Doc Corner: Nora Ephron and Mike Nichols Get Posthumous Tributes on HBO

Glenn here. Each Tuesday we bring you reviews and features on documentaries from theatres, festivals, and on demand. This week we’re looking at two biographical HBO documentaries about cinema legends.

Despite a resume that reads as limited, Nora Ephron's reputation over film and pop culture general looms large. Directed by her son, journalist Jacob Bernstein, there is likely little this new biographic documentary Everything is Copy that won’t be familiar to fans of the witty essayist/author/screenwriter/director’s work – not least of all when featuring old clips of Ephron narrating her own books directly the camera. But thankfully Bernstein’s film isn’t simply a rehash of his mother’s life, rather he occasionally finds minor nooks and crannies of her life that she herself hadn’t written about at length. Helped by words from her sisters and friends, an image of Ephron is formed that while no doubt glowing allows for us to learn even more about her than her famously candid words previously allowed.

Beyond all of that, first and foremost, Everything is Copy is an entertainment. A breezy and bright glimpse of a woman whose wit was matched by her scathing honesty and who left behind many works of cultural significance that are worth parsing over. 

New York movies, Nora's death, and a conversation with Mike Nichols after the jump...

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Newish Viewing: Concussion, Hateful 8, and Reader Poll

Here's what's new or newish for home viewing over the past two weeks for DVDs, BluRays, or Streaming. Now you can...

• see if the Pinkett-Smiths had any reason to be upset about the lack of Oscar interest in  Concussion (hint: no)
• stab your eyes out while watching Daddy's Home 
• find out if The Hateful Eight is Tarantino's worst (hint: yes)
• discover the stuff they left out of Pt 1 in order to make another billion with Hunger Games: Mockingjay Pt 2
• watch Juliet Stevenson be Mother Teresa in The Letters
• endure yet another Paranormal Activity movie because they will never stop making those
• use Point Break (2015)  discs for coasters because who needs a remake when Point Break (1991) is still such a knockout?!

READER'S CHOICE STREAMING
We kicked off the biweekly reader's choice series with Gattaca (1997) and Cruel Intentions (1999). Time for another on Wednesday April 6th only I'm forcing a move away from the 1990s this time via these options, all new to streaming.

Also New To Streaming
AMAZON PRIME: Amistad, Bananas, Batman, The Big Lebowski, The Dead Zone, Death Wish, Dr T & The Women, Ferris Bueller's Day Off, Lars and the Real Girl, Men in Black II, Payback, The Peacemaker, Rescue Dawn,  Ronin, You've Got Mail; NETFLIX: Best in Show, Boogie Nights, Chaplin, Charlie & The Chocolate Factory, Cujo, Deep Impact, Explorers, Finders Keepers, The Holiday, The Hunting Ground, Looking for Richard, My Girl, Mystic River, The Next Best Thing, The Perfect Storm, The Phantom, The Promised Land, Rising Sun, The Running Man, Say It Isn't So, Shawshank Redemption, Scrooged, Shelter, Something's Gotta Give, Sunset Blvd, Under the Same Moon, V For Vendetta

Movie v Its Ensemble

Spoilers Ahead - Many of you have surely taken in the large spectacle clashing of Zack Snyder’s Batman v. Superman: Dawn of Justice for either popcorn fun or schadenfreude curiosity after the critical drubbing. Even the film’s fans and apologists have to admit that substantial missteps were made.

One of the most gruesome of the film’s plentiful sins is how it hangs its enviable cast completely out to dry. This is a cast of Oscar winners, legends, and future greats (poor Scoot McNairy!) giving it their all, but still completely out to sea. The luckiest are the ones that are still used too sparingly: Laurence Fishburne and Diane Lane don’t have time to make a mark, despite giving the grim actioner its only laughs.

But the film has a huge actor problem. There are many moments of its cast being underserved, undervalued, or placed into outright embarrassing situations. And there’s one glaring example I just can’t get past...

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Stage Door: The Color Purple

The Color Purple (1985), Steven Spielberg's hit adaptation of the 1982 bestseller by Alice Walker lives in Oscar infamy as one of its two greatest losers with 11 nominations that produced zero wins. Here's a lesser known piece of trivia: The Color Purple, the stage musical adaptation of the same novel, narrowly avoided repeating that exact same trick at the Tony Awards in 2006. It was nominated for  11 Tony Awards but LaChanze won the Best Actress prize that eluded Whoopi Goldberg in the 80s for interpreting the mousy but resilient Celie.

Despite the original production closing only 8 years ago, The Color Purple is back on Broadway in a revival that's been winning raves; it's aiming for a bigger trophy haul this time. [More...]

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Beauty vs Beast: Hannah's Sisters

Jason from MNPP here, looking out across this rainy New York City day and thinking of Woody Allen, as I'm wont to do. Today specifically we're thinking about his great 1986 film Hannah and Her Sisters, because today is the great Dianne Wiest's birthday, and that film won Wiest her first of two much deserved Oscars. (It doesn't hurt that the movie just celebrated its 30th anniversary on March 14th.) So today's edition of our "Beauty vs Beast" series it is!

We're facing off the "and the Sisters" of the title -- Weist as the recovering actress Holly and Barbara Hershey as the brother-in-law snatching Lee. Granted the awardage (and the general consensus that she totally deserved it too) might immediately tilt this contest in Wiest's direction in your mind, but slow yourself and don't make the mistake of under-valuing Barbara Hershey's fine work in the film; she makes the difficult and confused character of Lee pretty darn sympathetic and funny too. Much to my emotional consternation if they made online quizzes asking us which of the three sisters we are in this film I am sure I'd end up being a Lee.

PREVIOUSLY Last week nathaniel took over and delightfully went Full Tabloid, asking you to choose between the recently y'all to choose between the recently fractured power-couple Bennifer 2.0 -- y'all had the good sense to stand with Jennifer Garner to the tune of just under 70% of the vote. Said John T:

""I mean ehh on both of them but Jen seems like a nice person off screen and Ben like a jackass. As they're both gorgeous I will use that as my tiebreaker"