Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe
« Random Jennifer Coolidge Fantasy | Main | Yes, No, Maybe So: "Beginners" »
Friday
Jan282011

The King's Profanity Free Speech?

Was Harvey Weinstein just missing his old Harvey Scissorhands moniker (culled from his love of demanding cuts from the movies he'd bought from his days at Miramax)? A couple of days ago the story was making the rounds that The King's Speech would be reedited to get a family-friendlier MPAA rating. I ignored it because it seemed like a publicity stunt but like all good publicity stunts (if that's what it was) it stuck in my head. It's such a strange idea, to reedit a movie while it's playing. But perhaps it's no stranger than the R rating the film won in the first place. The last time I heard the naughty F word used so innocuously in a movie was Four Weddings and a Funeral when there was a string of them for comic effect when people were running late to one of those multiple weddings -- I don't remember which.  Or is just yet another publicity stunt to keep people talking about The King's Speech about which maybe there's not that much to talk about as it's entertaining but not exactly deep or as editorial ready as its main rivals to Oscar glory?

Between this and Blue Valentine I'm really beginning to wonder if the MPAA wasn't actually dissolved a year ago and is now just a front organization for the Weinstein Company's publicity department.

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments (4)

Fuck-a-doodle-doo

January 28, 2011 | Unregistered CommenterWalter

Maybe after the rating is edited it will be edited again to contain loving messages to the academy voters, conveniently before voting closes. The MPAA probably gets paid by production companies post-release to evaluate a new more oscar/publicity-friendly rating. Just saying.

January 29, 2011 | Unregistered CommenterAdam Meyers

Silly question: If it is edited, will the new movie be considered the "official" one and will voters have to see that one to vote or not for it? And, even if it doesn't make much of a difference, is it OK to change a movie while it is in the middle of the Oscar season?

Theoritically, it will not be the same movie anymore so one could argue its nominations aren't worth anything. Especially the editing one.

Maybe there's a rule about small changes not to be taken into consideration or they just realise that AMPAS doesn't really think that "correctly".

January 29, 2011 | Unregistered CommenterJames T

James T -- i'm not aware of any specific rule about this and unfortunately it has happened before during eligibility periods. A Star is Born (1954) was famously pulled and chopped up (the footage now forever lost) and put back into theaters in a shorter version during its run. And then of course there was that fiasco with The New World (1995) when nobody knew which version they were watching.

Clue: if you're still editing the movie is unfinished and shouldn't yet be in theaters.

January 29, 2011 | Unregistered CommenterNathaniel R
Comments for this entry have been disabled. Additional comments may not be added to this entry at this time.