Oscar Volley: Best International Film is a pundit's nightmare

With less than a week until nominations, Cláudio Alves and Elisa Giudici discuss Best International Feature…

Italy's THE HAND OF GOD

Cláudio Alves: Before we delve into the finalists for Oscar's Best International Feature Film competition, I must comment on the fact that we each come from a record-holding country in this category's history, albeit opposite ends of the success spectrum. As far as victories, Italy (your home) is the all-time champion, having won this prize 14 times. On the other hand, Portugal (mine) is still waiting for its first nomination, being the unnominated country with the most submissions. In fact, we've never even gotten as far as the shortlist stage (cries inconsolably)!

Anyway, since we're on the topic of our countries, I'm interested in knowing whether you think it's safe to predict Paolo Sorrentino's return to the Academy's favour with The Hand of God. I can't say I'm entirely convinced about the picture's merits...

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An exhaustive Italian guide to Paolo Sorrentino’s 'The Hand of God'

by Elisa Giudici

As your Italian correspondent here at The Film Experience, it's my duty to give you an exhaustive guide to our current Oscar finalist. Or, at least, it is my attempt. I am not from Naples and The Hand of God is a movie that's deeply connected to Neapolitan folklore and culture. Let’s start from the beginning though we hope you've already screened the movie on Netflix...

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Interview: Laura Wandel on working with child actors in Belgium's Oscar finalist 'Playground'

by Nathaniel R

This season's finalist list for the Best International Feature Film Oscar is a mixture of international icons (Farhadi! Sorrentino!), legends in the making (Hamaguchi! Trier!) and rising auteurs (everyone else). Four of the films are even directorial debuts. Imagine being shortlisted for the Oscar on your first movie! That's what's happened to Belgium's Laura Wandel.

The 37 year old filmmaker had been making short films since 2007. After her 2014 short Les corps éstrangers competed at Cannes, it was time to make the leap to features. The result, which was tabled for a time due to pandemic delays, was the moving bullying drama Playground about a brother and sister struggling in school. We were delighted to speak to Wandel shortly after her moving film made the finals...

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Interview: The Director of 'Lunana' on making the Oscar finals, working with yaks, and meeting Ang Lee

by Nathaniel R

Making movies is never "easy" but some movies achieve the impossible. Pawo Chonyning Dorji's debut feature, the Bhutanese Oscar finalist Lunana A Yak in the Classroom, is one of the latter kind. Its very existence is a miracle, and that's before you even get to the lottery-ticket like good fortune of competing for the Oscar. While Bhutan has a growing local film and television industry, heavily influenced by the films of Bollywood, the pictures are mostly low budget and don't travel outside of the small landlocked country. They definitely don't travel anywhere near the mountainous village where Lunana A Yak in the Classroom takes place, since there is no electricity let alone a movie theater. The charming soulful movie is about a restless young teacher named Ugyen (first time actor Sherab Dorji) who dreams of moving to Australia to pursue a music career. He very reluctantly accepts a final teaching gig to complete his government contract but that assignment is in the most remote part of all Bhutan.

Setting a story there is one thing, filming there without electricity with cast and crew of first timers -- some of whom had never even seen a movie -- is another.  We had the pleasure of talking to the director about his miracle Oscar contender and why he made it and our interview follows after the jump...

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Punditry Madness! Team Experience joins in...

So dear readers, I've been having meetings with the team and they all wanted to join in on the Oscar prediction fun. So before the traditional charts on the Picture, Director, Actress, Actor, Supporting Actress, Supporting Actor, and Best International Feature Film pages you can see what each participating team member is predicting. It's fascinating to note the variety of opinions despite the fact that we're now late in the season. 

BEST PICTURE / BEST DIRECTOR
Though Power of the Dog is leading with 11/13 #1 placements (and all #1 placements in Best Director), there are still Belfast holdouts. Ben & Chris think Branagh's personal passion project still has some Oscar oomph in it...

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