🎵

How to Talk to Girls at Parties (2017/18)
We should talk about this movie at some point real soon now that you can all see it. L-O-V-E this entire scene. My favorite in the movie though these screen pulls are random as promised. I want this nominated for Best Original Song though it never shall come to pass...

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