Angry Birds, Angrier Superheroes.

Team Red took the box office crown this weekend. No, not the metallic team red but the feathery one. Despite an unfashionably late arrival well past the Angry Birds craze that swept phones years ago, the family audience is insatiable these days. Not that the other Team Red, Iron Man and His Amazing Friends had anything to worry about having crossed a billion globally already. Here at home Captain America Civil War leapfrogged both Zootopia and Batman v Superman this past week to become the 2nd most popular film of the year (Deadpool is still #1... for now). Neighbors 2 and Nice Guys weren't as lucky because adults don't go to movies anymore without their children but wait for streaming (sigh). In platform releases, Love & Friendship (which is so damn enjoyable) and The Lobster had successful if minor expansions. 

Arrows indicate losing or gaining screens

TOP WIDE RELEASES
🔺01 The Angry Birds Movie $39 NEW
▫️02 Captain America: Civil War $33.1 (cum. $347.3)  Review
🔺03 Neighbors 2 $21.7 NEW 
🔺04 The Nice Guys $11.2 NEW Shane Black, Review
🔻05 The Jungle Book $11 (cum. $327.4)  Articles
▫️06 Money Monster $7 (cum. $27.1) Jack O'Connell
🔺07 Darkness $2.3 (cum. $8.4)
🔻08 Zootopia $1.7 (cum. $334.4) Reviewish
🔻09 The Huntsman: Winter's War $1.1 (cum. $46.6) Review
🔻10 Mother's Day $1.1 (cum. $31.2)

TOP TEN LIMITED
Excluding previously wide.
🔺01 The Meddler $777K (cum. $2) Review
🔺02 Love & Friendship $582K (cum. $780K)  Review
🔺03 The Man Who Knew Infinity $550K (cum. $1.6)
🔺04 The Lobster $408K (cum. $1) Reviewish 
🔻05 Sing Street $350K (cum. $2.4) Review, Who's the MVP?
🔺06 A Bigger Splash $338K (cum. $787K)  Reviewish
🔺07 Weiner $85K NEW 
🔺08 Maggie's Plan $66K NEW Review
🔻09 Hologram for a King $65K (cum. $4) Review
🔻10 Compadres $57K (cum. $3.1)

What did you see this weekend?

I caught The Lobster (unmissable in its singularity) and Neighbors 2 (enjoyable if not as funny as the original)

Posterized: Writer/Director Shane Black

Shane Black with Ryan Gosling at the Cannes premiere of Nice Guys this weekSince we've already done "Posterized" episodes on both Russell Crowe and Ryan Gosling, who co-star together in this weekend's new comedy Nice Guys, let's look at the man behind their bantering bros curtain, Shane Black. The 54 year-old director hit the big time with his very first produced screenplay 29 years ago, the smash hit buddy action flick Lethal Weapon (1987).

He's stuck to the high-concept action/comedy genre like glue thereafter making obscene amounts of cash during the heyday of that genre (the early 90s). If he's not interested in stretching, at least he does them better than most. Eleven years ago he finally moved into the director's chair for the underseen critical darling Kiss Kiss Bang Bang (2005). Strangely for a successful creator in a lucrative genre that isn't exactly relegated to the arthouse, he's not been that prolific in his 29 year career. (If you're curious about how it all shook out this old piece at Grantland is a must read)

Boy movies, least of all buddy comedies, aren't a thing TFE is known for so it's a little bit of a curveball today in Posterized but we're curious:  How many of his 8 films have you seen? 

Screenplays: Lethal Weapon (1987), The Monster Squad (1987), The Last Boy Scout (1991), The Last Action Hero (1993), The Long Kiss Goodnight (1996); Screenplay & Directing: Kiss Kiss Bang Bang (2005), Iron Man 3 (2013), and Nice Guys (2016).

And which is your favorite?

The One Thought I Had While Staring At The Nice Guys Poster

Manuel here. I was making my way through recent casting news, and trailers dropped, and posters revealed to see what I should share with you all this morning when I found the new poster for the Russell Crowe/Ryan Gosling buddy action comedy The Nice Guys and well… I was hypnotized by one specific detail about it.

Did you spot it? I can’t unsee it and I keep going back and forth on whether it’s an intentional flourish on the part of the marketing team (if so, thank you Concept Arts, you know your Gosling audience well!) or just an inadvertent consequence of the period-appropriate attire the Shane Black flick is going for (it would also mesh well with the cheeky tone of the film's very funny trailer). Either way, I had to open it up to the TFE readership at large: will you be watching the film to see if this VPL is a key plot point in the film?

Oh, yeah, I guess we should talk more about the film's plot which pairs a bumbling private eye (Gosling) with a no-nonsense er, "enforcer" (Crowe) to solve a missing person's case (Kim Bassinger's daughter in the film; oh, did I bury the lede that Bassinger is in this? Wait til you hear Matt Bomer is in it too!). The film definitely feels well within the Kiss Kiss Bang Bang wheelhouse but that's not a complaint since I very much enjoyed that 2005 film which, we have to admit, paved the way for the Robert Downey Jr. renaissance we all thought might never come to pass. Pre-Iron Man RDJ—remember that? Seems like a lifetime ago. And yes, that's also a reminder that Black is fresh off directing Iron Man 3 which makes his return to more off-kilter filmmaking a welcome change (oftentimes you just lose directors to the sequel/blockbuster-making machine, you know?)

Feel free to watch the trailer and let us know which way you’re leaning.