Mitchell Leisen: The forgotten legacy of a queer filmmaker

by Cláudio Alves

Sometimes, a writing project can take a life of its own, overwhelming you. That's what happened to me when trying to write about Old Hollywood director Mitchell Leisen. Initially, I pitched this piece to Nathaniel as a way of spotlighting an oft-forgotten talent whose best films feature in one of the Criterion Channel's latest collections. Later, as our 1946 journey began, the piece gained new value as a profile of the man who directed that year's Best Actress champion, Olivia de Havilland in To Each His Own. However, what most surprised me was how Leisen's story correlates with queer history and everything we celebrate and mourn during Pride month. 

As I went down a rabbit hole of research, the marvelous writings of Mark Rappaport, David Melville, Farran Nehme, and others revealed the complex case. That of an acclaimed queer artist whose legacy was systematically tarnished, if not downright erased, in a gesture of barely concealed homophobia…

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Showbiz History: Wrecking Balls, Two Commandments, and Makeup & Hair Nods

8 random things that happened on this day (November 23rd) in showbiz history

1923 Cecil B DeMille's The Ten Commandments premieres. He would of course remake it as the infinitely better-remembered 1956 camp? technicolor classic of the same name.

1934 Romantic drama The Painted Veil starring Greta Garbo and Herbert Marshall opens in movie theaters. It's later remade (quite well!) in 2006 with Naomi Watts and Edward Norton.

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"Get in here and tell me all about it."

by Jason Adams

Why not celebrate the 115th anniversary of the birth of Claudette Colbert today by taking a warm milk bath and then watching Cecille B Demille's infamously lascivious 1932 film The Sign of the Cross? The whole thing is online right here. One of my favorite things about this movie - besides Colbert, and besides Fredric March in short skirts, and besides Charles Laughton as a leering bisexual Nero (that's a lot of besides!), is this story about how Colbert got cast:

“On my way out of the executive offices at Paramount one day,” said DeMille, “I met a young actress named Claudette Colbert. She’d not done much, just playing pansy roles.” Colbert’s most recent part was as George M. Cohan’s daughter in The Phantom President. “I was bored with these roles,” recalled Colbert. “Because I happened to look like a lady, that’s all they wanted me to play.”

“I think they’ve got you wrong,” DeMille told her. “You should not be playing these little girls. To me you look like the wickedest woman in the world. Would you like to play her?” “I’d love to!” replied Colbert. “Claudette’s test was the shortest on record,” said DeMille. He brought her and Fredric March to a soundstage. “You harlot!” said March. “I love you,” said Colbert with a half-smile and a shrug. “That’s enough,” said DeMille from the camera. “You have the part.”

Colbert of course went and became a huge star after this - I just caught some of the 1934 version of Imitation of Life on TV the other day and while I vastly prefer Sirk's 1959 version with Lana Turner (not to mention Peak Hotness John Gavin) Colbert is always worth watching.  

What are your favorite Claudette Colbert moments?