The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Follow TFE on Substackd
We're looking for 500... no 390 Subscribers! If you read us daily, please be one.
THANKS IN ADVANCE
Wednesday, June 13, 2018 at 7:30PM 
Time for another Q&A. Shall we?
Remember that the question is more likely to be answered if it wouldn't require a 1000 word essay to answer or a massive list. For next week's installment, questions about 1994 or LGBT cinema are especially welcome (though not mandatory) as we approach the Smackdown and as we move through Pride month.
Have at it in the comments.
Wednesday, June 13, 2018 at 5:15PM by Nathaniel R
A very happy 37th birthday today to one of Hollywood's true good guys, Chris Evans. In addition to making the perfect superhero onscreen, he's a progressive feminist and all around role model offscreen. His only sin that we can recall is that one time he threatened to retire from acting when his run as Captain America ends (in 2019 *gulp*). But his recent stint on Broadway in Lobby Hero suggests to us that he might not give up on that particular craft so quickly.
He's wonderful and also, obviously, an all-time looker. Much balm for sore eyes after the jump...
Wednesday, June 13, 2018 at 2:00PM by Chris Feil
Love, Simon is chasing the ghost of John Hughes, a brand of uplift where teen woes are packaged conventionally and without condescension for maximum warm fuzzies. Naturally that package must include an anthemic sound, music that connects with the generation it depicts and becomes part of the fabric of what we remember about the film. But if Love, Simon is supposed to be a gay alternative on Hughesian comedy, does the sound also have its gay twist?
Simon’s signature sound comes from Jack Antonoff and his band Bleachers, bookending the film. Instead of the singular force of Simple Minds’ “Don’t You Forget About Me” as Hughes employed in The Breakfast Club, it’s more like the film uses Antonoff as the artist to hang its headphones on instead of one song. He’s a straight musician, but Bleachers is fairly embraced by the queer teen set - at least the kind that the film depicts. Though in an age where Troye Sivan can produce hit bops about bottoming, is that really enough for the film to define itself musically?
Wednesday, June 13, 2018 at 11:20AM by Nathaniel R
click to enlargePrediction: By 2040 Disney will have remade all of their animated features as "live-action" movies. Well, maybe not Song of the South or The Three Caballeros. Live-action is in quotes because some of the remake titles are basically still half animated -- like The Jungle Book in 2016, or Beauty and the Beast in 2017. Next up in the Disney remakes department is Tim Burton's take on Dumbo.
The name Tim Burton used to automatically thrill but he lost his mojo at exactly the turn of the century (just after Sleepy Hollow in '99) and hasn't been able to get it back. He's made 10 features since and the only uncompromised / totally satisfying artistic success among them, I'd argue, is the animated features Corpse Bride (2005). And to a lesser extent Frankenweenie (2012) if we're feeling a bit generous...
Wednesday, June 13, 2018 at 7:30AM by Nathaniel R
Asia and her evil twin North Korea
Oopsie. When Drag Race took a week off we took two weeks off of watching it. It's almost time for the new episode and we forgot to watch it last Thursday (!) so herewith very very quick notes on the 11th episode of the season in which the Queens were tasked with exposing their inner saboteur...
