Steven Spielberg Cuts to the Chase
Saturday, May 21, 2011 at 4:10PM Editor's Note: Yonatan, a reader who we profiled a couple of months ago, wanted to sound off on an interesting aspect of Spielberg's career. Given the recent release of the The Adventures of TinTin teaser and it's international counterpart (included below) as well as the ongoing discussions of Oscars troubled relationship with motion capture animation, it's good timing.
So here is Yonatan...
Christmas is All Spielberg All The Time this year
Steven Spielberg has two movies coming out this year, a twin trick he's performed five other times: 1989, 1993, 1997, 2002 and 2005. Christmas break brings us The Adventures of TinTin: The Secret of the Unicorn and a week later on December 28th, War Horse opens.
The TinTin Teaser (International)
Yes No or Maybe So ? ;)
Aside from Spielberg's trusted collaborative team (composer John Williams, editor Michael Kahn, cinematographer Janusz Kaminski and the rest), his reliably huge box office results, his male protagonists, and child actors in lead or prominently featured roles, what other commonality do we often see in his work?
Here's one to consider...
If you want Spielberg to direct your script, have an element of chase in it. From his TV movie Duel, his megahits Jaws and E.T., the Indiana Jones franchise, through the two movies starring Tom Cruise and Catch Me If You Can (the title alone!), Spielberg's characters have been on the run. They've been out of breath for four decades. Where are they going? Who is chasing them? Why?
DUEL (1971 TV movie, released theatrically in Europe) A truck driver chases down a driver who had the nerve of passing him.
THE SUGARLAND EXPRESS (1974) Lou Jean and her husband Clovis (Goldie Hawn and William Atherton), an escaped convict, on the run from the law, chased by dozens of police cars.
JAWS (1975) After a shark and a police captain (Roy Shrieder) run people out of the water, three men (including the police captain) go after the killer shark.
RAIDERS OF THE LOST ARK (1981) The search for the lost coven of god. A big boulder chases Indiana Jones, our adventurous archeologist, right to the hands of his enemies, who chase him all the way to his awaiting seaplane, etc. Includes a chase in the crowded streets of Cairo.
E.T. (1982) The government is after the kids hiding the long-fingered alien who just wants to go home. Cue bicycle chase.
INDIANA JONES AND THE TEMPLE OF DOOM (1984) It's one chase after another kicking off with Indy's frenzy to find the antidote to his poisoning, then the leap from a plane - snowy slope - river rapids sequence and finally the Sankara Stones and a chase on mine car tracks.
INDIANA JONES AND THE LAST CRUSADE (1989) The search for the holy grail. Nazis once again. Chases on boats, biplanes and tanks.
HOOK (1991) The boy who never grows up grew up to be Robin Williams. Peter Pan returns to Neverland after Captain Hook kidnaps his children. And the crocodile still haunts Captain Hook with his ticking stomach.
JURASSIC PARK (1993) The dinosaurs cut loose and it's a two-way chase: Dinosaurs vs. Humans, Humans vs. Dinosaurs. As is the case in the horrible sequel THE LOST WORLD: JURASSIC PARK (1997).
SAVING PRIVATE RYAN (1998) Captain John Miller (Tom Hanks) and troupe race to find a single soldier (Matt Damon) behind enemy lines in WW2.
A.I. ARTIFICIAL INTELLIGENCE (2001) Android David (Haley Joel Osment) joins Gigolo Joe (Jude Law) who is running from the police on murder charges, and they seek the Blue Fairy.
CATCH ME IF YOU CAN (2002) FBI agent Carl Hanratty (Tom Hanks) chases conman Frank Abagnale Jr. (Leonardo DiCaprio).
MINORITY REPORT (2002) John Anderton (Tom Cruise) is continually on the run after being charged with a murder he has yet to commit.
MUNICH (2005) The hunt for the murderers of 11 Israeli athletes in the 1972 Olympic games in Munich.
WAR OF THE WORLDS (2005) Ray (Cruise again) and his kids run from murderous killing machines from outer space.
Spielberg loves a good chase
INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL (2008) Harrison Ford, no stranger to marathon runs (see also The Fugitive) is continually on the run when he's playing the world's most famous fictional anthropologist. This is the only movie in the franchises that I've seen but once but I remember a chase involving jeeps in the jungle.
In Saving Stablemate Joey AKA WAR HORSE, a horse named Joey is sold to the cavalry and sent to France. Albert, too young to enlist, goes out to save his horse (Matt Damon?) behind enemy lines in WWI.
And TIN TIN? We'll see. Did I miss any chases in these other pictures? 1941, Close Encounters, The Color Purple, Empire of the Sun, Always, Schindler's List, The Terminal?
Though Spielberg is not at prolific as Clint Eastwood or Woody Allen, he is known as a speedy director. He likes to shoot in more than one setting a day and apart from possibly Jaws (?) he finishes his movies ahead of schedule. Take War of the Worlds for an example of his post-production speed. Filming wrapped in March and the movie was in theaters by June! despite being heavy on the visual effects. This sense of urgency comes through in his movies, which could be one reason he's such a strong action director (I'd argue he's better with action than drama).
Spielberg's cameo in The Blues Brothers
Even when Spielberg isn't directing, he's producing big budget tent poles -- many with chase elements, even non-human ones like Twister (storm-chasing!). Even his rare cameo in The Blues Brothers fits in: he ends the police chase after the brothers.
Always on the run, the search and chase continue.
Reader Comments (11)
gah i love that musical number-poisoning-antidote-frenzy opening of "temple of doom". the only thing that ruins it is that they play credits over it. It should have been credit free because there is so much to look at.
He also released two films in 1989: INDY 3 and ALWAYS.
Steven has done this FIVE times. Recall that "Last Crusade" and "Always" were both released in 1989.
I see another savvy Spielberg beat me to it.
Although neither The War Horse or Tin Tin excite me based on their concepts, I'll definitely be seeing both of them because I feel Spielberg's last two double film years were pretty successful and the last decade has made me a big fan of his. Although the drama in his film do tend to dip into sentimentality, I feel he excels at it just as much as he excels at action (which I feel he does better than a lot of filmmakers).
It's Tintin not Tin Tin.
This article makes me feel like a fool.
Spielberg is my favorite artist by a mile. Yet, I had never realized his penchant for chases.
And it's nice to see a text about The Beard on this blog created by Rogers, who doesn't give a damn about him.
Thank you, Gustavo! Finally someone commenting on the subject matter.
His audience are kids with short attention spans. Gotta keep them happy with motion and dangling objects.
No bad :), it's I remember, to next
Carlos
You speak wrong. even adult audience loves it that way, and Spielberg film (the usual one) is made for everyone. kids and adults. There's nothing wrong in ingoying films by the elements of suspense (like putting a chase in the story line), and this is what spielberg do in all of his films. the cinema is here to enjoy it, after all.
Sorry if my english sounds bad. I am arabic fan of spielberg. he made a few of bad films, i agree, but in general he made great ones and good ones, too.