Best of '15: Most Memorable Scares. Boo!

Jason from MNPP here for more Year in Review madness.

Truth be told 2015 was not the best year for horror movies. There were some smaller successes but only a couple of classics born, and out of those only one - David Robert Mitchell's It Follows would classify entirely as a genre exercise. But there were plenty of Scary Scenes, whether inside the horror genre or knock knock knocking on the door, and that's what we're here to celebrate.

The following moments aren't necessarily in hard order, save the top few, because What Scares Us is subjective to not just each individual person but to each individual moment that person is experiencing -- I might feel like "No thank you, Bugs" today but tomorrow it might be all like "I said NO THANK YOU, Cannibals!" instead. Fear's a funny thing like that.

Anyway beware spoilers below, as we'll be discussing in a little bit of detail the money-shots of the year in "Boo!"

The 15 Scariest Scenes of 2015
from all sorts of films after the jump... 

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Interview: James Ransone on Leading Man Duties in 'Sinister 2' and 'Tangerine'

Jose here. James Ransone had me at Haneke. As we sat down to talk about Sinister 2 I explained my hierarchy of scariest things, clowns come first, followed by children, ghosts, and snakes... He responded “I don’t get scared by that stuff, I get scared by Michael Haneke movies...Amour scares me”. It was one of many responses that caught me completely off guard, because unlike most interviewees at junkets for studio movies, Mr. Ransone seemed completely unscripted, he was just saying what he thought, which made for a truly refreshing conversation.

James Ransone photographed in NYC. Credit: Jose Solis

It’s this very same irreverent quality that makes Ransone so compelling to watch onscreen. Whether he’s in a miniseries like Generation Kill or an indie hit like Tangerine, which he made with frequent collaborator Sean Baker, Ransone’s characters always seem to be coming up with their dialogue on the spot (no offense to the truly great screenwriters he’s worked with). The actor’s presence is so natural that he makes for a hybrid of Brando and John Cazale, who both seemed to effortlessly conjure the essence of their characters.

Mostly seen in supporting parts, this weekend Ransone gets promoted to leading man in Sinister 2, in which he plays Ex-Deputy So & So, the self-deprecating, do gooder who sets off to protect a mother (Shannyn Sossamon) and her two kids who are being terrorized by demonic beings. I talked to the eloquent Ransone about his opening weekend expectations, his own experiences with the "supernatural", and what he thinks is missing in modern American cinema.

JOSE: This room’s setting made me rearrange the order of my questions, because it looks like a shrink’s office and I read that you read Lacan and Zizek…

JAMES RANSONE: Yeah...I mean listen, I’m not gonna pretend that I just sit around and read a lot of philosophy and masturbate to myself intellectually, because that’s really fucking dangerous, but they’re really influential on my thinking. Basically I’m always trying to figure out why society works the way it does, and a lot of these guys helped make sense and shape some of the things that never made sense to me before. Foucault too, big time.

Sinister 2 and Tangerine after the jump...

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