Interview: The Emotionally Resonant Visual Effects Work in "Avengers: Infinity War"

It's our final Oscar nominee interview of the season! 

On a break from their post-production madness for Avengers: Endgame (opening in 66 days!) we spoke with co-directors Joe Russo and Anthony Russo and the visual effects team of MCU's colossal two-parter. Part one, better known as Avengers: Infinity War, is culmination of ten years of serial storytelling within the Marvel Cinematic Universe and is Oscar-nominated for Best Visual Effects. Given how strangely difficult it's proven for superhero films to win the Best Visual Effects Oscar --- only one has managed that competitively: Spider-Man 2 (2004) with Superman (1978) also getting a special achievement Oscar -- the odds are probably against Avengers: Infinity War, But, consider this: If Infinity War does win this Oscar no one will gripe that this team didn't deserve it. 

Hell, the 'snapture' alone warrants it! Now excuse the dust as this team tries to top themselves once more in Endgame. Since our interview was with multiple people we're presenting it in a series of quotes rather than a conversation. Hope you enjoy...

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5 days til Oscar! The Sound of Music, Cuckoo's Nest and More...

The Sound of Music won exactly 5 Oscars, lost exactly 5 Oscars, and won in a year ending in the number 5Today's magic number is 5 and it's too overwhelming a number in Oscar lore for a list of trivia items since it's the 'traditional' size of Oscar shortlists in every Oscar category with the exception of Best Makeup and Hairstyling. We've harped on that one before but we consider it brazenly insulting that Oscar views those craftsmen as the bastard stepchildren of the industry since they've never been allowed more than 3 nominees despite literally every live action film using their services. Several categories have experimented with varying sizes of their nominated lists over the years (Best Picture under the current rules, being obviously the most prominent and inconsistent *sigh* but the number five can safely be called one of Oscar's favourite things...

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Interview: Screenwriter Deborah Davis on her 20 year passion project "The Favourite"

by Nathaniel R

Deborah Davis, first time screenwriter, is up for an Oscar this weekendDeborah Davis recently took home the BAFTA for her work on the screenplay to Yorgos Lanthimos's stunning tragicomedy and Best Picture hopeful The Favourite. Though Lanthimos has previously co-written his own features this time was attached to a project already in progress. Davis and cowriter Tony McNamara than retooled the screenplay to match Lanthimos's vision. The results were magic, as has long since become obvious.

Before the hardware started arriving we hopped on a cross Atlantic phone call with Deborah Davis briefly. We couldn't find much info about her at the time and were reeling from the realization that the dearth of info came from the fact that The Favourite was her very first movie. As it turns out she became a screenwriter specifically to tell this story. And what a story it is.

Our interview, edited for length and clarity follows...

NATHANIEL: I'm still gobsmacked that this is a first screenplay!

DEBORAH DAVIS: That’s correct, yes. By training I'm a lawyer, but I’ve done quite a lot of journalism. I started to research The Favourite 20 years ago, and I was actually convinced that this story about women in power and the female triangle would make a wonderful film, so I went and learned how to write a script...

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Review: The Oscar Nominated Live-Action Shorts

by Eric Blume

It’s my fourth year covering the nominees for the Live Action Short Oscar, and this group of nominees is far and away the most grim, depressing, and unrelenting batch yet.  Four out of five of these films are about horrible things happening to young boys. You’d think the nominating committee would have cleaved to some other topics. After a while, provided you view them back-to-back, the horror of it all becomes nearly comical.  If you have a boy child under twelve years of age, you will definitely want to skip this category this year to avoid going to a very dark place. But all five directors are talented artists who know how to build suspense and tell a story with fluidity and grace. Ready? 

Madre (Mother)
This short won the Goya (Spanish Oscar) last year and the director and actress have since reteamed for a feature version, currently in post-production. Director Rodrigo Sorogoyen swings swiftly from an everyday conversation between a woman named Marta (Marta Nieto) and her mother to an urgent phone call from Marta’s son...

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A Shocking First-Time-Ever WGA Surprise!

To all the other nominees in the category, have fun at the Oscars, LOSERS!"
-Bo Burnham accepting his WGA prize for Original Screenplay

This is not common at all but last night the Writers Guild of America opted to ditch the Best Picture nominated films and instead chose Can You Ever Forgive Me? in Adapted and Eighth Grade (which was not even nominated for the Oscar *sniffle*) in Original as the year's best screenplays. Though the WGA and the Oscar winners only line up about half the time (some of that due to eligibility differences) it's pretty rare that the WGA skips Best Picture nominees if they have the option of awarding them. The last time they gave their Adapted Screenplay prize to a non Oscar Best Pic contender was American Splendor (2003) and the last time they gave their Original Screenplay to a non Oscar Best Pic contender was Eternal Sunshine of the Spotless Mind (2004) so we're talking quite a while ago. It's so uncommon that it happening in both categories simultaneously is a downright shock; it's literally never happened in the history of the WGA...

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