Sundance: 'The Territory' is a winner!

by Cláudio Alves

Settlers fight their way into the land. Inspired by colonialist ideals of manifest destiny, they go on a journey of discovery and conquest. This is how new countries are born, with blades cutting down the wilderness and burning paths. However, the settlers are not alone. Deep in the mysterious unknown, indigenous people reside in a land that's been their home for millennia. These adventurers wear cowboy-like hats while their enemies, abstracted into an exotic other, fight with feathers in their hair. The two forces clash, but theirs is not a fight of equals. Invaders calling themselves heroes have numbers and firepower on their side, centuries-old systems built to perpetuate violent domination. Even their bodies carry weapons, sicknesses they spread to the natives, killing them in active genocide. 

No, this is not an old-fashioned western of less enlightened days nor a chronicle of historical crimes. This is the story of our days. This is The Territory…

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Sundance: More ‘I Love Lucy’ with ‘Lucy and Desi’

By Abe Friedtanzer

 Have you noticed that, when there’s a major scripted film about a real person from history, there’s often a documentary to go along with it at the same time? One of the very first articles I wrote for this site was about RBG and On the Basis of Sex, where the former was clearly the superior product. Recently, Being the Ricardos opened in theaters and then quickly to Amazon Prime. The movie looks at a (fictionalized) tempestuous week for the TV power couple. The documentary on the same couple, from director Amy Poehler, zooms out to look at their entire story, offering a good amount of added context.

This film’s title gives away its focus, which is that the lives of Lucille Ball and Desi Arnaz were so intertwined, even after they were no longer married, that it’s impossible to truly separate them...

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Sundance: 'The Janes' Brings Context to Modern Women’s Struggles

by Eurocheese

"The Janes" are a popular topic at the Sundance Film Festival this year, and given the way women’s rights are under attack in the US today, their story remains relevant. Earlier in the festival, the fictional Call Jane highlighted one woman’s story when she became involved with this group. In The Janes, documentarians Tia Lessin and Emma Pildes show the real women who lived this history, detailing the backstory of this group and showing us what a future with restricted women’s rights might look like...

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Sundance Review: ‘Three Minutes – A Lengthening’

By Abe Friedtanzer

There have been many films made about the Holocaust, and a great number of them focus on the horrors experienced within concentration camps. In addition to the millions of lives lost, there were also communities throughout Europe that were decimated, some of which have no survivors. Bianca Stigter’s Three Minutes – A Lengthening examines a short reel of footage that was shot in 1938 in Poland and offers a window into a town and way of life that can never be truly known or recreated…

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Sundance: The quandaries of 'Framing Agnes'

by Cláudio Alves

In the running time discourse, I'm firmly in the pro-long films camp, believing that a short duration is in no way indicative of cinematic discipline. Even so, it's easy to understand where people like Nathaniel come from. Everyone has seen some messy movie and came out thinking it could have been stronger if a dozen or so minutes had stayed on the cutting room floor. That being said, the reverse can happen when a project has great potential but kneecaps itself by being too brief, unable to develop its ideas. Chase Joynt's Framing Agnes is one such effort, full of fascinating information and captivating thoughts, not to mention good intentions. Unfortunately, at 75 minutes, this documentary flies by without time to explore any of its ideas with adequate depth…

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