Mike Leigh on Criterion

by Cláudio Alves

One of the Criterion Channel's newest and most enticing additions is a Mike Leigh collection that includes 11 of the director's films. His is a cinema of compassionate observation that finds beauty in the bleakest settings, the wildest characters, and most complicated psyches. From Thatcher-era social realism to lavish period pieces, passing through farcical character studies, we can find much variety in this director's oeuvre, though some things remain constant. For one, we have Leigh's social preoccupations, a humanistic mindset that bleeds into every aspect of his productions. For another, there's his methodology when working with actors…

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Last Notes on 2002 (a Film Bitch Awards Flashback)

by Nathaniel R

We've had more difficulty letting the latest Smackdown go than usual but then 2002 was a fun fun year to discuss and podcast about.  There were so many more films we could have spoken about.

As an added bonus, since people are always asking about the old Film Bitch Awards that are no longer available online, we thought we'd share a couple of page from the 2002 honors for fun / discussion. (We've thought about compiling a "first ten years" book via GoFundMe or something - would you buy one?).

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Sir Ian Holm (1931-2020)

by Nathaniel R

If you haven't yet heard, beloved actor Sir Ian Holm (Chariots of Fire, From Hell, Ratatouille) passed away on Friday at the age of 88. He started working professionally as an actor in his twenties in the 1950s and he didn't stop working until just a handful of years ago with two final appearances in Peter Jackson's Hobbit trilogy. In his long career he won the Tony (The Homecoming), the Olivier (King Lear) and the BAFTA twice (Boros Gun and Chariots of Fire) though Oscar, sadly, kept missing the chance to honor him.

After the jump 10 roles that hold special meaning for this particular moviegoer...

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Celebrating Father's Day: Tracy Letts in "Lady Bird"

In honor of Father’s Day, Lynn Lee pays tribute to one of her favorite on-screen fathers.  

At first glance, it may seem counter-intuitive to celebrate Lady Bird on Father’s Day instead of Mother’s Day.  The loving but fraught relationship between Saoirse Ronan’s Christine “Lady Bird” McPherson and her mother Marion (Laurie Metcalf, who should have won the Oscar) is, after all, the emotional center of the film.  Yet amid the sturm und drang of their clashes and reconciliations, the quiet, soothing presence of Lady Bird’s father, Larry, leaves an equally lasting imprint.  It’s an especially remarkable feat when one considers how few movies devote significant attention to father-daughter relationships unless the mother is dead or there are abuse, neglect, or communication issues.  Think about it.

Lady Bird is the exception that proves the rule...

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1957: Ruby Dee in "Edge of the City"

Before the next Smackdown, Nick Taylor will be visiting some "alternates" to the Supporting Actress Ballot.

There are two noteworthy bits of trivia about Edge of the City. First: This marks the third of five films where Ruby Dee plays Sidney Poitier's wife, as well as the first of these films to focus on her character and their marriage in any real detail. Second: Edge of the City is the directorial debut of Martin Ritt, whose most famous films include Hud (which netted him his only Best Director nomination), Sounder, and The Spy Who Came in From the Cold, all of which were highly regarded by critics and Academy members alike. Ritt was a skilled actor’s director, able to craft naturalistic, cinematic performances from his ensembles while paying equal attention to the vastly different tones, milieus, and sociopolitical landscapes of each film. How could I resist the siren call of the first feature from a director this versatile and engaging, and with a cast this endlessly watchable? 

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