Oscar History

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

Powered by Squarespace
Don't Miss This!

Saoirse preps her losing face - fun radio interview

Comment Fun

NEW PODCAST: lots of Oscar talk!

" I really like Janney a lot in her film, but Metcalf's just my favorite nominee in any acting category." - Nick T

"I wonder who will present Actress this year? I have a feeling it'll be Ashley Judd, Mira Sorvino, Annabella Sciorra... Seems like the right thing to do." - Michael R

 "I've been hoping for months that Warren Beatty and Faye Dunaway will be invited back to annouce Best Picture this year. It just seems like the right thing to do." - MrW

What'cha Looking For?
Keep TFE Strong

We're looking for 500 Patron Saints!

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience


« All Male Revue: Brad, Andy and Ryan (who is just too Ryan). | Main | Yes, No, Maybe So: "Joyful Noise" »

NYFF: "The Loneliest Planet" With Gael García Bernal

The first of the senses that writer/director Julia Loktev hits us with over the opening black screen is sound. We heara  rhythmic pounding/creaking/breathing that's hard to place (sex scene? construction work?). When the fade-up happens, you'd never guess what image is waiting for you. It's something both utterly mundane and alien and strange. This is only the first of the surprises that await you as you journey across the Georgian wilderness with Nica (Hani Furstenberg) and Alex (Gael García Bernal) in The Loneliest Planet

Hani Furstenberg could eat Gael García Bernal right up in "The Loneliest Planet"

Nica and Alex are madly in love both with each other and their mutual wanderlust. They're seeking an authentic travel experience beyond touristy paths before they marry. English is their common tongue (though neither of their native languages) and the film makes the very smart decision of subtitling nothing, as they attempt to communicate with the locales and teach each other a bit of their native tongues. They sign up with a local guide Dato (Bidzina Gujabidze), the only other major character in the film, and they're off.

The Loneliest Planet ostensibly belongs to the arthouse school of contemplative "slow" films but there's actually quite a lot happening, as we observe Nica and Alex making love, absorbing nature alone or together and alternately building bonds with their guide and ignoring him. The space between each character is more geographically interesting than the landscape surrounding them. (Whether there's enough happening to justify its 113 minute running time is a separate question.)

The movies construction is such that you're climbing its mountain of details to the peak at Act One's curtain where "The Incident" takes place. And then you're climbing back down again in Act Two, with so much new to process in stunned silence.  "The Incident" (which is all I'll call it and what the director herself calls it) is a frightening and confusing moment that's also utterly believable and gorgeously acted. It's rendered all the more potent by the lack of constant cutting that mars so many pictures in the editing stage. The Incident is the movie's guaranteed conversation centerpiece which I fear most reviews with their lazy insistence on plot-plot-plot will give away. Loktev's mode throughout is observational and her refusal to offer up any commentary or (non visual) point-of-view on the matter will surely be counted as a detriment for some and a plus for others. Put another way she's masterfully collecting details but whether or not she has something to say about her treasured collection remains an open question to be answered by future films.

All movies engage your eyes and your ears by their very nature, but seize your visual and aural imagination only with skill. Loktev gently forces a third and dominant sense into the equation. Right from the very first startling image Loktev shows an extraordinary gift for the tactile. How many movies can you feel on your skin? Cold water, the brush of fingertips, a stone in one's shoe, hair violently tossing about in the wind and so many more sensations are beautifully captured. Most tellingly in The Loneliest Planet you can absolutely feel the warmth of a lover's touch and the unavoidable sudden chill whenever bodies separate.  B+ 


Previously @ NYFF
Melancholia - Michael gazes upon the end of the world with von Trier

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments (5)

I'm interested in seeing this. DayNightDayNight from the same director is one of the most effecting films I've ever seen

September 26, 2011 | Unregistered CommenterZach

Hey, Nathaniel: here is Cuba's submission:
Habanastation, by Ian Padron:

September 26, 2011 | Unregistered CommenterFaux

What a marvelous last paragraph. And what a marvelous film, too.

September 26, 2011 | Unregistered CommenterLev Lewis

Your write-up makes me even more eager to see this movie. Thanks!

September 27, 2011 | Unregistered CommenterIvonne

Your website have very interesting article. I got knowledge from here. Besides that, your blog is so popular among the searchers from search engines. It means yours website is very goodAlarm Monitoring Houston[url=http://www.smithmonitoring.com/houston-security/]Alarm Monitoring Houston[/url]

November 24, 2011 | Unregistered CommenterAlarm Monitoring Houston
Comments for this entry have been disabled. Additional comments may not be added to this entry at this time.