Advertisement
Advertisement
Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

Powered by Squarespace
What'cha Looking For?
Comment Fun

Comment(s) Du Jour
Review: Beauty & The Beast (2017)

"I found much of this version charming, diverting and moving. But it's not a patch on the 1991 masterpiece" -Ian O

"I begrudge the decision of executives when it comes to casting a movie like this. They didn't need a 'star' to fill the seats. They needed someone who could elevate the material..." -Jones

Interviews

Ritesh Batra (Sense of an Ending)
Céline Sciamma (My Life as a Zucchini)
Asghar Farhadi (The Salesman)

Keep TFE Strong

We're looking for 500 Patron Saints!

IF YOU READ THE SITE DAILY, PLEASE BE ONE BY DONATING. 
Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

Subscribe

Entries in MPAA (22)

Sunday
Mar052017

Review: Hugh Jackman's Last Stand as Wolverine in "Logan"

This review was originally published in Nathaniel's column at Towleroad

Logan, the latest and last (for now) solo Wolverine movie, was not kidding around when it opted for Johnny Cash’s “Hurt” as its trailer music. It’s not just the severity of the title, but the elegiac lyrics, and the dying man as guiding spirit / inspiration. Some trailers lie but this one spoke world-weary truth. This is exactly the kind of movie James Mangold, who also directed the Johnny Cash biopic Walk the Line, delivers.

Wolverine’s mutation were never those iconic claws, which were a science experiment to weaponize him, but his ability to instantly heal which also slows down his aging process. The movie franchise got very silly about this, placing him in the civil war context in X-Men Origins as if the once feral Canadian hero was an immortal vampire rather than a mutant. 

But Logan is anything but silly about aging...

Click to read more ...

Monday
Oct312016

Oscar Horrors: Patty McCormack is "The Bad Seed"

Boo! It's the "Oscar Horrors" finale with abstew

With her blonde pigtails, pinafore dress, spotless Mary Janes, and armed with an elegant curtsy, little 8-year-old Rhoda Penmark is hardly the most intimidating figure. But beneath that childish visage lies the heart of a cold-blooded killer! One that shocked audiences in the 1950s. The Bad Seed preyed on the idea that evil wasn't some devil or mythical monster, but that it lived next door in the most unassuming of places. And worst of all, that evil was a hereditary trait that could be passed on, with no control over your assigned nature. The evil child has now become a staple of the horror genre, from the towheaded Children of the Corn to the twins from The Shining, but one of the first to make her mark (literally - watch out for those deadly shoes!) was bad seed, Rhoda Penmark, brought to life by Best Supporting Actress nominee, Patty McCormack.

I was about Rhoda's age when I first saw The Bad Seed at my friend Vicky's house...

Click to read more ...

Sunday
Aug282016

Box Office Special: 1984 Hits

Rather than talk about this weekend's boring box office results (nothing new to see here beyond a big weekend for that new kill-the-trespassing-teenagers flick Don't Breathe) let's travel back to 1984 which was a hugely influential year for franchises of many kinds. What can the biggest hits tell us about the then and the now? 

TOP TWENTY OF 1984
numbers adjusted for today's dollars via box office mojo

01 Ghostbusters $589.6  
Two Oscar nods. Spawned 1 terrible sequel, two animated TV shows, and this year's reboot

02 Beverly Hills Cop $581.5
Led to two sequels, a TV remake, and a TV pilot that wasn't picked up. Beverly Hills Cop 4 has been in some stage of development for 20+ years and is still supposedly being made. We'll believe it when we see it.

Click to read more ...

Tuesday
Feb162016

On Deadpool's Overhyped Sexuality

Social justice warriors argue that "Straight White Male" ought not to be a default setting and they're right - it's a wide & diverse world. Arguably nowhere is this default more set in stone than in superhero movies.

I actually rushed out to see Deadpool this weekend because it promised to be something different in this regard. This, despite no real desire to see the movie since the hard obnoxious sell felt like flop sweat (though it sure as hell worked and no flopping occurred). I didn't end up reviewing the film but this piece I wrote for Towleroad is as close as I got. It's called "Pansexual Antihero or Gaybaiting Joke?" because the buzz surrounding the smart ass mutant's sexual desires is empty.

Here's an excerpt but I hope you'll read the whole thing...

Deadpool fits comfortably in the X-verse, being a mutant, but also by selling the troubled 'otherness' that is the X-Men's chief inclusive draw for moody adolescents and beyond. He's neither hero nor villain, but an amoral guy who discovers he has cancer. His superpowers are unlocked through a sadistic experiment to rid himself of the cancer which leaves him badly disfigured but incapable of being killed. This anti-hero has been described as "omnisexual" by the writer of his comic and the media has consistently referred to him at "pansexual". But is he either of those things, or just a typical straight guy who loves a good dick joke?

extra random thoughts about the movie after the jump...

Click to read more ...

Saturday
Dec052015

Robert Loggia (1930-2015) ...and 80s Oscar Movies.

Tough guy Italian American actor Robert Loggia, arguably best known for supporting roles in gangster classics, has passed away at age 85. He had been suffering from Alzheimers. Condolences to his family and his fans.

The enduring character actor's career began on the Broadway stage in the 1950s but he quickly began mixing it up on television where he starred in a few short lived TV shows and made numerous guest appearances over the past five decades (!). His first big screen role (uncredited) was as "Frankie Peppo" in the Paul Newman classic Somebody Up There Likes Me but his film career didn't hit its peak until the 1980s with a string of hits including An Officer and a Gentleman, Scarface, Prizzi's Honor, and the comedy Big with Tom Hanks.

Though the earliest Oscar ceremony memory I have is Shirley Maclaine winning (1983), the first Oscar race I actively followed was in 1985, the year Robert Loggia was nominated for the courtroom thriller Jagged Edge. Now in the paleozoic pre-internet era "actively following" the race was much different. It required 1) going to movies that adults thought were great and 2) reading a few articles in weekly and monthly magazines about who might be nominated. That's it! [More...]

Click to read more ...

Wednesday
May062015

10th Anniversary of 'Mysterious Skin' and Joseph Gordon-Levitt: Actor

Glenn here. Look, we all know Joseph Gordon-Levitt was a child actor, and a pretty good one, too (that scene where he got skate in the face in Halloween: H20 is very memorable). But let's not kid around here. It wasn't until the release of Gregg Araki's Mysterious Skin in 2005 that most really started to take him seriously. One year later he starred in Brick and he's only continued to rise up the ranks as a popular and critically respected actor. Looking back, I can't recall if his presence was as exciting to me in this film as Michelle Trachtenburg from Buffy, but looking back now he's certainly one of the reasons the film holds up.

It's actually rather appropriate that the 10th anniversary of Mysterious Skin should occur now at around the same time as New York Magazine's article entitled “Why You Should Go to the Movies (and Do Other Stuff) Alone” has been getting shared around on social media. You see, Araki's film was the first film I ever went to see at the cinema by myself. I travelled to Melbourne all on my lonesome, without friends or family who I usually convinced to join me for a day at the arthouse, and caught a screening of the movie that had amassed so much controversy in the local media. There were threats of it being banned after a 'family organization' (code for fundamentalist "won't somebody think of the children" noddies) demanded a review of its already very restrictive R18+ rating which is the Australian equivalent of an NC-17. Given the history of sexually graphic films being banned after similar action - titles like Romance and Baise-Moi - I knew I had to see this film. And fast!

MORE...

Click to read more ...

Tuesday
May052015

Links: And Alice Faye's Centennial

The Dissolve Emily Blunt is finally revving back up her career. After Sicario she's headlining Bronco Belle
Guardian Ryan Gosling, ever the good sport about internet memes, finally eats his cereal, and a cancer fund is created to memorialize the meme creator
Empire the very busy young actor Will Poulter case as Pennywise in the new  version of Stephen King's "It"
Awards Watch I was the special guest on their latest podcast defending my first wave of predictions, particularly why I got behind Sicario and am hesitant on Carol.

Film Actually 20 most anticipated performances (I keep forgetting about Ben Foster as Lance Armstrong)
In Contention speaking of Foster, he's got a new film Comancheria, just picked up by CBS Films. Think they'll change the title before release? I'm taking bets.
Playbill If you've never seen Broadway darling and sometime TV & film player Kristin Chenoweth in concert, do NOT miss her tour. I've seen her like four times live and she's magic. It starts in August and she's hitting 17 states so see if any shows are near you!
MNPP who wore it best (skin suits edition): The Vision or Robbie Williams? 
The Dissolve has a cute Gremlins filled video about the history of the PG rating.  
Variety the rapping Granny from The Wedding Singer has died at 101 years of age 
Previously TV Joe Reid guests for a RPDR recap of the "prancing queens' episode. good stuff 
/Film Joss Whedon explains that messy Thor in the pool business from Age of Ultron (the more we hear about the making of the movie the more disastrous it sounds from an executive interference level; this can't be a good sign for the movies going forward.) 

It's the Black Widow's World. Marvel Just Doesn't Know It Yet.
Washington Post on "Black Widow's Feminist Heroism" - a great response to the weird outrage criticisms despite her film-rescuing place in those movies
Think Progress on further linked e-mails which show Hollywood's absolute sexism and stupidity about female heroes, they think Elektra and Catwoman are the best that can be done? Yikes!
Pajiba also Jeremy Renner doubles down on his sorry not sorry douchery about calling Black Widow a slut
Polygon would watch ScarJo's Black Widow Romantic Comedy via SNL. (as would I)  

Showtune(s) to go ~ Happy Alice Faye Centennial
When I revisited the Oscar nominated In Old Chicago (1937) a couple of years ago  I was a bit dismissive of Alice Faye, a major 30s film star (who isn't so well remembered today) who played Tyrone Power's conquest.  After more investigation the appeal has become far more obvious and since May 5th is her Centennial you definitely have 5 minutes to give her major voice - that's a memorably warm deep contralto. Here she is in two incarnations as a pre-code bad girl singing about 'Fooling with The Other Woman's Man' in Now I'll Tell (1934) looking like a visual inspiration for Madonna's future Breathless Mahoney in Dick Tracy. And then in a more traditionally romantic Technicolor light in Weekend in Havana (1941) with John Payne (Tyrone Power and then John Payne? lucky girl) singing "Tropical Magic"