Doc Corner: 'The Edge of Democracy' on Netflix

By Glenn Dunks

There is a moment towards the start of The Edge of Democracy where director Petra Costa suggests that she thought both she and the political democracy of her homeland, Brazil, “would be standing on solid ground” now that both are in their 30s. It’s a noble idea not to mention a bit cute and certainly a little naïve because anybody with the benefit of hindsight knows that one’s youthful ideals often rarely bear such fruit.

It’s also an appropriate introduction to this, her third feature. That blending of the two narratives is just one small part in how Costa, whose 2012 earlier feature Elena was an even more intimate debut, makes her homeland’s troubling descent into authoritarianism all the more painful. It’s personal. For her and the audience of her gripping and devastatingly relevant documentary.

The Edge of Democracy is easily one of the great works of documentary this year.

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Pride Month Doc Corner: Four restored queer classics in re-release!

by Glenn Dunks

The Film Experience and Doc Corner is celebrating Pride Month with a focus on documentaries that tackle LGBTIQ themes. In this final edition we're looking at four classic documentaries that have now been restored and are back in theaters (in select cities), waiting to be (re-)discovered: The Queen (1968), A Bigger Splash (1973), Before Stonewall (1984), and Paris is Burning (1990).

We will begin with the earliest and move forward through time. I was lucky enough to see The Queen on the big screen at a repertory screening in New York several years ago... 

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Pride Month Doc Corner: 'Trixie Mattel: Moving Parts'

By Glenn Dunks

The Film Experience and Doc Corner are celebrating Pride Month with a focus on documentaries that tackle LGBTIQ themes. We had planned to cover the new HBO doc Wig about the return of Wigstock, but HBO wouldn't allow it so now Trixie Mattel is here being reviewed all by herself.

Brian Firkus aka Trixie Mattel needs no introduction to fans of RuPaul’s Drag Race, but a new documentary made by director Nicholas Zeig-Owens and the World of Wonder production house that produces the series seeks to do just that. Treading fairly similar ground to Drag Becomes Him about season five winner Jinkx Monsoon (fellow Drag Race contestants BenDeLaCreme appears in both being sage and wise), Trixie Mattel: Moving Parts follows a year in the life of the folk-singing drag queen with the face of a Dollywood beauty pageant.

Knowing precisely what fans will be watching a movie like Moving Parts for, Zeig-Owens begins with the mental breakdown of her UNHhhh and The Trixie and Katya Show co-star, Brian Joseph Cook aka Katya Zamolodchikova...

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Pride Month Doc Corner: Activists, Fighters and Organizers

By Glenn Dunks

Once again, The Film Experience and Doc Corner is celebrating Pride Month with a focus on documentaries that tackle LGBTIQ themes.

This week I am looking at four films, each of which focus around the fight for equality and LGBTIQ history across America. My favourite of the group is Southern Pride, a continuation of director Malcolm Ingram’s first documentary Small Town Gay Bar. Where that film navigated the communities around the bars Rumors and Crossroads, Southern Pride delves into two different bars – Just Us Lounge in Biloxi and KlubXclusive in Hattiesburg – as they attempt to pride events on the state’s gulf coast, the first of their kind.

Just Us owner Lynn Koval is the force behind the primary event with even RuPaul’s Drag Race competitor Gia Gunn booked, while KlubX’s Shawn Perryon, the recipient of a racist jailing for pot, who seeks to build a home for the region’s black queer population and with her own Unapologetic Black Gay Pride event.

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Pride Month Doc Corner: 'Halston'

By Glenn Dunks

Once again, The Film Experience and Doc Corner is celebrating Pride Month with a focus on documentaries that tackle LGBTIQ themes. This week is Halston, a fashion bio-doc about the famed American designer.

He was arguably the most famous out homosexual in America; feted by magazines and talk-shows, lauded in name by celebrities from coast to coast. A man of a certain time who emerged timeless; a pillar of an industry that had remained strikingly insular until his brand helped bring it to the American masses. Roy Halston Frowick left his impressionable mark on history early on, designing First Lady Jacqueline Kennedy’s iconic pillbox hat and translated that mark of destiny through a career that weaved down runways, across discotheques and into department stores.

His life is given an appropriately razzle-dazzle treatment in Halston from director Frédérick Tcheng. Told through the unusual narrative device of a fictional, unknown woman researching his life through video tapes, Halston is one of the more formally interesting examples of the fashion bio-doc genre and is infused with an atmosphere that is as slinky as one of his bias-cut dresses while also embracing his extravagant Manhattan lifestyle of chic glass offices, limousines and cocaine that evoke an era of lavish and queer excess.

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