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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Entries in Son Lux (2)

Saturday
Sep192026

TIFF 51: Mahershala Ali learns to be a better father in “Your Mother Your Mother Your Mother”

by Cláudio Alves

In the current political climate, it feels incredible, nigh impossible, for such a movie as Your Mother Your Mother Your Mother to come out of a major Hollywood studio. Yet, here it is, in all its MGM-backed glory with a TIFF world premiere to boot.

Bassam Tariq’s third feature and follow-up to 2020’s Mogul Mowgli, concerns a man of that profession which seems ever-so-common in moving pictures, but not so much in real life – the contract killer. He’s Latif, whom we meet in a peculiar scenario, intercutting between the mess of murder in a public toilet and a mysterious dialogue spoken by childish voices, illustrated by intertitles that disrupt the violence. It’s about Islamic scripture, a reflection of Latif’s devotion and a prelude to the news that is about to shake him to his core. Whom do you owe the most respect? The prophet, asked this three times, answers the same words each time: your mother. And who have Latif’s children lost while their father was away, spilling blood? Their mother…

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Friday
Dec162022

Oscar Volley: Fresh nominees or familiar names for Best Original Score?

Team Experience is discussing each Oscar category as we head into the precursors. Here's Juan Carlos Ojano and Mark Brinkerhoff... 

CARLOS: I've learned my lesson about the Original score category. It defaults to usual suspects. On the one hand, their loyalty to certain composers gives the opportunity for films to be nominated even when they're not Best Picture nominees. They don't even have to be Best Picture-adjacent (Parallel Mothers, Isle of Dogs, Passengers). On the other the hand this category can be a lazy checklist of familiar names in the way other categories are a lazy checklist of Best Picture heavyweights. Are you feeling the same way?

MARK: Yes. Often times the  familiar “in the club” composers get shortlisted. Considering The Fablemans is positioned to score overall and considering his own track record, we can surely reserve one spot for John Williams...

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