Sharp Objects: Episode 5 "Closer"

Previously: Episode 4 "Ripe"

by Chris Feil

This week’s Sharp Objects installment opened with its morphing opening credits turned into an ominous cooing, as if from the lullaby of a captor. And this week was similarly barbarous with its flailing comforts. “Closer”, its chapter title promises, describing both our discovery of the mystery and the shows encroaching brutal intimacy. This is the most contained episode yet, taking place over the course of a single day and mostly set on Eudora estate with all of the players brought together. It’s been a show built on a backbone of knowing glances, and “Closer” stacks several atop one another at once. Everyone has eyes on them, and no one feels fewer than Amy Adams’ Camille...

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Sharp Objects: Episode 4 "Ripe"

by Murtada

I was excited for this episode of Sharp Objects as it was billed as "Camille and Richard finally go on a date." They sort of did, in the Sharp Objects way by visiting Wind Gap murder scenes. But the episode also gave us a glimpse into Adora and Alan’s marriage and a memory involving Alan and Camille. I don’t think we’ve ever seen the latter two characters have any meaningful interactions before last night.

At the end of last week’s episode we saw Camille fleeing Wind Gap after her confrontation with Amma. However this time we start with her changing her mind and coming back. Images of dead girls fill the screen, we get it Jean Marc Vallèe, that's why she’s coming back. The constant cutting between now and the Camille's memories feels played out to me despite the story's dependence on memory. It was fresh and exciting when we first saw it 4 years ago in Wild (2014). Get some new tools, Vallèe!!

I’ve decided to let go of trying to look for clues to the mystery of the killer and just enjoy the performances and the eerie atmosphere that the series built.

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Sharp Objects: Episode 3 "Fix"

Previously: Episode 2 "Dirt"

by Ilich Mejía

In this week's installment of Let's Obscure Patricia Clarkson's Face To Visually Storytell, we barely get to make out Patty's moneymaker. In all fairness, while obscured, Patricia's unreasonable Adora still gets to crush common sense with pastels and Southern charm in front of characters outside her own family this week. Out of a familial context, her obsession with perception is amplified to a chilling perversity as she willfully obstructs her daughter Camille's attempts at finding the murderer of two young girls because *gasp* what will people say! We see how even at home, protected from the scrutiny of people outside of her circle, she prioritizes presentation: heels with nightgowns before bed, suede sandals while gardening, a maid never seen without her uniform. She’s no different with less familiar acquaintances, winning over the local police chief and the grieving father with her facetious attention and sweetened coffee...

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Sharp Objects: Episode 2 "Dirt"

Previously: Episode 1 "Vanish"

Go report somewhere else. Let these people be"

by Nathaniel R

Team Experience has decided to pass the baton each week on Sharp Objects for different perspectives / takes on the show. Two episodes in I think that seems fitting. While the show is focused on one woman's perspective, albeit not in a first-person narrative way, its shard-like editing is disorientingly multiple in feeling, as if Camille (Amy Adams) can't shake any of her past selves but also can't just be in any moment with herself. The communal self, the incestuously local population of depressed sweaty Wind Gap, Missouri, isn't any easier for her.

The second episode "Dirt" revolves around the funeral of Natalie Keene, a young girl murdered by an unknown killer. Detective Willis (from Kansas City... and our dreams) fears it's a serial situation given a similar early crime in Wind Gap. Willis and Camille do their own individual digging while Adora (Patricia Clarkson) continually bristles at her daughter Camille's reporting...

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Sharp Objects: Episode 1 "Vanish"

By Spencer Coile 

It’d be easy for audiences to tune into Sharp Objects with considerably high expectations. It stars Amy Adams and Patricia Clarkson, is the latest “prestige” piece of television from HBO, and is directed by Jean-Marc Vallée – who is coming off of a fantastic year with the success of HBO’s 2017 phenomenon,Big Little Lies. Add in source material from Gone Girl’s Gillian Flynn, and you have yourself an unsettling, binge-worthy summer series to watch. 

Yet, while Big Little Lies was fantastic, those drawing comparisons between it and Sharp Objects are evaluating HBO’s latest all wrong. Its first episode, “Vanish” demonstrates this perfectly by introducing a story and a leading lady who are so detached, so cut off from reality, that it’d be difficult to compare it to anything else. 

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