Tim here, wondering if the time has come to start saying very hyperbolic things. This weekend sees the release of The Boxtrolls, the third feature released by the animation studio Laika, also responsible for 2009’s Coraline and 2012’s ParaNorman. I find myself, almost certainly to my eventual disappointment, wondering if this trio of technically audacious and unusually sophisticated stop-motion films has put the studio in line to fill the hole left when Pixar stopped being the most reliable movie-creating force in America, and instead became that place which makes pretty solid cartoons when they can be bothered to stop focusing on Cars pictures.
It’s begging the question from the get-go: there wasn’t a Pixar before Pixar, so there’s no clear reason that there has to be another one now. But Laika’s work so far has been at a level that encourages such dangerous optimism.