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Entries in Christopher Abbott (6)

Monday
Sep182017

Beauty vs Beast: Two Princes

Jason from MNPP here, wishing a happy 44th birthday to the perennially underrated James Marsden today! He's not so underrated that he's ever really gone without work at least (and he's currently riding the zeigeist a bit with the success of Westworld, although I don't know if his moon-eyed compoke Teddy is really what's keeping anybody coming back to that show week after week) but underrated he still somehow seems. That's an impressive impression to give for someone as breathtakingly gorgeous as him! No small feat.

I suppose it's the "Nice Guy Loser" role he's been called on to play time and again - we've watched him watch The Girl go off with the right Mr. Right so many times we've built a stockpile of empathy for him. Speaking of, for today's for "Beauty vs Beast" let's hit up just one of those roles, the 2007 hit film Enchanted (which insanely is turning 10 in November, can you believe it)...

PREVIOUSLY Last week's It Comes at Night contest between Joel Edgerton & Christopher Abbott's survivalist characters was a tight race for a bit but the latter pulled out in front eventually taking 62% of your vote - said Nick T:

"Their scenes together were my favorite parts of the film, their beards my favorite characters."

Monday
Sep112017

Beauty vs Beast: Woods, Men

Jason from MNPP here with this week's "Beauty vs Beast" -- I usually try to choose older movies for this series because it's more likely y'all have seen them and have an opinion. That is unless we're talking about great big cultural juggernauts - those are usually safe. It Comes at Night isn't an old movie, and it wasn't so much a cultural juggernaut either, but here we are anyway. The film had a stellar ad campaign (thanks to A24, the king of stellar ad campaigns these days) so it did get some chatter at the time of its release, but it ultimately only made just under 20 million bucks. This is no Avatar.

And yet here on the eve of its release on blu-ray tomorrow I still want to highlight the movie, and I have faith that a good portion of the TFE audience, who already knew Trey Edward Shults' amazing Krisha, was the audience that sought the movie out. For good (I loved it) or for ill (I know a lot of people felt cheated by the ad campaign which baited and switched a supernatural horror film for a tense chamber piece). And you'll maybe have an opinion on who was in the right - Joel Edgerton's homeowner Paul or Christopher Abbott's encroacher Will.

PREVIOUSLY For no reason in particular we hit up Halle Berry's Catwoman for last week's contest but it was her nemesis, the skin-care supervillain played by Sharon Stone, who slinked away with the 65% win - said Eder Arcas:

"... the WINNER here gotta be SHARON STONE, the woman delivers camp like no one else , she`s elegant and graceful cool, because, well, she's Sharon Stone. You always get the feeling she's just about ready to snap a full on crazy - but that kinda IS what is interesting about Sharon Stone. Sort of a female Jack Nicholson, but hotter in heels and a skirt."

Friday
Jun092017

Review: "It Comes at Night"

by Chris Feil

After last year’s Krisha, Trey Edward Shults returns to the horror of family dynamics with post-apocalyptic nightmare It Comes At Night. This time he’s equipped with higher production value and more familiar faces than that astute micro-budgeted debut, though Night is just as personal. His resulting sophomore feature is part Greek tragedy, part vague social polemic, and one of the most terrifying films in several years.

Set in a remote, wooded mini-mansion, a family has made their home a fortress from some unspecified apocalypse. The elderly father of Sarah (Carmen Ejogo) has fallen “sick”, leaving her husband Paul (Joel Edgerton) and son Travis (Kelvin Harrison Jr.) to dispatch of him for their own safety. The desperate invasion of another family (led by Christopher Abbott and Riley Keough) tests both the reclusive family’s empathy and rigorously protected lifestyle. Meanwhile, Travis is having increasingly vivid visions of the encroaching malignant threat that test his (and our) sense of reality.

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Thursday
Apr272017

Tribeca 2017: "Sweet Virginia" 

Nathaniel R reporting from the Tribeca Film Festival

Christopher Abbott and Jon Bernthal develop an awkward friendship in "Sweet Virginia"

Sweet Virginia begins with an unnerving burst of violence in the bar of a small Alaskan town. Initially the carnage and resulting grief feels as senseless as all violence does. What a world. But this being a slow burn neo-noir, we know from rich movie history that the killings won't prove to be random. Caught up in the aftermath of the crime are two newly widowed women (Imogen Poots and Rosemarie DeWitt) who aren't as grief stricken as they should be, the non-local murderer (Christopher Abbott) who decides to hole up in town for a bit, and the owner of the local motel "Sweet Virginia," a retired rodeo champ (Jon Bernthal) who, as it turns out, has been carrying on an affair with the widow for years prior to the picture...

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Monday
Nov092015

AFI Fest: James White

Kieran, here reporting from AFI Fest in Hollywood.

James White (played by Christopher Abbott) is a 21-year-old whose life is in a kind of disarray that's sometimes indistinguishable, at least from the outset, from typical millenial aimlessness. He spends his evenings binge drinking, getting high and instigating bar fights all while harboring vague notions of becoming a writer. His estranged father has recently passed away and he sleeps on the sofa of his ailing mother, insisting that he's only there to take care of her. There's a lot in that plot description to suggest something trite and indie-by-numbers. My own antennae were up for yet another indie about a disaffected, yet ambiguously wealthy young white man. Thankfully, writer-director Josh Mond's directorial debut (he was previously a producer on Martha Marcy May Marlene whose director, Sean Durkin is a producer here) opts for something more specific and lived-in here.

The film's saving grace, at least on the script level, is that it manages to be kind to its lead character without co-signing his worldview or behavior. Yes, James is "a mess" as a family friend played by Ron Livingston tells him during a job interview that's going terribly in every possible way. [More...]

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Thursday
Aug302012

Melanie's Lynskey's Photo Album Pt 2

[Editor's Note: Today's guest blogger is the actress Melanie Lynskey. Her new film, the Sundance hit "Hello I Must Be Going" opens on September 7th. Don't miss it! -Nathaniel R]

PHOTO TIME. I'm sharing photos
(see part 1 for Venice with Peter Jackson and the upcoming feature Teddy Bears)

Cast & Crew of "They Came Together". © Melanie Lynskey

This photo above is of me saying "How in the hell did I get so lucky?" It is from the set of They Came Together, which is a romantic comedy that was written by David Wain and Michael Showalter and directed by Mr. Wain. Back row L-R: me, Amy Poehler, our first AD Lyda Blank, Paul Rudd, Erinn Hayes, Cobie Smulders, Kenan Thompson (on arm of sofa) Front row L-R: Michael Showalter, Ed Helms, Jason Mantzoukas, David Wain. Funny funny funny people!!

The next three pictures are from the set of Hello, I Must Be Going. It comes out September 7th -- so soon!

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