Advertisement
Advertisement
Advertisement
Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

Powered by Squarespace
Don't Miss This!

Nathaniel's Top 20 List

yes, we had a good time at the movies in 2016


What'cha Looking For?
Comment Fun

Comment Du Jour
What cartoons should come with a trigger warning?

"I think my five-year old was scarred for life after watching Finding Nemo. But, for me, yeah, Dumbo all the way." -Christine

"Graveyard of the Fireflies - we studied this in highschool - a room full of 16 year olds all bawling their eyes out, that shit is traumatic and has had a profound effect on my ability to watch anything from Studio Ghibli since." - Morgan

Keep TFE Strong

Love the Site? DONATE 

Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

INTERVIEWS

Pablo Larraín (Jackie)
Jessica Chastain (Miss Sloane)
Gael García Bernal (Neruda)
Billy Crudup (20th Century Women)
Nicole Kidman (Lion)
Denis Villeneuve (Arrival

 

Subscribe

Entries in John Cazale (1)

Wednesday
Aug222012

Hit Me With Your Best Shot: "Dog Day Afternoon"

Forty years ago today, Sonny Wortzik held up a bank on a hot Brooklyn day. It did not go well. Dog Day Afternoon (1975) was nominated for six Oscars -- the kind of nominations that go to well liked contemporary pictures that aren't thought of as particularly "visual" achievements -- winning only for Best Original Screenplay, but it's actually quite beautiful to look at. Credit, then, to director Sidney Lumet who understood the frantic extremes of humanity better than most auteurs, the casting director and the fine actors who are riveting yet absolutely recognizable as people who might actually be bank tellers, cops or pizza delivery boys  and the cinematography by Victor J Kemper whose camerawork and lighting ably capture the flickering nuances on faces and add considerably to the film's sweaty moody desperation. 

Consider these two shots: the first is Carol Kane as a bank hostage and Lance Henriksen as an FBI man.


They're shots that define what "Character Actor" means or at least what it should -- God, what faces!

Click to read more ...