SXSW: An Eccentric Collector in ‘The Pez Outlaw’

By Abe Friedtanzer

 

I don’t think I ever got into Pez. I may have collected Beanie Babies briefly and bought Pokémon cards for a week, but that was about it for any obsession that wasn’t movies or TV. But what always interested me about Pez – and I suspect this is the case for most people – is that it wasn’t the candy inside but the dispenser that was the attraction. It turns out, perhaps unsurprisingly, that there are people who spend their entire lives tracking down the rarest among them. Far ahead of the competition is Steve Glew, also known as the Pez Outlaw… 

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Doc Corner: Keith Maitland's 'Dear Mr. Brody'

By Glenn Dunks

Sometimes it is those brief moments in history that can offer the greatest glimpse at the changing state of a nation. Keith Maitland does just that with the story of Michael Brody Jr., a blip on the radar of pop culture by today’s standards, but who in 1970 at the age of 21—a self-proclaimed hippie millionaire, the heir to a large margarine fortune—caused pandemonium when he declared his intentions to give away his entire wealth to anybody who asked for it...

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Doc Corner: Salomé Jashi’s 'Taming the Garden'

By Glenn Dunks

Streaming now on MUBI.

The notes for Taming the Garden reference Werner Herzog and it’s not hard to see why. The absurd relationship between man and nature is as pivotal to Georgian filmmaker Salomé Jashi’s quiet and observant documentary as it is to so many of Herzog’s.

But Jashi’s film is nonetheless one all its own, blending modesty and spectacle in ways that may have its audience questioning the crux of its narrative just as much as its subjects do. It is the bizarre story of one (unseen) billionaire's efforts to uproot seemingly half of Georgia for his own pet arboreal project. Full of mesmerising static shots as trees are lumbered through the landscape looking like the Ents from Peter Jackson’s The Lord of the Rings movies and where the sight of a 30-metre high tree being shipped over the Black Sea attains a surreal grandeur that belies its otherwise restrained tone.

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Berlinale Prize Winners: Claire Denis, Carla Simón, and Isabelle Huppert

by Nathaniel R

The annual Berlinale proved to be yet another excellent film festival for female filmmakers. France's legendary auteur Claire Denis (Beau Travail, White Material, 35 Shots of Run) took Best Director for her latest Both Sides of the Blade (pictured above) which stars two incredible French titans of acting, Vincent Lindon and Juliette Binoche. This is Denis' very first prize at one of the Big Three European festivals if you can believe it. The top prize of the festival, the Golden Bear, went to rising Catalan filmmaker Carla Simón (Summer 1993) for her ensemble drama Alcaras about a family who may lose their farm.  

Complete list of winners after the jump and we do expect at least a couple of them to pop up in next year's International Feature Film Oscar race since the buzz often starts at Berlin for some entries to that category...

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Doc Corner: 'Janet Jackson.' and 'Poly Styrene: I Am a Cliché'

By Glenn Dunks

British X-Ray Spex frontwoman Poly Styrene and American pop superstar Janet Jackson are two very different musicians. It stands to reason that any biographic documentary about either would be wildly unalike. Although both artists are boundary-pushing women of colour in music, on very basic metrics, Poly Styrene: I Am a Cliché and Janet Jackson. are indeed very different. One is a exploration of a punk icon’s chaotic life and early death in all of its subject’s messy, unglamorous glory. The other is a sprawling, four-part work of popumentary that venerates and celebrates with high-gloss entertainment. However, it is in the areas where these projects intersect where one project finds its strengths and the other, unfortunately, falters...

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