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Entries in Star Wars (152)

Monday
Feb292016

Oscar Night Shockeroos

Oscar night never fails to deliver on surprises, but the 88th ceremony, which kicked off just 25 hours ago was among the most shocking. The Revenant's take was left to its three star players in favor of a film (Mad Max Fury Road) once   hought too weird to be taken seriously by the stuffy Academy. Let's run down the unexpected moments of the night!

First, the winner surprises:

Spotlight wins Best Picture
The nominee that most pundits had all but given up on became the newest example in recent years to defy those "can't happen" statistics. The festival staple was the season's first front-runner, but kept getting underestimated next to the big dollar heavyweights like The Revenant and the emergence of similarly politicized, but higher pedigreed The Big Short. But there is power in the preferential ballot and you can bet that Spotlight's win was solidified by number of second and third place votes. Given the broad admiration for the film, its somewhat surprising that the film's chances to win were so doubted.

"The Writing's On The Wall" wins Best Original Song
After Lady Gaga's performance brought the unusually standing ovation averse audience to their teary feet, even Sam Smith seemed gobsmacked that she lost. The combination of political fire, an agressive campaign, and Diane Warren's nomination history were thought to be unstoppable. Damn, Academy, you guys really like "Skyfall."

Ex Machina wins Best Visual Effects
Manuel gave us a fun bit of trivia on the win earlier, but this is a win we'll likely be celebrating around these parts for some time. Like The Girl with the Dragon Tattoo's Best Editing win, this was a gasp-inducer that no one expected. It's also the rare craft win (and nomination) for a supporting design element - hooray for BEST, not MOST! Dance party at A24 headquarters!

The Mad Max Hour
It really did feel like the steampunk actioner could go all the way towards the middle of the show. While its six wins weren't quite so surprising in themselves, the rapid succession of statues felt for a minute like dominoes falling into place. One more commercial break and its winning streak came to a dead hault, but the love in the room for Mad Max was more palpable than for any other film. WITNESS!

Losers, oddities, and more after the jump... 

Click to read more ...

Monday
Feb292016

The Mad Six

Glenn here helping out with the post-ceremony rush. The highlight of last night’s Oscars was surely the six wins for Mad Max: Fury Road. That haul solidified its place as not just one of the most successful Oscar titles of all time, but no doubt the strangest, too.

 

We may all say that most people were predicting at least four of five of those, but the path to those six wins has been rather extraordinary in the truest definition of that word. Who among us a year ago truly could have predicted that we would be here a year later celebrating six Oscars to a movie about a renegade road warrior, an amputee heroine, and a group of sex slaves rising up against an evil warlord in a post-apocalyptic future with the aide of a gang of elderly motorcycle ladies? While we can be disappointed – very disappointed – that they didn’t add a seventh for George Miller’s direction, any movie winning six golden statues is not only a rarity, but a moment to be extremely proud of so hats off to the team behind Max. It won as many awards as the last two best picture winners combined and it doubled the amount of awards of the next highest winner (The Revenant) on its big night. You done good, Max! May more films like you spring forth from your imposing shadow.

Mad Max: Fury Road joins some fine company, with only 26 films having ever won more awards. 26 over 88 years ! More impressive still, is that Miller’s post-apocalyptic action spectacle is a member of an even smaller collective of only five films to have won half a dozen golden statues without a Best Picture prize to go with them. It’s an interesting quintet to say the least.

The five classics after the jump...

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Monday
Feb222016

Interview: Visual FX Oscar Nominees on Lightsaber Duels and Collaborative Arts

For as many articles I've read and videos and movies I've seen, the realm of visual effects remain a mysterious and magical power... not unlike The Force in that galaxy far far away. Speaking recently with two members of The Force Awaken's visual team, I suddenly imagine my confusion is probably akin to how it would feel to act a scene out with Chewbacca; all the Star Wars regulars understand his throat noises but I would definitely need subtitles.

Nevertheless it was a good time sitting down with Roger Guyett, a four time Oscar nominee who does both visual effects supervision and second unit direction for J.J. Abrams -- he tells me this is somewhat normal since second unit work tends to fall in the visual effects arena -- and Pat Tubach, also a previous nominee (Star Trek Into Darkness) who attempts to explain what "plate supervision" is though my brain won't comply. 

Herewith the parts of our interview that I did understand, I think, and Roger & Pat's game answers including what their loved one think of their work and seeing the movie for the first time. 

NATHANIEL: You're both "visual effects supervisors," so how does the work get divvied up? Do you get specific scenes? 

PAT TUBACH: Roger okays everything. We do break things up a little bit for ease given the sheer number of shots and number of people involved. I worked a lot on the opening scenes: the village raid, the TIE figher escape sequence with Finn and Poe. As well as the rathtar escaping and terrorizing the gang. 

So you had Captain Phasma -- I assume she was the most difficult to pull off since her suit is so reflective and much of her environment isn't actually there!

more after the jump...

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Monday
Feb152016

Blog Wars Episode VIII: Some New Links

• AV Club loves on the dearly departed Bunheads
Guardian Cynthia Nixon, who plays Emily Dickinson in a new film, thinks she'd have loved social media
• E! Online Dakota Johnson wants Jamie Dornan to bare all in Fifty Shades sequel. (I mean, why not? It's not like he's NSFW shy about it.)
EW looks at a handful of AMPAS ballots Supporting Actress and Picture votes are all over the place

Awards Daily on two previous shakeups in Hollywood (the late 1920s) & Academy (the late 1960s) business
Towleroad Gay Iconography: All About Bette Davis 
Film School Rejects Ben Stiller's most iconic characters from best to worst 
Coming Soon Ghostbusters gets a teaser poster. Don't get excited. It's basically just the old logo. Trailer coming on March 3rd
Coming Soon Salt, Angelina Jolie's would be franchise that never became one headed to TV in series form - without Angie of course
/Film Alexander Payne lines up his next next film. It's called My Saga, a road trip movie. He still hasn't shot Downsizing with Reese Witherspoon though.

Today's Watch
Daredevil Season 2 Trailer - Pt 1

 

Elektra and The Punisher get their own trailers, looks like. I'll be disappointed if we don't get a follow up on Madame Gao though, since she was fierce/mysterious. 

• And finally, Star Wars Episode VIII: As Yet Untitled began filming this morning at Pinewood Studios in the UK aiming for the Christmas friendly release date of December 15th, 2017. All the major players, sans Harrison Ford of course, will return. The film is written and directed by Rian Johnson (Brick, Looper) and all the major cast members return (sans Harrison Ford *sniffle*). New cast members will include Benicio Del Toro, newcomer Kelly Marie Tran and 'The Face,' herself Laura Dern! No, wait, that deserves more exclamation points. Laura Dern !!!!!!!!


Saturday
Feb132016

Heroes & Villains

We're trying to finish our 2015 Awards before the Oscars. Today, the Best heroes and villains of the year. These categories are always easier to draw up when the year's genre films were strong. There the binaries of good and evil can flourish stylishly, whether that's through Halloween ready memorable costuming (Mad Max Fury Road), boo!hiss! voicework (The Avengers: Age of Ultron), erm..."big" performances (Star Wars: The Force Awakens), or clever adorable characterizations (Inside Out).

You can see all 10 nominees here. Return and answer me these questions three

• Which hero would you want to be rescued by?
• Which villain did you most love to hate? 
• Which sidekick or henchmen do you fancy?