The New Classics: The Babadook

Hello, everyone. Michael Cusumano here to close out the second season of The New Classics. Since I'm wrapping it up so close to Halloween I feel like it's my duty to honor one of the 21st Century's new horror icons.

At first glance Mr. Babadook appears to be a character engineered to anchor a horror franchise. His distinctive silhouette, with his spidery claws and wardrobe right out of Dr. Caligari’s cabinet, seems ready-made for branding. It’s only once you’ve been through the psychological wringer of Jennifer Kent’s The Babadook that you realize how ill-suited the character is to such a role. The Babadook is a single serving tormentor, tailored specifically to the psychological scars of Essie Davis’s Amelia. He could no more pick up and move to a different victim than Mrs. Bates could torture someone other than poor Norman.

Scene: The Book Returns...

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Showbiz History: Wait until dark for full frontal Oscar nominees

8 random things that happened on this day, October 27th, in showbiz history

Sonny & Cher in 1964

1964 Sonny & Cher marry. Huge fame follows the next summer with the release of their debut album and their first #1 hit I Got You Babe"

1967  Opening weekend for the thriller Wait Until Dark. It's a hit at the box office and snags star Audrey Hepburn, playing a blind woman, her fifth and final Oscar nomination at the age of 38...

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Fav Halloweens: Living my "Pretty Woman" fantasy

We thought it might be fun if Team Experience shared a few of our favourite Halloween memories with you.

by Christopher James

Some people mark time by birthdays. I mark them with Halloween costumes.

Halloween costume planning was always a weeks long planning process growing up. Harry Potter, James Bond, Ash from Pokemon - I did it all. Seven year old me wanted to be cool so bad he begged his parents for an Anakin Skywalker costume even though he had never seen any Star Wars movie yet. As you can tell by those examples, Halloween reflected my pop culture taste at the time. It was my yearly permission to pretend I was in one of my favorite movies. It’s safe to say, I never grew out of my love for Halloween.

It wasn’t until I was 25 that was able to finally pull off dressing as my ultimate pop culture hero - Vivian Ward. Yes, we’re born gay, not made gay...

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Horror Costuming: Us

by Cláudio Alves

Many a great horror movie gained its place of honor in film culture partly due to its images of evil. There's Hannibal Lecter muzzled like a mad dog, Leatherface in a taxidermized mask, Dracula's sharp tuxedo, and other such sartorial miracles of materialized malevolence. Jordan Peele's Us adds another unforgettable sight to this gallery of rogues. With their red jumpsuits and golden shears, the Tethered are one of cinema's newest and most complex monstrosities, as memorable as they are frightening…

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Review: Sofia Coppola's "On the Rocks"

By Lynn Lee

What happens to a poor little rich girl when she grows up?

That question has fueled Sofia Coppola’s career, both to her benefit and to her dismissal by those who find her voice out of tune with the times.  I’m not one of the latter, so I sometimes feel oddly defensive about enjoying her films.  Although she’s far from the only writer or director to focus on the interior lives of wealthy white people, there’s something about her work that provokes a particularly insidious disdain in a way that Downton Abbey or Wes Anderson, say, does not.  Gender is an obvious factor in that difference, plus the shadow of her father and the advantages she’s assumed to have derived from him, as well as the limitations on her perspective of her own privilege.  Impatient viewers chafe at her characters’ seeming lack of chafing or rattling of the bars of their gilded cages, which Coppola presents less like cages than delicately tinted soap bubbles, their inhabitants’ discontents and subversions more often internalized than explicitly articulated.

Coppola’s latest feature, On the Rocks, plays in many ways like a wryly self-aware response to her critics...

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