Slithery Spacey & Co. Rule the "House of Cards"

Hello, lovelies. Beau here, returning after a major binge of quality television during the past seventy-two hours.

Yes, I have finished the first season of the newest business model for the entertainment industry, the David Fincher / Beau Willimon project "House of Cards", with a large cast led by Kevin Spacey as Francis "Frank" Underwood, a ruthless ambitious politician in DC.

I'll be perfectly honest in admitting that the show didn't do much for me. Whereas Homeland, Downton Abbey, Girls and Archer have proven to be tried and true addictions House of Cards treads over familiar territory with little to supplement the politics.

Spacey is, naturally, exceptional, having a ball with the material and the ability to flaunt his ungodly talents. The asides to the audience turn us into co-conspirators, advisers to his machinal, instinctual desire for revenge. Robin Wright (long one of my favorite actresses, who hasn't been given a fine enough opportunity to strut her stuff since Nine Lives years ago) fares slightly less well, given that her promising Lady Macbeth front slowly withers but all the drama is internal.

[more after the jump]

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"Bunheads" And Its Movie-Referencing Siblings

[Editor's Note: I keep forgetting to write about Bunheads so my friend Susan offered to step in. We both watch the show religiously so here's Susan with a take I mostly agree with -- if enough of you are watching we'll discuss again. I love the show.]

Sutton Foster in "Bunheads"

Up until this past summer, I had never watched a show on ABC Family. Not that I have anything against ABC . Or families. But thanks to Sutton Foster, I decided to give Bunheads a try. While the show’s rapid-fire, pop culture infused dialogue can sometimes be more exhausting than exhilarating; I’ve come to appreciate its rhythms and strongly beating heart. Those beats are familiar to fans of Amy Sherman-Palladino, who previously created the much-loved Gilmore Girls. 

I come to Bunheads as a virtual Sherman-Palladino virgin, bringing my appreciation for Foster and not much else. In some ways, I think that’s a good thing. I don’t watch Bunheads through a “this is like Gilmore Girls, this is different; this is better, this is worse” prism. Foster’s character, former showgirl Michelle Simms, is not Lorelai Gilmore-light to me, even if she does share some (fast-talking) characteristics with that previous Sherman-Palladino creation. 

As a newbie to the Sherman-Palladino-verse, I welcome insight from those who are more familiar with it or from those of you who are fans of Foster, Sherman-Palladino or the show [More after the jump including the show's love of movie references]

Hunter Foster guest stars on "Bunheads" starring his real life two-time Tony winning sister.

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Oscar Can You Link Me?

Big Screen 
The Advocate Barbra Streisand to sing at the Oscars for the first time in 36 years - she'll do "The Way We Were" over the in memoriam segment. There sure are going to be a lot of musical performances on Oscar night. 
Variety Jessica Chastain to star in new screen version of Miss Julie. Chastain being cast is something isn't exactly news (she's everywhere) but LIV ULLMAN is directing this oft-filmed Strindbergh tale.
Gawker Rich Juzwiack on the mainstream appropriation of "shade" and Paris is Burning (That documentary on NYC's ball culture is still one of the largest blights on Oscar's documentary branch. It was critically raved at the time and is still must-see viewing 20+ years later but Oscar ignored it)

The New York Times  on the still heated atmosphere of all Les Miz conversations. Stanley Fish wonders if it's the film's lack of irony that so enrages people?
Empire Will our dream of seeing Viola Davis & Denzel Washington reprise their Tony roles in Fences onscreen come true? It turns out Denzel is planning to direct a film version. If he doesn't bring Viola along, I'm going to freak.
CHUD The Muppets... Again is already shooting. Here's a synopsis and cast list
The Carpetbagger on Spielberg's ACE prize from the editors in Hollywood 
Guardian Charlize Theron will co-star in the Seth McFarlane comedy A Million Ways to Die in the West which is said to be an homage to Blazing Saddles.
The Playlist first pic of Tilda Swinton and Tom Hiddleston (god, what a pairing) in Only Lovers Left Alive  

Hey Look.... Jodie Foster in Elysium

Coming Soon ...the movie's title refers to a pristine space station. She plays a government official out to protect the wealthiest citizens from their dirty Earth-bound counterparts who wish to emigrate. (The last time Jodie did sci-fi it turned out well, I think, don't you? Love Contact.) 

Small Screen 
A Blog Next Door says goodbye to 30 Rock with an encyclopedic memory of the show. What will we do on Thursdays now? I always want to go to there.
BuzzFeed 'How Smash became TV's biggest train wreck.' If you're a Smash obsessive this is a must-read... though it's more than a shade shady. The biggest shocker for me was hearing that Steven Spielberg wanted to replace Megan Hilty!!! Good God, are his eyes and ears working? She's the single best thing on the show by an embarrassing margin.

Sundance: Campion Takes On The Miniseries

Michael C. here. Just as I was calming down over the too-good-to-be-true Before Midnight buzz, news of the Sundance premiere of Jane Campion's Top of the Lake hit me and now I run the risk of anticipation overload. The Inside Llewyn Davis trailer didn't help either. 

Campion's six-hour miniseries premiered to strong reviews at the film festival this week on its way to a March run on the Sundance Channel. With Fincher’s House of Cards set to drop on Netflix February 1st  that makes two of our most important directors in as many months abandoning theaters in favor of the small screen. No longer is major Hollywood talent helming a miniseries limited to Mike Nichols Broadway adaptations and Tom Hanks indulging his twin obsessions of NASA and World War II. For now though, any lengthy trend pieces take a back seat to the headline that Top of the Lake sounds amazing. A must-see, especially for Campion fans. 

Perfect Oscar Happenings: when all three women of The Piano won OscarsIf the director reuniting with her The Piano star Holly Hunter isn't enough to get you excited she is also returning to film in her native New Zealand. Furthermore, the story of a detective returning home to investigate the disappearance of a child offers Elisabeth Moss the substantial leading role she richly deserves after being an ensemble MVP in everything from Mad Men to West Wing to a recent cameo in On the Road. Campion has a knack for getting career best work out of actresses, so this sounds like a very promising move for Moss. Peter Mullan, the fearsome star of Tyrannosaur, is also on hand.

We will see if the blurring of the lines between big screen and small turns out to be one of the overriding narratives of the film year. Whatever the case, between Campion and Fincher I expect that come year’s end many film critics will be trying to justify wedging a miniseries onto their top 10 lists.

The Producers Guild Nominees. Which Film Would Be The Hardest To Get Made?

I thought it might be interesting to look at tonight's Producers Guild nominations NOT as Oscar predictions -- they're always that since the industry end game is the Oscars -- but as what they're ostensibly intended to be: awards honoring producers who shepherded certain movies to the screen. The nominees...

Grant Henslov and Ben Affleck working on "Argo"

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures

• Ben Affleck, George Clooney, Grant Heslov for ARGO
• Michael Gottwald, Dan Janvey, Josh Penn for BEASTS OF THE SOUTHERN WILD
• Reginald Hudlin, Pilar Savone, Stacey Sher for DJANGO UNCHAINED
• Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh for LES MISERABLES
• Ang Lee, Gil Netter, David Womark for LIFE OF PI
• Kathleen Kennedy, Steven Spielberg for LINCOLN
• Wes Anderson, Scott Rudin, Jeremy Dawson, Steven Rales for MOONRISE KINGDOM
• Bruce Cohen, Donna Gigliotti, Jonathan Gordon for SILVER LININGS PLAYBOOK
• Barbara Broccoli, Michael G. Wilson for SKYFALL
• Kathryn Bigelow, Mark Boal, Megan Ellison for ZERO DARK THIRTY

Producing is a very mysterious job from the outside looking in. Every film's producers have different jobs ahead of them based on a) what kind of project it is, b) how much fighting they'll have to do to get it made creatively and financially and c) whether they'll be separate from or very tied to the artistic decisions -- notice that only 50% of the nominated teams include the director of the film in question so some of these producers have far more influence on the final product than some of the others.

Barbara Broccoli with her Skyfall talent

No film has an easy road to movie theaters but if you remove your feelings about which of these ten films is "the best" from an artistic and/or entertainment standpoint and start thinking about what the particular challenges might have been, it feels like a different contest altogether, right? more...

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