Best International Film: Luxembourg, Paraguay, Switzerland

by Cláudio Alves

Instead of thinking about continental closeness, feminine authorship, or similar Oscar records, today's Best international Film submissions are bonded by a thematic link. The pictures selected to represent Luxembourg, Paraguay, and Switzerland all explore matters of displacement, whether through immigration or forced uprooting. They run the gamut, from fiction to documentary, from stories of economic precarity and political oppression to tales of colonial trauma. Though they're championing their countries in the Oscar race, these films consider the nations through complicated lenses and layers of otherness…

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Doc Corner: 138 titles qualify for Best Documentary Feature

By Glenn Dunks

The Academy has released the longlist of titles in competition for the Best Documentary Feature category. The number is 138, a significant reduction from previous years that were well over the 200 mark. According to The Wrap, it is the lowest number since 2015. That certainly makes our job easier as well as that of the Academy’s documentary branch members who now have to get this down to a list 15 before the final five are announced on nomination morning.

Why is the number so much lower? Well, there are three good reasons for that... 

1. There’s still a pandemic happening, so fewer documentaries have been made let alone released.
2. The eligibility year is also shorter given those first few months of 2021 don’t count.
3. A new Emmy rule states that any film on the Academy’s viewing portal cannot then qualify for the television academy’s awards so if producers make this choice now they can't unmake it.

The full list, links to reviews, thoughts and other musings after the jump…

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Doc Corner: Robert Greene's 'Procession'

By Glenn Dunks

It’s become somewhat predictable that a new Robert Greene will challenge an audience as much as it enthrals. He doesn’t exactly pick the most digestible of subject matter, but the way he comes at them is always so interesting and refreshingly unique that it becomes more than just a dour excursion into humanity’s darkest corners. While some may question his tactics, often interpolating traditional non-fiction form with performance and scripted drama, there is nonetheless a quality to his works that poke and prod at the most sensitive parts of a viewer’s brain.

His latest, the Netflix-distributed Catholic Church abuse drama Procession is no different. More so, it’s the best documentary of the year.

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Doc Corner: Denmark's Oscar Submission 'Flee' + 'We Are Russia' at DOC NYC

By Glenn Dunks

DOC NYC continues. The festival runs for in-person screenings from November 10–18 and then will carry over online until November 28. I have a Twitter thread covering what I am watching, but today we're looking at a big Oscar contender alongside a smaller, but no less worthy doc from the same part of the world.

I find it can often take a minute to get used to animated documentaries. I find the hand-crafted nature of the medium to be a bit of a barrier to the telling of these true-to-life stories. A barrier that my brain initially can’t quite comprehend when I am so used to the traditional elements—not too unlike adjusting to 3D or VR, maybe.

It’s true that animation has become more and more common in documentary, particularly as a means of representing moments of history that couldn’t have been captured on film. I sometimes wish they wouldn’t bother as the quality can often vary wildly. But like other documentaries made from a majority of animation (Keith Maitland’s Tower and Ari Folman’s Waltz with Bashir come to mind), the much buzzed Flee quickly surpasses those up-front mental blocks. Here, the vivid, colourful animation brings out an even deeper well of emotion from émigré Amin Nawabi’s story in the same way blue eyes can bring out the colour of an item of clothing.

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Doc Corner: 'Listening to Kenny G' and 'Jagged' at DOC NYC

By Glenn Dunks

DOC NYC starts today. The festival runs for in-person screenings from November 10–18 and then continues online until November 28. I have a Twitter thread covering what I am watching, but here we are looking at two music docs about artists from very different ends of the spectrum: Kenny G and Alanis Morissette.

Trust director Penny Lane to make a biographic documentary about a musician and have it not be the same old same old. The American filmmaker has been on a tear lately with Nuts! (about goat testicle charlatans), The Pain of Others (about Morgellons disease), and Hail Satan! (about the Satanic Temple). This run continues with the wittily assembled Listening to Kenny G, which plays today as the opening night film of DOC NYC.

Lane’s film isn’t the standard musician bio-doc, although it does chart his career from the early days discovering music in school and does make a spotlight out of his career highs and lows. What makes Listening to Kenny G so invigorating of a watch is because of the greater story within which this narrative is placed. One that interrogates the controversial anti-populous appeal of the multi-instrumentalist’s smooth jazz stylings from all angles.

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