Great Moment in Gay - Pariah

In Great Moments in Gay, Team TFE looks at our favorite queer scenes in the movies for Pride Month. Here's Kieran Scarlett on Pariah (2011)

Writing this piece this week, in the wake of tragedy is especially difficult. Thinking about all of the incredible, vital voices that make up Team Experience, as well as the readers who this blog touches on a daily basis, it's impossible not to think that a great number of us could have been (and have been) in places just like that Orlando night club. Safe spaces for marginalized people—queer people in this instance—are sacred, rare and often self-forged. This is especially true of safe spaces for queer people of color, who face an even greater burden of those added identity politics. Now more than ever, it is important to recognize that being queer and open remains a revolutionary act. It's a sad truth to intuit—something so innate and unchanging being a cause for notice and affirmation in the face of a world that is still struggling to understand. It's also beautiful to observe the strength of the queer community, who continue to push forward, forging those safe spaces, making room in spaces that are not yet totally safe, prospering, thriving and living.

Which brings us to Dee Rees' 2011 debut feature film Pariah. This coming-of-age tale charts a young, black lesbian Alike (a magnetic Adepero Oduye) as she struggles to find herself. in the face of a home and school life that are not entirely welcoming to her identity...

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Red Carpet: BAFTA PreParty, Sci-Tech, and WGA

Eight beauties for you this afternoon as we get closer and closer to Oscar and more and more awards are handed out. We'll know the BAFTA winners in a few hours (though they still don't televise it live making it hard to take seriously in this day and age) but here are four women from the pre-party.

Sandy Powell (just interviewed!), Dakota Johnson, Cate Blanchett, and Bel Powley. Was the dress code black and white? 

Olivia Munn co-hosted the Academy's Sci-Tech Awards. Meanwhile at the WGA Awards, Adepero Oduye (gorgeous in yellow!) showed up to support The Big Short, Gina Gershon, and Diane Lane were also out on the red carpet. Olivia's busy but these other three deserve bigger roles than they've been getting -- they've got the talent and the charisma for them. Hopefully the guild members, all writers after all, will be inspired by their presence to create richer roles for them or actresses like them. 

WGA WINNERS
Original SPOTLIGHT
Adapted THE BIG SHORT
Documentary GOING CLEAR
Television FARGO

We've every reason to expect that Original and Adapted will tilt the same way at the Oscars on the 28th but what do you think is running second in both races? We're guessing Inside Out (Original)  in distant second and Room (Adapted) a closer second.

SAG Ensemble -- Everyone's Nominated... Except for You!

Happy SAG NOMINATION DAY! It's time for our glorious depressing tradition of trying to convince a UNION that they ought to look into slightly different rules that are less likely to devalue their dues paying members. Each year when the SAG ensemble nominees are announced the list of actual nominees from the films reveal that non-big name actors are routinely excluded. The problem is that the size of your fame doesn't always correlate with your role and the bulk of SAG's membership is non-famous actors.  If you're curious about why this happens it's due to the rules that you have to have your own title card to be considered part of the official ensemble. In other words you need to a) be famous or b) have a really good agent or c) have the leading role. The only exception to this rule is when the credits don't follow the normal rules. For example Woody Allen movies always list the cast alphabetically on a shared title card. In those cases, you have to be on the first title card to make it in which is why Corey Stoll, who gave the best performance in Midnight in Paris, was left out that year. He wasn't famous enough yet to be on the first page of credits. Now he tends to get his own title card. 

So let's look at who was honored and who was mistreated this morning by the group nominations.

BEASTS OF NO NATION
Nominated Cast: Abraham Attah, Idris Elba, Kurt Egyiawan (as "2nd I-C")

Who was left out: Just about everyone which makes it the strangest nomination of the group. Does three make an ensemble?  I have not yet seen the film -- child soldier dramas are a subgenre I avoid like the plague since they're mentally scarring -- but I hear that Emmanuel Nii Adom Quaye who plays "Strika" is quite good in the movie. 

more after the jump...

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Women's Pictures - Dee Rees's Pariah

Anne Marie returns after a brief break...

Over the course of this year, the purpose of our weekly "Women's Pictures" has been to explore the vast variety of female filmmakers. We've seen that women are not only present and working, but also highly diverse in their genre, style, and subject matter. Gender has often been a factor, but it has rarely been a focus. For the last month of the year, we're going to be watching films by two directors for whom gender, sexuality, and race are their focus: Dee Rees, and Celine Sciamma. Though both filmmakers have comparatively small filmographies, they have already established themselves as new, strong voices in contemporary cinema.

Dee Rees's 2011 film Pariah, based on the short of the same name, is an empathetic examination of a person usually invisible in cinema: the young black lesbian.

more...

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AFI Fest Closing Night - The Big Short

Anne Marie here, wiping the glitter from my eyes after another year of AFI Fest.

The closing night party of AFI Fest presented by Audi was the premiere of The Big Short, the star-studded story of the 2007 financial crisis. Director Adam McKay is best known for comedies like Anchorman, but in defiance of genre expectations, McKay has adapted a book by Michael Lewis of Moneyball fame. Nearly the entire cast walked the red carpet: Steve Carell, Ryan Gosling, and Christian Bale were in attendance (minus Brad Pitt), along with the lesser-used-but-no-lesser-in-our-minds Melissa Leo, Finn Wittrock, Adepero Oduye, and Academy Award Winner Marisa Tomei.

The Big Short is a tough sell as Wall Street movies go. If it had been made 2 or 3 years ago, McKay's comedy drama might have been considered on point, but after the Occupy Movement, Wolf of Wall Street, and an economy finally limping back towards recovery, The Big Short may have trouble motivating an audience. Part of its challenge is that McKay's protagonists are the traders who profited off of the collapse of the economy. Three groups of traders - Christian Bale's glass-eyed genius, Carell's angry Chicken Little, and Brad Pitt's charismatic "retired" trader, all corralled by Ryan Gosling's slick Wall Street insider - see the housing market bubble about to explode, and decide to bet against the house. McKay attempts to portray them as prophetic, or at least clear-eyed in the face of systematic stupidity, but a third act shift towards righteous indignation does away with any good will that may have been built.

Tone is a struggle overall for McKay, and the weakest point of a film with a lot of balls in the air. How exactly do you make a movie about the financial market that is entertaining, informative, and accessible? Drawing from his comedy roots, McKay keeps the build up to 2007 fairly light, adding fantastical inserts in order to explain financial concepts. (The audience favorite was Margot Robbie in a bubble bath explaining subprime loans.) However, these stylistic risks, along with random intertitles and quick montages, as often as not obscure rather than enlighten. Once the financial crisis hits, McKay pulls an abrupt about-face, and righteous indignation takes hold. Whether audiences take to the film's message may depend on how redundant this righteous indignation feels 2 hours into the movie and 7 years after the fact.

At the afterparty, crowds swarmed around the major stars who made a fairly hasty exit. However, we stuck around and got to meet Adepero Oduye, who plays a small role as Steve Carell's advisor in The Big Short, but is better known as the star of Dee Rees's lauded 2011 film Pariah. Nathaniel snagged a picture with Oduye and chatted with her about Meryl Streep's shoutout at the 2012 Golden Globes (all roads do lead to Meryl).

Later, we got into a brief conversation with Oduye about Pariah's influence. She was extremely gracious as she gushed over the film's personal signficance for her, and its importance in LGBTQ representation of people of color. Then we chatted about passion projects. We ended the conversation with a hug. That was hands down the warmest way I've ever ended a film festival.