Amir here, with the weekend’s box office report. For the past ten days, I have been drowning in a stack of Hot Docs screeners, missed deadlines and research for [shameless self-promotion!] the next episode of my podcast. As I recover from all of that, it is reassuring, in a perverse way, to look at the box office top ten and realize that all is the same in the world. Order is restored. The audiences are happy. A fucking superhero film has won the day.
The Amazing Spider-Man 2 came out on top with a figure that is being labelled “disappointing” around the web despite being higher than the GDP of nine small countries combined. Sure, that number is lower than the earnings of previous Spidey outings, but none of the preceding films suffered from an Electro that looks like an early draft version of a bad 80s sci-fi villain, or a Harry Osborn that looks like an early draft version of a bad 90s Leo DiCaprio. All this despite tens of millions of dollars spent on the CGI budget...
THE TOP TEN
01 THE AMAZING SPIDER-MAN 2 $92 *NEW*
02 THE OTHER WOMAN $14.2 (cum. $47.3)
03 HEAVEN IS FOR REAL $8.7 (cum. $65.6)
04 CAPTAIN AMERICA: THE WINTER SOLDIER $7.7 (cum. $237.1) Review
05 RIO 2 $7.6 (cum. $106.4)
06 BRICK MANSIONS $3.5 (cum. $15.4)
07 DIVERGENT $2.1 (cum. $142.6) Review
08 THE QUIET ONES $2 (cum. $6.7)
09 GOD'S NOT DEAD $1.7 (cum. $55.5)
10 THE GRAND BUDAPEST HOTEL $1.7 (cum. $51.5)
The rest of the top ten looks mostly similar to previous weeks. The Other Woman, a film led by three women that miraculously manages to fail the Bechdel test, is in second place, while Heaven Is For Real and God’s Not Dead continue to surpass all expectations as they hold on to the third and ninth positions, respectively.
On the limited end of things, Walk of Shame proved to be an aptly portentous title for the film's red carpet premiere, as it limped to a $745 per screen average on its opening weekend, but two smaller films did solid business. Belle, a historical drama about the true story of an illegitimate mixed-race child to a navy admiral received respectable reviews, while the Polish film Ida, Pawel Pawlikowski’s black and white, WWII drama has become one of the most critically acclaimed films of the year. I saw this one at TIFF last year, and its meticulous, chilly design gained my admiration more than love, but I’d happily give it another shot.
What have you watched this weekend?