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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Love Affair (1994) - as "A Year With Kate" nears its conclusion

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Entries in X-Men (58)

Thursday
Nov062014

Tim's Toons: A history of animated Marvels

Tim here. Tomorrow sees the release of Big Hero 6, the 54th feature made by the Walt Disney Animation Studio canon, and the first time that studio has collaborated with its corporate cousins at Marvel Entertainment. The result is certainly the most prestigious animated project ever based on a Marvel comics title, but far, far from the first. In fact, Marvel superheroes have been showing up in cartoons for almost a half of a century now. I give you a tour of some of them.

The Marvel Super-Heroes (1966)
The very first Marvel TV series, airing 65 episodes in syndication. The first time I ever heard of it was about an hour ago, so I can’t begin to say if it has an kind of rabid fanbase or lingering influence on Marvel writers and artists, but it stands out in my eyes for having extraordinarily cheap animation even by ‘60s syndicated TV standards, basically just waggling still drawings underneath the camera. Seriously, watch that video.

Lasting cultural impact: None, but from now on, if I ever meet Mark Ruffalo, I’m going to chant “watch them change their very shape before your nose!” at him till he punches me in the face.

Classics and new shows alike below the jump!

Click to read more ...

Thursday
Oct302014

Calendar-Man v. Film Culture: The Bubble-Bursting Wars

With every studio hopping on the "universe building" trend that Marvel perfected for cinema -- too bad Pixar's early "all original concept / few sequels" success didn't translate to cross-studio trends -- cinema will be becoming a lot more like television. It already has, of course, with those annual editions of popular franchises playing like big budget TV miniseries with all their episodes smashed together for one bingewatch a year (think Hunger Games, Twilight, Harry Potter). With the Star Wars universe now planning annual showings and Bond & Star Trek till and that planned resurrection of the entire original iconic movie monsters, one has to wonder if Original Content will finally be put down by the 2020s. Or will the bubble burst and audiences will grow tired of continuing stories with overly familiar characters and often padded multi-part stories with no resolutions. You know, the kind they can get at home on television for free?!

This comic panel has been slightly altered to better illustrate my argument.

All entertainment trends are cyclical. This is a fact, however much people valiantly argue year after year that whatever's hot right then will live on forever. But when exactly will the bubble burst?

I was initially very excited about the growing genre of superhero movies -- like many boys I spent countless hours in childhood and adolescence dreaming of seeing my favorite characters on the page in live action environments (X-Men, The Avengers, The Teen Titans, Cloak & Dagger, Green Lantern and Daredevil figured chief amongst my fantasies in this regard). But even though I wanted this, I'm already kinda bored of seeing it actualized especially since so much of it plays more like a nightmare (see the first film versions of Green Lantern and Daredevil - or better yet, DON'T, if you've managed to escape them).

Backstage blog handwringing and the superhero glut after the jump...

Click to read more ...

Tuesday
Sep232014

Deadpool Solo Film is a Go


Margaret here, with the latest in superhero news. Twentieth Century Fox and Marvel Comics have firmed their long-rumored plans to produce a Deadpool movie. A popular Marvel character, Deadpool (alias Wade Wilson) is a motormouthed mercenary with powers including regenerative healing and expert swordsmanship. He appeared in 2009's X-Men Origins: Wolverine, as played by Ryan Reynolds, to much fan favor. Though Reynolds is not yet attached to the upcoming film, in the grand tradition of superhero tentpoles a release has already been fixed for February 12 of 2016. 

When Reynolds appeared as Deadpool five years ago, his star was quickly on the rise. The warm reception to his performance in Wolverine helped him land the lead in DC Comics' mega-budget Green Lantern movie, which (remember? We were so young back then) was expected to become a major franchise. The film ended up tanking spectacularly, and Reynolds' next several major-studio projects fared little better. Like many floundering movie stars before him, he retreated to the indie-movie scene, but Marjane Satrapi's The Voices (which played Sundance) is divisive and Atom Egoyan's The Captive (Cannes) was critically panned. 

Can this Deadpool project reverse his trajectory? Does Ryan Reynolds even have any chances left?


Wednesday
Jul022014

Bob & Carol & Depp & Tilda

The New Yorker on Bob & Carol & Ted & Alice by Paul Mazursky. I love that movie so much
NYT RIP the influential filmmaker Paul Mazursky (Bob & Carol & Ted & Alice, An Unmarried Woman, Enemies: A Love Story
THR The Academy sues the estate of art director Joseph Wright. His family auctioned off his Oscar for My Gal Sal (1942) for $79,200. (God, imagine how much an Oscar for a famous movie or actor would get!) But auctioning off Oscars is a big big no-no. AMPAS freaks out every time.
Bryan Singer tweets a treament of X-Men: Apocalypse


Daily Mail Johnny Depp on the set of Black Mass. Lots of old age makeup
X-Finity Matt Bomer implies that his Montgomery Clift biopic is on indefinite delay
The Wire Joe talks that Eric/Jason sex scene on True Blood and what a failure the show has been in terms of the gay. Co-sign every word.
The Black Maria on the Hunger Games of the 70s, Roller Ball
The Dissolve in the greatest summer blockbusters
Comics Alliance revisits Batman to look at Vicki Vale, the 1989 version of "Strong Female Character". (I totally forgot Ms Vale was an acclaimed photojournalist - not that it matters)

The 1989 model had fluffier hair than her successors, but that’s really the only significant difference. She establishes her Totally Empowered cred early, makes eyes at the hero, then gets the hell out of the way... She ends the film in the hero’s arms, fulfilling her role as reward for his victory, with nary a whisper of the professional goals that drove her to him in the first place. She is pretty and in need of rescue and almost entirely in service to the male characters’ plot and characterization—but she gets to be vaguely spunky and is slapped with a typically male career, so it’s totally okay.

I can only imagine the interviews that took place upon the release of "Batman", touting her modernity, her break with the damsels of the past, her ineffable 1989-ness.

Towleroad Adore Delano continues to hit it hard in that tiny assured-media-interest window post RuPaul's Drag Race. Party!
Clothes on Film wonders what happens to contemporary costumes when the movie wraps. Featuring The DescendantsBrick and Silver Linings Playbook
Variety Tom Hardy reunites with Inception co-star Leonardo DiCaprio for The Revenant 

Tilda = Best
Tilda Swinton has proclaimed that everyone should see Julia because Tilda has great taste. She's so extraordinary in that movie and she should've won her second Oscar for it. (Sorry Oscar nominees of 2009 but you just don't compare)

I made a film with Erick Zonca called JULIA of which I am extremely proud: in the United States it had a very small release by a great little and passionate distribution company called Magnolia.. but there was only so wide they could release it.. PLEASE look for that one.. it is something else.. and I LOVE it.

Her Reddit Q&A is often hilarious. Consider this response to whether or not she's a clone of David Bowie.

The laboratory gave me strict instructions to issue no comment

I'm so proud that I've been a fan of Tilda since Edward II (1991) so she's MINE. I am so proud to have given Tilda the gold medal right here for Julia. The Film Bitch Awards are awesome. *pats self on back* Should really watch that movie again.

Wednesday
May282014

Links: Daredevil Casting, Cage Laughing, Maleficent Building, X-Men Griping

Today's Picture To Gawk At
This one goes out to my podcast pals via Theater Mania because we know you've always wanted to see a photo of Julianne Moore with Sophie Okonedo!

Juli with the cast of the 2 millionth revival of "Raisin in the Sun"

Linkages
New York Times Maya Angelou, the famous author and poet, sometime actress, and one time director (Down in the Delta, 1998) has died
Pajiba Charlie Cox, who killed my beloved Pfeiffer in Stardust will be the new Daredevil for 2015's Netflix series. I haven't seen him in act in like seven years (no really)... so I have no idea what to say about this. Kept a low profile he has as a once rising star. Thoughts?
Playbill Best Picture winner The Sting (1973) will become a musical on Broadway. (That's mandatory now for famous movies)
AV Club HBO going further back with its gay content and planning a 1960s based gay telefilm Open City about gays and the mafia... not to be confused with the modern term "the gay mafia"
i09 talks to production designer turned director Robert Stromberg about his world-building on movies and Maleficent 


YouTube every time Nicolas Cage laughs in a movie. This is so funny and disturbing 
Variety Gross! Clueless's Stacey Dash (Dionne) is a Republican and has just joined Fox News
Variety Golden Trailer Awards getting more popular each year 

Would Be Emmy Precursors
Finally, The Broadcast Television Critics Nominations were announced today. I don't belong to this kid brother organization of the BFCA (which I do belong to) that is still very new... but I can't say that I'm pleased with them for the Mad Men shutouts in their drama nominations or that they're so conversative in their taste when it comes to some of Emmy's issues. (The Big Bang Theory, really? and no RuPaul's Drag Race in Reality Competition despite the media always complaining about how dumb the Emmys are to not see its subversive brilliance?) But if you're curious you can take a look. Things That Are Awesome:  Lauren Weedman for Guest Actress for Looking on HBO. Lots of nominations for Masters of Sex and Orange is the New Black; Things That Are Stupid: Mad Men shut out; Things That Are Interesting: Joe Morton who plays Kerry Washington's father and Bellamy Young, who plays the perpetually defeated unloved First Lady are the only members of Scandal to get acting nominations. The lack of interest in Girls on HBO (only nominated for Andrew Rannels in Guest Performer). Two acting nods for Shameless as a Comedy (it's new campaign tactic) even though it's more of a Drama than it used to be.

art by Jason MetcalfX-Men. Emphasis on the Men. 
Dim the House Lights has an excellent piece expanding on my frustrations with X-Men Days of Future Past and the X-franchise's unwillingness to care about its female characters. This article goes one step further and argues that their agency has been completely erased. Compellingly argued, too.

Rachel & Miles X-Plain the X-Men in my readings about the X-Men movies I chanced upon this great funny podcast that attempts to explain the X-Men's very convoluted history, right from the beginning in the 1960s. If you care about comic books, the X-Men, or want to just marvel at how professional some podcasts sound (seriously, what equipment do people use that their voices are always so shiny, clear and untarnished by sound debris?) [all the episodes on iTunes]

Tuesday
May272014

Box Office Holiday: Mutants, Reunited Stars, and Immigrants

Amir here, with the long weekend’s box office actuals. All was well in America (and all other markets in the world) as audiences stormed to see X-Men: Days of Future Past. The film’s haul was impressive, even though it fell short of the series’ best (The Last Stand) despite the inflation of 3D tickets, but it’s safe to say fatigue hasn’t yet kicked in with this group of superheroes. In the process, X-Men knocked Godzilla off the top spot perch. Nathaniel quite liked the film, despite its limitations. I haven’t yet seen it, and with the news that Edgar Wright has been kicked off the director’s chair of Ant Man, have vowed never to see another superhero film, but that’s a gripe for another article.

X-Men: Weekend of Godzilla Past

MEMORIAL DAY WEEKEND BOX OFFICE
01 X-MEN: DAYS OF FUTURE PAST $110.5 *new* Review
02 GODZILLA $38.4 (cum. $155.7) Review & Podcast
03 BLENDED $17.7 *new*
04 NEIGHBORS $17.1 (cum. $116.8) Review & Podcast
05 THE AMAZING SPIDER-MAN 2 $10 (cum. $187.1)

06 MILLION DOLLAR ARM $9.1 (cum. $22.7)
07 THE OTHER WOMAN $4.5 (cum. $78.6)  
08 RIO 2 $3.4 (cum. $122.5)
09 CHEF $2.9 new (cum. $4.2)
10 HEAVEN IS FOR REAL $2.7 (cum. $86.5)
11 CAPTAIN AMERICA: THE WINTER SOLDIER $2.2 (cum. $254.1) Review
12 BELLE $2.1 (cum. $4.3) Review

The other big opening of the weekend was Blended, for which the $18m dollar sales is being branded a flop but this isn’t true when you stop to consider just how unappealing everything about this film is. The title sounds like a youtube compilation of mishaps to people who are making smoothies. The trailer sucked the life out of every single theatre I saw it in, and a lot has changed for the leading duo since they starred together in their hit 50 First Dates and The Wedding Singer, most notably the fact that they weren’t has-beens then.

Marion Cotillard in The ImmigrantOn the limited side, the Sundance critical hit Cold in July was the most significant release, but without much advertising muscle or star power, it managed a modest $4k per screen average. James Gray’s The Immigrant pulled in similar averages but on a much larger scale as it expanded to 147 theatres. If you live in the vicinity of any of those 147 screens, you Must. Go. Now! It is one of the best of the year.

Nathaniel was on a viewing/reviewing spree this weekend with X-Men, The Normal Heart, Mad Men, and some 1941 pictures (vote!) but I didn’t watch a film. Instead I had the pleasure of talking to Godfrey Cheshire for a few hours! Amazing, right? It was a hoot!

How did you spend the weekend?