Best International Feature: Indonesia, Senegal, Thailand

by Cláudio Alves

Tomorrow we'll know which 15 films made the Academy's shortlist in the Best International Feature Film category. In this series of capsule review trios, I've looked at 27 films whose quality spanned from shoddy propaganda to caustic masterpiece. To end in a round number, I'd like to shine a light on three films that are very unlikely to be chosen by AMPAS. Three features whose singular oddness and inspiringly weird ideas deserve to be celebrated, even though one of them can be called faultless. Join me, as I try to describe the wonders of an Indonesian horror flick with historical ambitions, a Senegalese tragedy with Shakespearean proportions, and a Thai coming-of-age tale centered on the ideologies inherent to minimalist interior design…

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Lana @ 100: Imitation of Life

The Film Experience will visit a few Lana Turner films this week. Here's Nick Taylor...

Happy 100th birthday, Lana Turner! Here we are on her centennial to talk about her role as Lora Meredith in Douglas Sirk’s 1959 remake of Imitation of Life, one of her most famous films and easily among the most enduring American melodramas ever made. Imitation’s themes of race and womanhood in America, its sumptuous design, and Oscar-nominated turns from Juanita Moore and Susan Kohner have all rightly received their fair share of attention, yet I have to ask...  do most folks like Turner in this?

Maybe my perception that she’s disliked comes from a class in undergrad where my professor didn’t like anything about Turner, from her acting style to the era of beauty she represents. Sirk’s own comments on directing her certainly don’t help...

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...and still more film prizes!

After the jump, as we're trying to catch up* - London Critics Circle, Toronto Film Critics Association, The Black Film Critics Circle, Kansas City Film Critics Circle, New York Film Critics Online, North Texas Film Critics Association, Atlanta Film Critics Circle,  and Hawaii Film Critics Society. But for a bit of a change of pace in that it's talking about scores and original songs, let's start things off with a non-critics award "Hollywood Music and Media"...

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AARP "Movies for Grownups" Nominations & Winners

by Nathaniel R

George Clooney is the Career Achievement Honoree this year at the Movies for Grownups Awards

The AARP's "Movie for Grown-Ups" dont get much press. That's probably because the media in general is populated with younger people or in competition to snag as many young eyeballs as possible. But the groups nominations are interesting primarily because their very raison d'etre forces them to be different from the norm. They advocate for the 50+ crowd and fight ageism in the film industry so their nominations naturally can't be copied and pasted from other prizes. This directive frees them from the restraints that shackle a lot of critics and industry groups (who all want to predict or influence the Oscars on some level, even if they vehemently claim to be above that).

Unfortunately it doesn't free them from all the other standard awards show problems like recency bias, prizing dramas and message movies above other genres, and questionable taste. You'll see the recency bias in raging force this time, in that most of the movies they're honoring either aren't released yet or are just starting to let non-festivalgoers see them. In fact, the only pre-awards season title that receives multiple nominations is Da 5 Bloods though there are a few single nominations in specialty categories for other early birds (Emma, Bacurau, A Secret Love, Bad Boys for Life)

UPDATD 3/8 Their awards will be broadcast on March 28th on PBS but they've already announced their winners which you can see below...

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"Mank" leads the Critics Choice Nominations

Mank and Minari led the 26th annual Critics Choice nominations with 12 and 10 nods respectively. The ceremony this year will be held on March 7th on the CW with Taye Diggs hosting (and if you missed the TV nominations, those came out a couple of weeks ago). Since there are so many nominees in each category (it's getting ridiculous in lead acting!) we'll be mostly talking about who was left out. That's the takeaway in each category when you keep expanding the number...

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