Ruby Sparks and The Case of The Unintelligible Scribblings

Behold ~ my favorite piece of movie swag thus far this year.

Movie swag -- It isn't just for clutter anymore!

Nothing beats useful movie swag. When the notebook first arrived I thought, 'What a thematically appropriate gift and how perfect for the movie blogger. I can't wait to take notes on her about her own movie.' But then Magic Mike broke her hymen and strangely the invite to her own screening never came. Now even Total Recall has had its way with this formerly pristine book and I still haven't seen Ruby Sparks (!) despite really wanting to. 

Last night I saw The Odd Life of Timothy Green and its plot, like Ruby Sparks's own, involves a real human life springing from fantasized words on the page. If my own notes, scribbled in the dark of movie theaters, ever took human shape, the inky actressy monstrosity that emerged would not be pretty. She would sport bizarre squiggly features which occassionally reshaped themselves into rectangular recreations of movie frames. The ink monster would be weirdly silent but for Tourettes-like outbursts wherein she would shout out only half-remembered movie quotes or long unintelligible sounds (I cannot read these notes). Once every half hour or so she would achieve a moment of lucidity and, without so much as a 'spoiler alert,' she'd calmly reveal a major plot point of a movie she'd just seen.

It's the weekend.What are your movie plans?

What's on your cinematic mind? Movie theater outing? If so will it be the Bourne Sequel, Meryl Marital Mania or "other"?

Personal Canon #99: XANADU (1980)

From now until the end of August we'll be celebrating Gene Kelly for his Centennial (August 23rd to be exact) so let's revisit Xanadu, which opened 32 years ago last night! It's a member of my Personal Canon... also known as "The movies I think about when I think about the movies"

"A Movie That Nobody Dares To Love"

A Broadway version of this 1980 classic opened on Broadway a few years back marking yet another jokey acknowledgement of Xanadu's kitsch value. It was high timeto rediscover the film in all of its enduring time-capsule glory. For Xanadu, you see, is not the tongue-in-cheek comedy that it was reworked as. It's a completely sincere endeavor and, I'd argue, endearingly so. It's not one of those films that are so intentionally bad that it's subversively excellent (see: Showgirls). No, Xanadu is the real deal: a straight-faced musical. It just had the terrible misfortune to celebrate a number of things that would be out of style almost immediately thereafter: roller rinks, disco, legwarmers, greek mythology, album covers … and Olivia Newton-John.

The album art within "Xanadu" though not the movie's soundtrack album coverIt's easy to dismiss Xanadu for the very things it shamelessly loves but it's a shame to dismiss the shameless if they're also compulsively watchable. What other movie gives you a glimpse into the lost profession of album cover illustration? None that I know of. In what other movie will you see Greek muses come to life from a painting on a brick wall? Even Clash of the Titans didn't have that. What other movie has the wacky chutzpah to give you a pop star as A list as Olivia Newton-John (she is strangely disregarded now but don't be fooled: she was an enormous star with dozens of hit songs) and put her on rollerskates and in only one outfit for almost an entire film?

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What The World Needs Now Is Stone, Sharon Stone

JA from MNPP here. There's Miss Stone (if she's nasty) rocking the fierce rich lady look (eye-work and all she'd seem right at home having lunch with Marisa Berenson in I Am Love) on the set of her new movie What About Love with Andy Garcia. (via) No idea about this movie but just seeing her makes me wish she worked more. Why doesn't she work more? Say what you will about Catwoman (everybody already has) - I thought she had great fun scratching at that litter box of a movie.

TIFF Lineup: Female Directors & Prestige Adaptations

 Paolo here. We should probably give in and see what this year's Toronto International Film Festival has to offer! Toronto marks the unofficial start of awards season, inflating or deflating much hyped movies and performances. Speaking of which, the locals can experience the star power of actual would be contenders.  Within the space of ten days, TIFF gives its paying audience access to a year's worth of art house cinema - these movies will be trickling out in limited release for at least a year to come.

Fine reasons to be excited but I have more personal reasons, too. 

Reason no. 1 They're bringing back some classics.
They're under the Cinematheque programme, spotlightling restorations like Dial M for Murder in 3D, Loin du Vietnam - a collaborative anti-war project involving a handful on 1960's auteurs like Godard, Agnes Varda, William Klein Alain Resnais and (RIP) Chris Marker. There's also Roberto Rosselini's Stromboli and Roman Polanski's Tess, the latter being an adapation of a Thomas Hardy novel that I've been reading the past month or so. Which brings me to reasons two, three and four... after the jump.

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