Oscar Volley: Best Documentary Feature captures the real world

Team Experience is teaming up to discuss each Oscar category. Here's Glenn Dunks and Baby Clyde...

GLENN: Hi Baby Clyde, are you ready to talk documentaries? I just published my best documentaries of the year feature here at The Film Experience so I am ready to tie this year's world on non-fiction in a bow.

Will Laura Poitras win a second Oscar to go with her Golden Lion?

First things first, what do you think of this year's batch of nominees for Best Documentary Feature? As is pretty common for this category as of late, I don't think there's a bad film in the bunch, with a good coverage of American and international fare. It's a line-up that even has the added bonus of featuring the best documentary of the year in its ranks (that would be Laura Poitras' All the Beauty and the Bloodshed). Last time that happened was just two years back with Collective so the category, for me, continues to remain strong and getting stronger as the number of contenders rises and rises...

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Doc Corner: The Best Documentaries of 2022

By Glenn Dunks

There’s only so much one can watch! A recurring refrain inside my brain as I attempt to cram as many more films into my watch pile in order to offer myself, and you dear readers, the best chance at a definitive list of the best documentaries of 2022. It’s always doomed to failure of course. There are many films that I was unable to watch that I wanted to before hitting publish. Some were simply too long to fit in (Mr. Bachmann and His Class) and others were unavailable in my location (Lowndes County and the Road to Black Power), while others make it difficult to even know if they should be eligible. Again, there’s only so much one can watch. I’m already falling behind on 2023!

But here today are my top 15 documentaries of 2022. And because I watched a lot of stuff, a few little extras up top. Are you ready?

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TÁR dominates Indiewire's Critics Survey

by Cláudio Alves

© Focus Features

Despite their name, one shouldn't consider the Critics Choice Awards as an accurate reflection of critical consensus. More often than not, that organization seems singularly fixated on predicting the Oscars to the point it's hard to denote any idiosyncrasies of taste. To get a better grasp of what the critics think, one should regard such surveys as the one Indiewire did with 165 critics and journalists, among them our own Nathaniel Rogers. Though various titles are mentioned across nine lists, one picture stands tall above all the others, signaling a clear favorite from the season. TÁR obliterates the competition, damning them all to hell like the maestro herself, raving like a lunatic with an accordion in hand.

The survey results, plus some commentary, after the jump…

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Doc Corner: Laura Poitras with 'All The Beauty and the Bloodshed'

By Glenn Dunks

There is a line early in All the Beauty and the Bloodshed where somebody describes the film’s subject, photographer and activist Nan Goldin, as somebody who “knew how to use her power.” I found it appropriate that the director of this movie is Laura Poitras, somebody to whom you could also say knows how to use their power. Poitras is, after all, the filmmaker who has been at the centre of multiple political stories—I mean, it’s rare for a documentarian to be a character in a dramatization of a major news story (she was portrayed by Melissa Leo in Oliver Stone’s Snowden). And to watch a Poitras film is often to be swept up in a swirl of chaos and pain.

Unlike Risk (about Julian Assange) or her Oscar-winning Citizenfour (about Edward Snowden), Poitras herself is not a part of the story here. Nevertheless, her latest is the thrilling and involving work of a filmmaker whose skills feel almost unparalleled. There’s a quiet, almost sneaking, grandeur to her work here as a filmmaker, directing the viewer down the many paths of Goldin’s story with grace, humility and intrigue, and with a technical finesse that is subtle yet entirely specific from one cut to the next.

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'Fire of Love' and 'Good Night, Oppy' lead the Critics Choice Documentary Nominations

by Nathaniel R

Seven years ago documentaries got their own division of Critics Choice Awards with multiple categories and thus departed the main show where they were restricted to just one. For the seventh anniversary edition the box office hit Fire of Love (read Glenn's review) about married volcanologists and the space exploration doc Good Night Oppy (for which we just led a Q&A at Middleburg) lead the nominations in 17 categories. The ceremony will be held on November 13th at the Edison Ballroom in Manhattan.

UPDATED 11/14/22 What follows is the full list of nominees AND WINNERS with links going to reviews if we've done them. Thanks to Glenn's expert "Doc Corner" column and various festival peeks, we've reviewed quite a few of them...

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